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October 5th thru 8th, the Tri-Centric Foundation presents a 4-day festival "Energies, Ideas, Intuitions: The Tri-Centric Music of Anthony Braxton" at Roulette's new venue
This is the most comprehensive portrait of Anthony Braxton ever presented in the United States, with Braxton himself performing or conducting every night, leading a total of 60+ musicians. There will be world and U.S. premieres every evening. Prior to the event, we have released a FREE special sampler CD of Braxton's works, spanning over 3 ...
Thirsty Ear at Stone Curated by Peter Gordon: October 1-15
In 1990, Thirsty Ear made its emergence as a record label of its own, quickly accelerating its position and becoming one of the top alternative independent labels within the U.S. music industry. Since its beginning in 2000, the story of the Blue Series has been one of focused, organic evolution. From free jazz masters, legends in ...
Ches Smith, Tyshawn Sorey & Roy Haynes
by Martin Longley
Ches Smith & These Arches The Stone August 30, 2011 John Zorn's Stone was pretty much sold out for this single set by drummer Ches Smith's five-piece band. That's 74 folks crammed into a thankfully air-conditioned zone. The reason that the normally silenced A/C was allowed to thrum is ...
Thirsty Ear at The Stone (NYC) October 1st to the 15th
Tapping into the vast resources of Thirsty Ear's much-heralded Blue Series, President Peter Gordon will be curating two weeks at The Stone, from October 1st to October 15th. From free jazz masters, legends in their own time, to some of the most innovative hip-hop and electronic music producers, to individuals whose music defies any such labeling, ...
Vision Festival: Days 2-3, June 6-7, 2011
by John Sharpe
Day 1 | Days 2-3 | Day 4 | Days 5-6 | Day 7 Vision FestivalAbrons Arts CenterNew York, NYJune 6-7, 2011 Having two stage areas allowed the Vision Festival organizers to minimize changeover times by programming consecutive performances alternately, between the main hall and the downstairs theater. Breathless ...
Arrington De Dionyso, Mary Halvorson, Liturgy, Sightings, Peter Brotzmann & Pulverize The Sound
by Martin Longley
Arrington De Dionyso's Malaikat Dan Singa Cake Shop May 25, 2011 When I first witnessed the singer, reedsman, guitarist and performance artist Arrington De Dionyso at The Stone, he was working as a solo act, exploring extended timbres, textured multiphonics, confrontational starkness and isolated honking eruptions. In more recent ...
Peter Evans / Agusti Fernandez / Mats Gustafsson: Kopros Lithos
by Mark Corroto
Much like conceptual artist Piero Manzoni's Merda d'artista project, trumpeter Peter Evans, pianist Agustí Fernández, and saxophonist Mats Gustafsson present this all-acoustic improvisation session called Kopros Lithos, or “fossilized dung."In 1961, Manzoni set about to produce 90 cans of his own feces as a limited edition art piece. In 2007, one can sold at ...
Peter Evans Quintet: Ghosts
by Mark Corroto
The Peter Evans Quintet's Ghosts acts as a sort of back-to-the-future recording--that is, if the present were 2021. This inaugural release on the trumpeter's own label has a standard trumpet/piano/bass/drums setup, plus the incorporation of real-time, live electronic processing to make up the full quintet. Listening to any recording by Evans often prompts the ...
Weasel Walter / Mary Halvorson / Peter Evans: Electric Fruit
by Clifford Allen
Weasel Walter / Mary Halvorson / Peter EvansElectric FruitThirsty Ear2011 Percussionist and improviser Weasel Walter often uses the term “face rip" to describe a particularly intense musical experience. In improvised music, you often don't get a “blood and guts" approach; free jazz, in many instances, has been ...
Ingrid Laubrock’s Anti-House: London, UK, January 18, 2011
by John Sharpe
Ingrid Laubrock's Anti-HouseVortex Jazz ClubLondonJanuary 18, 2011 If music could be said to resemble a puzzle, then German saxophonist Ingrid Laubrock's Anti-House might be described as the sonic equivalent of a Sudoku. You know all the numbers fit somewhere and that there is logic behind it, but it just escapes comprehension ...
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