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Molde Jazz: Day 6, July 18, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Break of Day in Molde / Crimetime Orchestra / Jaga Jazzist / Arve Henriksen Closing ConcertMolde Jazz Molde, Norway July 18, 2009 It's almost impossible to believe, that after the late nights ...
Molde Jazz: Day 3, July 15, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Christian Wallumrød Ensemble with Arve Henriksen / Kristin AsbjørnsenMolde Jazz Molde, Norway July 15, 2009Located on a large fjord, Molde's weather is moderated by its proximity to the ocean, ...
Molde Jazz: Day 1, July 13, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Arve Henriksen Cartography / Bugge Wesseltoft Molde Jazz Molde, Norway July 13, 2009 Descending by plane into Molde airport, it's difficult not to be in awe of the geography surrounding ...
Jon Balke: Siwan
by John Kelman
A banner year for ECM in many respects, 2009 has seen two specific releases that, in their intrepid conceptual cross-pollination, stand poised as contemporary masterpieces. One is composer/sound sculptor Ambrose Field's exploration of 15th Century composer Guillame Dufay's music with tenor John Potter on the forward-thinking Being Dufay (ECM, 2009); the other is Norwegian keyboardist/composer Jon ...
Jon Balke: Siwan
by C. Michael Bailey
The competent and successful musico-cultural eutection promoted by ECM founder Manfred Eicher since the release of Jan Garbarek/Hilliard Ensemble's Officium (ECM, 1993) takes another quantum step with keyboardist Jon Balke's imaginative and far reaching Siwan. Balke enters a realm of cross-cultural pollination evolving from Officium, through that same collaboration's expanded vision on Mnemosyne (ECM, 1999) to ...
Norwegian Jazz 101a: JazzNorway in a Nutshell 2009
by John Kelman
2008 | 2009 | 2010 | 2011 One of the challenges of any organization or festival is to find ways to top past performances, and certainly the breadth of exposure to Norwegian music, culture and geography at JazzNorway in a Nutshell 2008 (JNiaN) would be hard to beat. A junket where approximately 40 people ...
Torben Snekkestad: Conic Folded
by Mark Corroto
Patient jazz can be both restrained and determined. But, maybe the best word to describe the jazz of saxophonist/clarinetist Torben Snekkestad is persistent. The thirty-something Norwegian reeds man is both a classical and jazz composer playing in the Copenhagen Saxophone Quartet, London Improvisers Orchestra, Trygve Seim Ensemble, and Among Machines with Thomas Stronen. Conic ...
Jon Hassell: Fourth World and Balancing the North and South of You
by John Kelman
He may well be one of the most insidious influences in modern music. Trumpeter, composer and deep thinker Jon Hassell may not have the same name recognition as, say, Miles Davis, but his unmistakable approach to music—he calls it Fourth World music—has affected musicians around the globe, ranging from now friend/co-conspirator Brian Eno, British post-rock crooner ...
Jon Balke: Book of Velocities
by Chris May
On paper, Norwegian pianist Jon Balke's first solo album reads like challenging stuff: a collection of eighteen short improvisations, grouped into five sub-sections (four “chapters" and an “epilogue"), and concerned as much with the velocities with which the piano's strings can be struck--and how they can be struck--as with thematic or harmonic development. Something for fellow ...
Jon Balke: Book Of Velocities
by Budd Kopman
As time goes on, the ECM label continues to stretch the meaning of the word jazz, allowing it to encompass almost any kind of music that allows for improvisation or sounds like it does. With Book Of Velocities, pianist/composer/band leader Jon Balke connects with various worlds: of the piano as a physical entity ...
