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Milt Jackson
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Born on Jan. 1, 1923, in Detroit, Jackson's musical beginnings were in the neighborhood gospel churches as a pianist, guitarist, violinist percussionist and singer. He took up the vibraphone in high school. He moved to New York, played with Earl Hines and in 1945, joined Dizzy Gillespie's big band rhythm section, which also included pianist John Lewis, bassist Ray Brown and drummer Kenny Clarke. He worked with Charlie Parker, Thelonious Monk and Miles Davis and in 1951 recorded with Gillespie bandmates Lewis, Clarke and Brown. Inspired by that recording, they reformed as the Modern Jazz Quartet in 1952 with Percy Heath replacing Ray Brown and Connie Kay taking the drum chair after the departure of Kenny Clarke in 1955
Do You CTI What I CTI?
by Patrick Burnette
Back on Episode 247, Pat gave an overview of Creed Taylor's famous (infamous?) CTI label that bestrode the first half of the nineteen seventies like a jazz colossus. Now we've got both members of the 'cast weighing in on four of the label's better productions. So comb your sideburns (and your shag rugs) and settle in ...
Laurie Moore Trio at Leith Jazz & Blues Festival
by Mark McKergow
Laurie Moore Trio Bowler's Rest, Leith A Tribute to the Bass Boss Edinburgh June 6, 2026 Young double bassist Laurie Moore confidently led his trio through two full sets of A Tribute to the Bass Boss, celebrating the music of bass legend Ray Brown. The musicianship was top-class, the program well ...
Listen to Prestige Now, Think Later
by Patrick Burnette
Listening to Prestige: Chronicling its Classic Jazz Records, 1949-1972 Tad Richards 250 Pages ISBN: 979-8-8558-0495-9 State University of New York Press 2025 Most jazz histories end up focusing on individual musicians, understandably enough. Talk about movements in jazz all you want: dixieland, swing, be-bop, hard-bop. You will end up talking ...
Plays Duke, part II: Contemporary Covers of Ellingtonia from the Swing Era
by Larry Slater
Duke Ellington always said his orchestra was his instrument, and the Duke Ellington Orchestra was at the peak of its power and popularity in the 1930s and 40s. Many famous Ellington masterpieces were penned during this era; “It Don't Mean a Thing If It Ain't Got That Swing," “Do Nothing Till You Hear From Me," “I ...
James Francies, Joel Ross and Immanuel Wilkins at The New School
by Paul Reynolds
James Francies, Joel Ross, Immanuel Wilkins and The Blue Note All-Stars The New School New York, NY March 5, 2026 What does a jazz program do when three of its faculty record for the famed Blue Note Records? If you're The New School for Jazz and Contemporary Music, you create a ...
Tribute to Jesse Jackson, Also Classic Jazz from Woody Shaw and Others
by David W. Daniels
Musical tribute to Jesse Jackson featuring Don Patterson, Billy Eckstine, and Milt Jackson. Classic jazz from Woody Shaw, Don Ellis, and others. New music from Brian Molley Quartet, Stephane Wrembel, Roy Hargrove, and others. Birthday recognition for Henry Threadgill, Randy Crawford, the band Incognito, and more. Playlist Bill Evans Trio “Beautiful Love" from Explorations ...
Joel Ross: Gospel Music
by Jack Kenny
Religion has long provided a stimulus for jazz. Figures as august as Duke Ellington and John Coltrane drew profound inspiration from their faith, though their reception varied. Ellington's religious compositions were often unfairly dismissed as the eccentric, late career works of an aging genius. Conversely, John Coltrane's A Love Supreme (Impulse!, 1965) perfectly captured the spiritual ...
Dave McMurray Hears Himself In All Of Detroit's Music
by John Chacona
Saxophonist and composer Dave McMurray has much of the celebrated history of Detroit music in his memory and under his fingers. Now 70, and with four acclaimed releases on the storied Blue Note label, he is arguably at the pinnacle of a long and remarkably varied career. All the strands of that career are ...
From Mystery to Momentum: Bill Frisell’s Quartet at The Jazz Gallery
by Dave Kaufman
It was a glorious year for The Jazz Gallery as it celebrated its 30th-anniversary season with a series of stellar concerts. The Jazz Gallery is a remarkably inviting and hospitable venue, friendly to both patrons and photographers. The room has great sound and affords comfortable seating. It is a strong contender for the best jazz “club" ...
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