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La gravità degli ottoni
by Alberto Bazzurro
Ogni tanto ci piace accorpare incisioni omogenee sotto il profilo strumentale, e poi magari diversissime per esiti espressivi e poetica che le informa. È il caso dei quattro album che trovate qui di seguito passati al vaglio, riuniti nel segno del trombone, in prima istanza, e degli ottoni gravi più in generale. Mark ...
Folklore and classicism from ECM: Dino Saluzzi's piano music & The Gurdjieff Folk Instruments Ensemble
by Mark Sullivan
Two recent ECM releases deal with the interface of folk and classical music, each in its own way. Imágenes presents classical piano music composed by Dino Saluzzi, a musician strongly associated with the Argentinian tango tradition. Komitas takes classical compositions based on Armenian folk music and reimagines them played on the folk instruments that would have ...
Losen Records: Jazz Around the World
by Jakob Baekgaard
Since the beginning, the Norwegian label Losen Records, which is run by the indefatigable Odd Gjelsnes, has not been satisfied with a replication of the so-called Nordic sound. Instead, Gjelsnes has literally spread himself around the world, with albums recorded in Australia, Sweden, South Africa, Norway and Spain. Gjelsnes is a true world citizen and the ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Two Simultaneous Jon Irabagon Releases: Quartet & Solo
by Mark Sullivan
Saxophonist Jon Irabagon has worked in a wide variety of settings, including Mostly Other People Do The Killing, the Mary Halvorson Quintet, Barry Altschul's 3Dom Factor, and the Dave Douglas Quintet. For the 2015 release on his own Irabbagast Records label he released two records on the same day: Behind the Sky, with his quartet plus ...
Piani di Battaglia
by Alberto Bazzurro
Un elemento che salta all'occhio, in Stefano Battaglia, è la discrezione, come artista e come uomo. Uno dei tanti modi in cui lo rivela è il grande rispetto che ha per la musica altrui. Una differenza, magari per molti impercettibile, che separa questi due album lo conferma una volta di più: nel primo, che ha per ...
Satoko Fujii with her various ensembles: Ichicgo Icihie, Yamiyo Ni Karasu and Kaze's Uminari
by Hrayr Attarian
Words like superb, outstanding or splendid are redundant when writing about pianist, accordionist and composer Satoko Fujii. With an average of five releases per year over the past decade, she is indeed one of the most prolific musicians. The abundance of her output though is never at the expense of its quality or originality. As the ...
Avvistamenti coltraniani
by Alberto Bazzurro
Se ci fosse bisogno di soppesare una volta di più quanto la memoria, le stimmate di John Coltrane siano ancora terribilmente di attualità ad ormai quasi mezzo secolo dalla sua comparsa, basterebbe mettere nel lettore questi cinque CD, incisi nel biennio che va dal giugno 2012 al giugno 2014 e messi sul mercato a seguire.
Strange Solo Sounds: SK Kakraba and Jonah Parzen-Johnson
by Jakob Baekgaard
Sounds are all around us. Some of them are so familiar that we barely recognize them. Music is a special kind of sound. It puts us in touch with the world or provides an escape from it. Sometimes, music is even able to conjure a world of sound that is hard to imagine. It can be ...
Three Shots from Siwula: Blaise Siwula & NoFrillsMusic
by Jakob Baekgaard
The emergence of free jazz in the 1950s and 1960s pioneered a new way of thinking about music that not only affected the way music sounded, but also the way it was shared and distributed. In many ways, free jazz was a movement away from mainstream and mass-distribution and the rediscovery of music as art, but ...
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