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Paul Chambers: Bass on Top – 1957
by Marc Davis
In the world of 1950s hard bop, there is no more prominent bassist than Paul Chambers. The man was absolutely everywhere. He shows up on an astonishing number of jazz classics, including Miles Davis' Kind of Blue, John Coltrane's Giant Steps, Thelonious Monk's Brilliant Corners, Sonny Rollins' Tenor Madness and Oliver Nelson's The Blues ...
James Hughes & Jimmy Smith Quintet: Ever Up & Onward
by Mark Sullivan
Detroit was once a vital jazz center, contributing some of the major hard bop artists of the 1960s: Hank, Thad, and Elvin Jones, Tommy Flanagan, Barry Harris, Paul Chambers, Kenny Burrell, and Ron Carter, just to name a few. The James Hughes & Jimmy Smith Quintet honors that tradition by playing mostly original hard bop with ...
Ameen Saleem: The Groove Lab
by Alex Franquelli
Composer Irving Berlin once famously said that “everybody ought to have a Lower East Side in their life." True and, although technically speaking Brooklyn is not part of the octagon that thrives between Houston Street and FRD Drive, the groove, that precious intimate rumble of inspiration, is the one element that connects one area with the ...
Bob DeVos: Six String Solos
by David A. Orthmann
It will come as no surprise to anyone familiar with Bob DeVos' work as a leader that, in the absence of a band, the guitarist's virtues remain intact and shine even brighter. One goes to DeVos' gigs--mostly in and around northern New Jersey, usually in trio and quartet formats--with high expectations. Encompassing the simultaneous employment of ...
Ken Silverman: Parallel Man
by Graham E Peterson
A modern guitar trio led by New York City guitarist Ken Silverman comes out of the gate burning with rhythmic intensity on the title track “Parallel Man." Silverman develops a motif of parallel guitar lines while a powerful rhythm sections support his development. He enters into a glistening glissando section bringing to mind sounds of sitar ...
Tina Brooks: True Blue - 1960
by Marc Davis
I love finding little-known records by almost-unknown artists. There's nothing wrong with soaking in the comfortable pool of guys you know oh-so-well. I can listen to Art Blakey, Jimmy Smith and Kenny Burrell all day. But even the greats can wear you out. How many times can you listen to the Beatles' “Hey Jude" ...
Kenny Burrell: Blue Lights – 1958
by Marc Davis
The name on the cover is Kenny Burrell, but Blue Lights isn't really a Kenny Burrell album. He may be the leader, but the stars are everyone else. This is truly a democratic 1950s jam session. I came to Blue Lights fresh from Burrell's Midnight Blue, expecting another laid-back blues guitar vehicle. Not even ...
Luis Merino: Blacky
by Roger Farbey
A strident piano chord progression introduces the moderately-paced majestic opener “New Day" with a lithely executed melody from the guitar of Luis Merino, leader of a quartet hailing from Las Palmas de Gran Canaria, Spain. Proceedings hot-up with the brisk toe-tapper “El Estandar" clearly demonstrating that the guitarist is no slouch when it come to playing ...
Steve Herberman, Hristo Vitchev, Rick Stone and Harvey Valdes
by Dom Minasi
Welcome back to Guitarists Rendezvous, our third installment in a series that introduces readers to emerging or established guitarists who fly just under the radar of public recognition. Each will field the same four questions and we've included audio and video so you can sample their music. This installment includes a diverse group ...
Michael Kocour: Spiffy
by Mark Sullivan
Keyboardist Michael Kocour revisits his Hammond B3 organ roots in this collection of hard-swinging tunes presented in the tradition of jazz organ legends such as Jack McDuff, Jimmy Smith, and Don Patterson. McDuff in particular is a stylistic mentor: Kocour met him during his college years while attending the renowned jazz program at the University of ...
