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Charlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...
Burton Greene: From Bomb To Balm
by Barbara Ina Frenz
Chicago-born pianist Narada Burton Greene (b.1937) can be called a veteran of the 1960s jazz avant-garde—the starting point of his universal musical life. In 1962, he moved to New York and founded, together with bassist Alan Silva, the Free Form Improvisational Ensemble, which played improvised music without preconceived compositional elements. In 1965, he became a member ...
New music from Anthony Pirog, Mary Halvorson, Toine Thys, & Dan Fortin, and more
by Bob Osborne
On this edition exciting new music from Anthony Pirog, Mary Halvorson, Toine Thys, Dan Fortin, Jeff Kimmel Ishmael Ali & Bill Harris, and, Sabir Mateen Christopher Dell Christian Ramond & Klaus Kugel, a subscriber special from Dave Douglas, plus rereleased albums from the 1960s from Marion Brown. Playlist Anthony Pirog “Adonna The Painter" from ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
Charlie Parker: Birth Of Bebop - Celebrating Bird At 100
by Mark Corroto
Let's face it, there is absolutely nothing new to say about the music of Charlie Parker, unless (insert joke here) you happen to be Phil Schaap. Lao Tzu's quote “The flame that burns twice as bright burns half as long" is fitting. John Coltrane was 40 when he died in 1967, Eric Dolphy 36 in 1964, ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Leo Smith and New Dalta Ahkri
by Daniel Barbiero
Coming to New England: Emerson, Ives and Brown When trumpeter/composer Leo Smith returned to the United States after having spent 1969-1970 in Europe, he settled not in New York, as most jazz musicians might be expected to do, or even in Chicago, where he'd spent a fruitful several years in the 1960s. Instead, he chose to ...
Results for pages tagged "Marion Brown"...
Marion Brown
Born:
Marion Brown made his name as an alto saxophonist aftermastering clarinet and oboe, and established himself in theforefront of the free jazz movement.
Born in Atlanta, on Sept. 8, 1931, he moved to Harlem as ateenager. In the 50s he studied music at Clark College,Atlanta and law at Howard University, Washington, DC. Hespent 18 months playing the clarinet in an army band on theJapanese island of Hokkaido. In 1962 he moved back toNewYork to play jazz full time, and was mentored by OrnetteColeman. His first musical exposure came with ArchieShepp,and he quickly gained a reputation after playing on JohnColtrane's historic “Ascension.”
Harriet Tubman at SFJAZZ
by Harry S. Pariser
Harriet Tubman SFJAZZ San Francisco, CA January 23, 2020 The electric bass, electric guitar and drum trio Harriet Tubman stands apart in the music world. As guitarist Brandon Ross notes, they are electrified yet based on spiritual influences such as the late Alice Coltrane, the late John Coltrane's wife who ran ...
Adam Rudolph: Ragmala and Prototypical Music
by Franz A. Matzner
Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...
