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About Maria Schneider

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Musician

Maria Schneider

Born:

Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, imaginative, revelatory, riveting, daring, and beyond categorization.” Blurring the lines between genres, her varied commissioners stretch from Jazz at Lincoln Center, to The Saint Paul Chamber Orchestra, to the American Dance Festival, and include collaboration with David Bowie. She is among a small few to receive GRAMMYS in multiple genres, having received the award in jazz and classical, as well as for her work with David Bowie.

With her first recording, Evanescence (1994), Schneider began developing her personal way of writing for her 18-member collective made up of many of the finest musicians in jazz today, tailoring her compositions to the uniquely creative voices of the group. They have performed at festivals and concert halls worldwide, and she herself has received numerous commissions and guest-conducting invites, working with over 90 groups in over 30 countries.

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Article: Album Review

Mike Holober: Hiding Out

Read "Hiding Out" reviewed by Angelo Leonardi


Un decennio dopo Quake (Sunnyside 2009), l'arrangiatore e bandleader Mike Holober riporta sotto i riflettori la newyorchese Gotham Jazz Orchestra in uno scintillante doppio compact che raccoglie due ricercate composizioni ("Flow" in tre movimenti, “Hiding Out" in cinque) e tre brani medio-lunghi (tra cui il delizioso “Caminhos Cruzados" di Jobim in due versioni). Come ...

1

Article: Album Review

Juan Andrés Ospina: Tramontana

Read "Tramontana" reviewed by Angelo Leonardi


Fa la spola tra New York e Bogotà -la sua città natale— Juan Andrés Ospina, leader di questo bel progetto orchestrale che raccoglie 26 musicisti da dieci diversi Paesi. Ospina non è solo bandleader e orchestratore ma pianista, produttore e autore di musiche da film. Il suo percorso formativo e professionale s'è svolto tra ...

13

Article: Year in Review

2019: The Year in Jazz

Read "2019: The Year in Jazz" reviewed by Ken Franckling


The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...

2

Article: Radio & Podcasts

Bending Towards the Light

Read "Bending Towards the Light" reviewed by Mary Foster Conklin


This week's episode includes a smattering of old and new holiday songs penned by women, a boatload of new releases from vocalists Alex Pangman, Jim Caruso, Billy Stritch and Klea Blackhurst, Alla Ray, Alison Wedding, pianists Hyuna Park, Simone Baron and Carmen Sandim, trombonist Aubrey Logan and bassist Kristen Korb, plus birthday shout outs to Ethel ...

4

Article: Radio & Podcasts

Never Forget to Say Thank You

Read "Never Forget to Say Thank You" reviewed by Mary Foster Conklin


This week we feature Grammy nominees and finalists from the Hot House/Jazzmobile NYC Readers Jazz Awards, a new release from Alice Ricciardi and Pietro Lussu, plus birthday shout outs to June Christy, Hoagy Carmichael, Johnny Mandel, Etta Jones, pianist Geoffrey Keezer and Michelle Ann May of Musique Noire, among others. Playlist Musique Noire “Pretty ...

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Article: Album Review

Various Artists: Newvelle Muri

Read "Newvelle Muri" reviewed by Karl Ackermann


Swiss drummer/percussionist and composer, Stephan Diethelm lived in Zimbabwe for several years and was musically influenced by the African rhythms he heard. He had appeared on four albums when he launched the Muri Series, an ongoing succession of concerts that began in 2002, sometimes called Musig im Pflegidach. Pflegidach is a monastery that dates to the ...

News: Birthday

Jazz Musician of the Day: Maria Schneider

Jazz Musician of the Day: Maria Schneider

All About Jazz is celebrating Maria Schneider's birthday today! Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their first recording, Evanescence. There, Schneider began to develop her personal way of writing for what would ...

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Article: Album Review

Ezra Weiss Big Band: We Limit Not The Truth of God

Read "We Limit Not The Truth of God" reviewed by Jerome Wilson


In 2015 Ezra Weiss began to compose a suite that he intended would be a cautiously optimistic message to his young children about the world they were living in and the challenges and promise they would face as they grew up. By the time this music was completed and recorded in December 2018, its mood and ...

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Article: Album Review

Remy Le Boeuf: Assembly Of Shadows

Read "Assembly Of Shadows" reviewed by Dan McClenaghan


Remy Le Boeuf's Assembly Of Shadows, an ambitious jazz orchestra recording, opens with his original composition, the cinematic “Strata," followed by a majestic take on alto saxophonist Ornette Coleman's “Honeymooners," a tune from the free jazz pioneer's Virgin Beauty (Portrait Records, 1988). These sounds--collectively clocking in at fifteen and a half minutes--set the stage for the ...


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