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About Liberation Music Orchestra

Results for pages tagged "Liberation Music Orchestra"...

9

Article: Reanimating Conversations Past

Charlie Haden: Anatomy of a Jazz Classic

Read "Charlie Haden: Anatomy of a Jazz Classic" reviewed by John Ephland


It was a phoner from the suburban Chicago offices of DownBeat to bassist Charlie Haden in L.A. Our talk, which was held on September 15, 1991, was periodically interrupted by his needing to say, “Hold on one second." The occasion? The 30th anniversary of the release of saxophonist Ornette Coleman's groundbreaking LP Free Jazz: A Collective ...

17

Article: Album Review

Mick Goodrick: In Pas(s)ing

Read "In Pas(s)ing" reviewed by Frank Housh


In Pas(s)ing, originally released in 1979, was Mick Goodrick's first and last ECM Records recording as a leader. Indeed, aside from an appearance on Charlie Haden's recording of ECM's musical manifesto The Battle Of The Fallen (1983) by the Liberation Music Orchestra, Goodrick never again appeared on an ECM recording. In Pas(s)ing will be re-issued July 10, 2026 as part of ECM's ...

1

Article: Radio & Podcasts

Sheila Jordan (RIP), Phil Haynes, Jason Kao Hwang, and Sarah Wilson

Read "Sheila Jordan (RIP), Phil Haynes, Jason Kao Hwang, and Sarah Wilson" reviewed by Jerome Wilson


This episode pays tribute to the recently deceased Sheila Jordan by playing music from the early and later parts of her long career. It also features music from Sarah Wilson, Jason Kao Hwang, and Phillip Haynes among others. Playlist Henry Threadgill Sextett “I Can't Wait till I Get Home" from The Complete Novus & ...

2

Article: Radio & Podcasts

Joseph Daley, Michal Aftyka, Les McCann & Larry Roland

Read "Joseph Daley, Michal Aftyka, Les McCann & Larry Roland" reviewed by Maurice Hogue


The tuba is not a horn that you'll hear that often in a typical jazz ensemble, but when you do, it's memorable. Joseph Daley is one of the noted masters of that instruments, with a career that has seen him playing with artists from Anthony Braxton to Carla Bley to Jane Cortez to the Liberation Music ...

Article: Interview

Roberto Ottaviano: sul palco e dietro le quinte

Read "Roberto Ottaviano: sul palco e dietro le quinte" reviewed by Libero Farnè


È estremamente opportuno tornare periodicamente ad analizzare le esperienze più recenti di musicisti di grande personalità del panorama jazzistico italiano. Uno di questi è dagli anni Ottanta Roberto Ottaviano, che esordì discograficamente nel 1983 con Aspects, un lavoro rivelatore, in solo e in sestetto, di una potenza espressiva e di una creatività sconvolgenti. Dopo ...

Article: Interview

Ben Allison: creative riletture e nuove ispirazioni

Read "Ben Allison: creative riletture e nuove ispirazioni" reviewed by Angelo Leonardi


In quest'intervista Ben Allison ci parla del recente progetto “The Ben Allison Remastered Series 2004-2011," iniziativa che ha portato il bassista a curare personalmente riedizione e remixaggio di alcuni suoi album Palmetto. Il lavoro va oltre gli scintillanti risultati acustici e presenta nuove e sorprendenti scoperte musicali tratte dai master originali. All About Jazz: ...


About The Red Microphone

Results for pages tagged "Liberation Music Orchestra"...

Musician

The Red Microphone

THE RED MICROPHONE: Neo-Beat, Post-Punk Liberation Jazz John Pietaro: poetry, voice, percussion Ras Moshe Burnett: tenor saxophone, flute Rocco John Iacovone: alto saxophone Dave Ross, electric guitar Laurie Towers: fretless and fretted electric bass The Red Microphone’s radical poetry and improvisational music draws on the fervent history of free jazz, Left culture, the Beat Generation and New York’s punk underground. The band’s saxophonists—Ras Moshe Burnett and Rocco John Iacovone—intertwine and off-set the pulsating lines of guitarist Dave Ross and bassist Laurie Towers, propelling center the spoken word of John Pietaro

4

Article: Year in Review

John Pietaro's "Test" Of 2020

Read "John Pietaro's "Test" Of 2020" reviewed by John Pietaro


It would be a fool's errand in a covid-damaged society to attempt a peaceably gathered year's end “Best of" list, in jazz or any other genre or medium. But artists of jazz and all avant gardes have been especially susceptible to the considerable financial ebbing and health concerns of this period. Discussing this concept with my ...

3

Article: Radio & Podcasts

Little Big Bands

Read "Little Big Bands" reviewed by Russell Perry


Between the standard small jazz ensembles of quartets, quintets and sextets and the powerhouse big bands is a world of ensembles with eight, nine, ten or eleven players. Famously, The 1949 Birth of the Cool sessions were from a nonet assembled by Miles Davis, with arrangements by Gerry Mulligan, Gil Evans and John Lewis. Bands of ...


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