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Modern Jazz Quartet: Bluesology: The Atlantic Years 1956-1988
by Chris May
Asked to name the most insurrectionary artists associated with the Atlantic label, most jazz fans would probably think first of saxophonists John Coltrane and Ornette Coleman. Pianist John Lewis' Modern Jazz Quartet would come much further down the list. Yet in its own, more velvet manner, the MJQ was as radical as Coltrane and Coleman. When ...
Chip White: More Dedications (Vol. II)
by George Kanzler
A versatile drummer busy on the Chip White has published a book of his poems about jazz musicians, I'm Just the Drummer in the Band. Each is a concise, rhymed bio-celebration of the jazz musician, a poetic jazz encyclopedia entry if you will, often incorporating album titles and/or prominent stylistic characteristics of the musician. More Dedications ...
Khan Jamal: Cool
by Francis Lo Kee
Always interesting and quite different from one to the next, vibraphonist Khan Jamal's recordings have charted a unique course through the world of improvisational music, from trio recordings with bass and drums or guitar and drums to sessions with great horn players (eg. Grachan Moncur III, Byard Lancaster, Charles Tyler, et. al.) to the somewhat psychedelic ...
Steve Kuhn: Shimmering Beauty
by Maxwell Chandler
This interview was originally published on All About Jazz on March 2, 2009. Whether it is in his trio, collaborating with vocalists or accompanying an orchestra, pianist Steve Kuhn has always managed to effortlessly defy and combine genres. Whether it is an older recording or one of his newer albums, an inherent ability to ...
Paying Hommage A Nesuhi
Rhino Presents a Digital Boxed Set Honoring The Roster of Iconic Jazz Artists Nesuhi Ertegun Assembled at Atlantic Records Joel Dorn's Final Production Features Music from The Modern Jazz Quartet, John Coltrane, Milt Jackson, Charles Mingus, Ornette Coleman, Eddie Harris and More Available June 23, 2009 LOS ANGELES -- In 1955, Nesuhi ...
Liner Notes
by Jeff Fitzgerald, Genius
When renowned jazz critic Leonard Feather was asked about this record, he said something favorable. And thus has become the general consensus since its release in late 1959, early 1974, 1989, 1998, and finally in 2004. I'm certain that upon hearing it, you'll feel the same. The fates aligned when this session was recorded. ...
Gary Burton: Forging Ahead
by R.J. DeLuke
"I got started in Nashville and knew a lot of the country musicians. I got my first record contract from Chet Atkins who saw me playing in a local club in Nashville and who decided to talk to RCA and get them to offer me a long-term contract," says this renowned musician born in a small ...
Michael Pinto: Prologue
by Mark F. Turner
Though influenced by the great Milt Jackson, vibraphonist Mike Pinto has his own lofty ideas about the instrument as shown on this ambitious debut. His impressive mallet scissoring has been heard with notable drummers Billy Hart and Nasheet Waits as well as performances/recordings with another rising star, saxophonist Logan Richardson. Pinto and Richardson, ...
Charlie Parker: Bird in Time 1940-1947
by Raul d'Gama Rose
Charlie ParkerBird in Time 1940-1947--Selected Recordings and Rare InterviewsESP-Disk2008 Let us now praise a famous ghost... embracing the spirit of Charlie Bird Parker. They are like feathers fluttering down from a spirit up above. Bird feathers. I make haste to collect them as the settle around me ...
Queens: Home of Jazz and Flushing Town Hall
by Greg Thomas
When most people think of jazz in New York City, Manhattan readily comes to mind. The “East Coast" stride piano style was developed in Harlem, where venues such as the Savoy Ballroom, Small's Paradise, the Cotton Club and Minton's Playhouse presented the big bands and small groups of jazz lore. 52nd Street became known for its ...
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