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Results for "Multiple Reviews"
Poker di Jon Irabagon
by Stefano Merighi
Il jazz di oggi è sicuramente policentrico, continuando in questo la sua stratificata tradizione. Sempre più spazio trovano artisti americani di origini diverse. Tra essi, il sassofonista Jon Irabagon (sangue filippino) è emerso da un decennio con una forza dirompente, conseguenza di una preparazione enciclopedica, tradotta abilmente in un'ampia gamma di situazioni sonore.
Dave's Picks Volume 15 & Dick's Picks Volume 5
by Doug Collette
It's been said before but it's worth saying again: if the coincidental Grateful Dead archive releases on Real Gone Music and Rhino Records are meant to complement each or not, they end up doing so. Significant changes in the band's personnel took place in the fifteen months between the April 22, 1978 show captured on Dave's ...
The Nordic Fusion of BoogiePost Recordings
by Eyal Hareuveni
Swedish, Copenhagen-based guitarist Samuel Hällkvist and Swedish, Gothenburg-based guitarist Thomas Gunillasson suggest two different perspectives on the legacy of fusion on their new recordings, one reaches for infinite, futuristic sounds and the other is rooted in fusion technical legacy. Samuel Hällkvist Variety of Live BoogiePost Recordings 2015 ...
La gravità degli ottoni
by Alberto Bazzurro
Ogni tanto ci piace accorpare incisioni omogenee sotto il profilo strumentale, e poi magari diversissime per esiti espressivi e poetica che le informa. È il caso dei quattro album che trovate qui di seguito passati al vaglio, riuniti nel segno del trombone, in prima istanza, e degli ottoni gravi più in generale. Mark ...
Folklore and classicism from ECM: Dino Saluzzi's piano music & The Gurdjieff Folk Instruments Ensemble
by Mark Sullivan
Two recent ECM releases deal with the interface of folk and classical music, each in its own way. Imágenes presents classical piano music composed by Dino Saluzzi, a musician strongly associated with the Argentinian tango tradition. Komitas takes classical compositions based on Armenian folk music and reimagines them played on the folk instruments that would have ...
Losen Records: Jazz Around the World
by Jakob Baekgaard
Since the beginning, the Norwegian label Losen Records, which is run by the indefatigable Odd Gjelsnes, has not been satisfied with a replication of the so-called Nordic sound. Instead, Gjelsnes has literally spread himself around the world, with albums recorded in Australia, Sweden, South Africa, Norway and Spain. Gjelsnes is a true world citizen and the ...
BGO Records: Excellence in Jazz Reissues
by Jakob Baekgaard
In the digital age we live in, there is no doubt that the business of reissuing music is booming. It has never been easier to get music, old and new, in digital or physical form. However, one thing is to re-release a record; another thing is to do it the right way. BGO Records, run by ...
Two Simultaneous Jon Irabagon Releases: Quartet & Solo
by Mark Sullivan
Saxophonist Jon Irabagon has worked in a wide variety of settings, including Mostly Other People Do The Killing, the Mary Halvorson Quintet, Barry Altschul's 3Dom Factor, and the Dave Douglas Quintet. For the 2015 release on his own Irabbagast Records label he released two records on the same day: Behind the Sky, with his quartet plus ...
Piani di Battaglia
by Alberto Bazzurro
Un elemento che salta all'occhio, in Stefano Battaglia, è la discrezione, come artista e come uomo. Uno dei tanti modi in cui lo rivela è il grande rispetto che ha per la musica altrui. Una differenza, magari per molti impercettibile, che separa questi due album lo conferma una volta di più: nel primo, che ha per ...
Satoko Fujii with her various ensembles: Ichicgo Icihie, Yamiyo Ni Karasu and Kaze's Uminari
by Hrayr Attarian
Words like superb, outstanding or splendid are redundant when writing about pianist, accordionist and composer Satoko Fujii. With an average of five releases per year over the past decade, she is indeed one of the most prolific musicians. The abundance of her output though is never at the expense of its quality or originality. As the ...

