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Milt Jackson

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Miles Davis: Miles '55: The Prestige Recordings

by Richard J Salvucci
It is hard to imagine any casual jazz fan failing a blindfold test on the vinyls on offer here. It is a game people play: how quickly can you identify the performer. A lot of horn players make it into the competition, because horns are boisterous and mimic the human voice and persona. Clark Terry, some say, requires one note. And for much of his career, starting in the mid-1950s, a compatriot and mentee of Terry's: Miles Davis was equally ...
Continue ReadingExploration (Dominik Kisiel Exploration Quartet), Hank Mobley, Garaj Mahal, Wilton Felder and More

by David W. Daniels
Jazz classics by Milt Jackson, Abbey Lincoln, Woody Shaw, and more. Re-releases from Miles Davis and the Tommy Smith Quartet. New music from Mark Winkler, Nick Finzer, Paul Cornish, and more. This week's birthdays (8/31 through 9/6) include Horace Silver, Gerald Wilson, Teri Thornton, and more. Playlist Dominik Kisiel Exploration Quartet Exploration" from Exploration (Alpaka) 00:00 Hank Mobley 3rd Time Around" from A Caddy For Daddy (Blue Note) 11:04 Milt Jackson The Spirit Feel" from The Atlantic Albums ...
Continue ReadingThe Los Angeles Jazz Scene of the 1950’s from Robert Gordon’s “Jazz West Coast”

by Steven Cerra
Originally published in London in 1986 by Quartet Books LTD, Bob Gordon's seminal work on the jazz styles and groups that developed primarily in Los Angeles in the 1950s has long been out-of-print and copies of it are difficult to obtain. In order to rectify this lack of availability, Bob Gordon has given me permission to represent this work as part of the ongoing Jazz West Coast column. At the outset, it is important to note ...
Continue ReadingVerve's Bossa Nova U.S.A.

by Arnaldo DeSouteiro
Paul Desmond: Samba with Some Barbecue Originally titled Struttin' with Some Barbecue" in 1941, this Satchmo tune lost its Dixie beat and got a bossa groove in the hands of the infallible Don Sebesky. Brazilian drummer Airto Moreira, then a newcomer in the New York jazz scene, provides a fiery propulsion to Paul Desmond's lyrical approach and dry martini" alto sound. Different from the sad results of pseudo-bossa albums by Gene Ammons, Sonny Rollins, and so many others, this is ...
Continue ReadingThelonious Monk: Celebrating 75 Years Of His First Recordings Revisited

by Stefano Merighi
Affrontare oggi queste pagine monkiane significa non solo riconsiderare l'importanza cruciale di un repertorio senza tempo, ma provare proprio un'ebbrezza dell'ascolto difficilmente eguagliabile. Thelonious Monk marchia a fuoco con la sua personalità tutta un'epoca del jazz che è quella rivoluzionaria del bebop--nonché quella riformista" dell'hard bop--e stabilisce molte delle coordinate che ispirano la migliore musica africana-americana di oggi, sia di orientamento free che di stampo armonico progressive. In questo caso, la collana ezz-thetics realizza un'operazione davvero interessante, assemblando ...
Continue ReadingCTI Acid Jazz Grooves by Various Artists

by Arnaldo DeSouteiro
The CD you are holding in your hands is a very special compilation. It's the celebration of CTI as one of the most sampled" labels on Earth! For the past ten years, many CTI tracks have been cut up, sampled, scratched and looped to create new songs for a new audience. Many of the selections on this album (all of them produced by Creed Taylor and engineered by Rudy Van Gelder) represented the basic inspiration and major influence in the ...
Continue ReadingVarious Artists: The Birth of Bop

by Richard J Salvucci
Someone famously called jazz the sound of surprise, but all too often, what is on offer is the dull hum of routine. Or something like that. This historic reissue is, however, anything but routine. This is not the first time that Teddy Reig's Savoy sides have been reissued (was he also the mysterious Buck Ram listed as producing one track?), but Craft Recordings took a lot of trouble to produce this very fine selection. If a listener were, ...
Continue ReadingVideo: Milt Jackson, 1984

Source:
JazzWax by Marc Myers
Vibraphonist Milt Jackson's earliest recordings were accompanying Dinah Washington on her first releases on Apollo Records in Los Angeles in 1945. He also was among the first to perform bop with Dizzy Gillespie's Rebop Six in December '45 (Groovin' High) and with Gillespie's big band of 1946. Through the years, he recorded with Miles Davis, Thelonious Monk and many other important artists in the early 1950s. And he pioneered chamber jazz as a member of the Modern Jazz Quartet, starting ...
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The Milt Jackson Quartet, Then And Then

Source:
Rifftides by Doug Ramsey
A video of The Modern Jazz Quartet has been getting wide viewership on the internet. The YouTube presentation does not disclose that the group we see and hear is the MJQ’s predecessor, the rhythm section of Dizzy Gillespie’s big band from 1946 to the early fifties. To give his brass section rests during concerts, Gillespie occasionally featured interludeswith vibraharpist Milt Jackson, pianist John Lewis, bassist Ray Brown and drummer Kenny Clarke. They first recorded as an entity in 1951 as ...
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Milt Jackson Tribute Band at Ortlieb's Jazzhaus on June 29 & 30, 2007

Source:
All About Jazz