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MUSICIAN Born:

Milt Jackson

Born on Jan. 1, 1923, in Detroit, Jackson's musical beginnings were in the neighborhood gospel churches as a pianist, guitarist, violinist percussionist and singer. He took up the vibraphone in high school. He moved to New York, played with Earl Hines and in 1945, joined Dizzy Gillespie's big band rhythm section, which also included pianist John Lewis, bassist Ray Brown and drummer Kenny Clarke. He worked with Charlie Parker, Thelonious Monk and Miles Davis and in 1951 recorded with Gillespie bandmates Lewis, Clarke and Brown. Inspired by that recording, they reformed as the Modern Jazz Quartet in 1952 with Percy Heath replacing Ray Brown and Connie Kay taking the drum chair after the departure of Kenny Clarke in 1955

ARTICLE: ALBUM REVIEW

Ellis Marsalis with Jason Marsalis: The New Orleans Collection: For All We Know

Read "The New Orleans Collection: For All We Know" reviewed by Pierre Giroux

Newvelle Records, which was established in 2015, believes that in this digital age there is an opportunity to build a new model for creating and distributing music. Each year, Newvelle releases a series of six albums, exclusively on vinyl, that pairs musicians with celebrated artists, writers and poets. The New Orleans Collection contains four single sleeve ...

ARTICLE: ALBUM REVIEW

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Jack Bowers

A tentet is a rather strange bird; too large to be labeled a small group, yet too small to be counted as a big band, it resides somewhere near the edges, mapping out its own musical profile. Some may rate that an asset, while others may deem it a mere hybrid, unworthy of their consideration. Wiser ...

ARTICLE: ALBUM REVIEW

Uptown Jazz Tentet: What's Next

Read "What's Next" reviewed by Edward Blanco

New York-based trombonist Willie Applewhite birthed the idea of forming a new big band comprised of friends, and in 2016 The Uptown Jazz Tentet was established, co-led by trumpeter Brandon Lee and trombonist James Burton III. After playing to live audiences for several years, What's Next is the group's debut recording, and what an outing it ...

ARTICLE: RADIO

Mike Dillon, Chick Corea, Milt Jackson and More

Read "Mike Dillon, Chick Corea, Milt Jackson and More" reviewed by Joe Dimino

This week we start with the music of veteran vibraphonist Mike Dillon, who just returned to Kansas City, and has a released a new album Rosewood. We also spotlight new music from Nicholas Krolak, Bartosz Hadala, Dann Zinn and Joe Fiedler. We give a birthday shoutout to the legendary Terry Gibbs and say good-bye to Eddie ...

ARTICLE: TAKE FIVE WITH...

Take Five with TRi/O's Steve Shapiro, Dave Anderson and Tyger MacNeal

Read "Take Five with TRi/O's Steve Shapiro, Dave Anderson and Tyger MacNeal" reviewed by AAJ Staff

Meet TRi/O TRi/O is a collaborative groove-based contemporary jazz & funk outing from three New York musicians: Steve Shapiro on vibraphone and mallet keyboards, virtuoso 5-string bassist Dave Anderson, and drummer Tyger MacNeal. Their combined credits comprise a long list of major jazz and pop artists—including Steely Dan, Ornette Coleman, Phil Collins, Spyro Gyra, Whitney Houston, ...

ARTICLE: ALBUM REVIEW

Chien Chien Lu: The Path

Read "The Path" reviewed by Dan Bilawsky

For vibraphonist Chien Chien Lu, the path to jazz wasn't direct. She rode a contemporary classical percussion track into her twenties in her native Taiwan, but, as it turned out, that drive was less about reaching a destination than it was about the act of discovery: A growing desire for musical freedom and adventure eventually set ...

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums  With No Added Sugar (Almost)" reviewed by Chris May

Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

Read "Atlantic Records: More Giant Steps: An Alternative Top 20 Albums" reviewed by Chris May

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

Read "Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums" reviewed by Chris May

There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...


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