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MUSICIAN Born:

John Zorn

Drawing upon his experience in classical, jazz, rock, hardcore punk, klezmer, film, cartoon, popular, world and improvised music, John Zorn has created a controversial and influential body of work that often defies academic categories. He has earned great respect within his own community and beyond by going his own way without compromise, developing a large network of supporters world wide, often in unexpected places. Born in 1953 and raised in New York City, Zorn has been a central figure in the Downtown Scene since 1975, incorporating a wide variety of creative musicians into various compositional formats

ARTICLE: RADIO

2020's Travel Songs - Part 1

Read "2020's Travel Songs - Part 1" reviewed by Ludovico Granvassu

In this year of painful confinement music has been a much needed source of solace, with its capacity to take us beyond our times and across space. Here some of the best “travel songs" that we've been digging this year, while planning on taking them on a real road-trip as soon as possible. Happy ...

ARTICLE: RADIO

Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape

Read "Hanksgiving - A Tribute to Hank Mobley - Companion Mixtape" reviewed by Ludovico Granvassu

This mixtape is a fun-filled companion to the two parts of our show “Hanksgiving -A Tribute to Hank Mobley," giving even more insight in the legacy of Hank Mobley as a saxophonist and composer through some of his gems and some of the best renditions of his tunes. [Listen to Part 1 and Part 2]

ARTICLE: RADIO

Hanksgiving - A Tribute to Hank Mobley, Part 1

Read "Hanksgiving - A Tribute to Hank Mobley, Part 1" reviewed by Ludovico Granvassu

For our seasonal Hanksgiving show, this year we pay tribute to Hank Mobley, both as a saxophonist and a composer, by playing music from his albums, which are a cornerstone of the Blue Note sound and catalogue, and renditions of his music by musicians that came after him. There's so much to love in Mobley's repertoire. ...

ARTICLE: RADIO

Rosa Brunello, MLO & Elvis Costello, Mary Halvorson & Robert Wyatt, & More New Releases

Read "Rosa Brunello, MLO & Elvis Costello, Mary Halvorson & Robert Wyatt, & More New Releases" reviewed by Ludovico Granvassu

Elvis Costello with the Michael Leonhart Orchestra, Robert Wyatt with Mary Halvorson's Code Girl, Jesse Harris lending his pen to Camille Bertault or John Zorn and Petra Haden... that why we like blurred lines between genres! And so do Rosa Brunello, Nels Cline, Erik Friedlander with new releases that draw inspiration from a multitude of sources. ...

The Volcanic World Of Pyroclastic Records

Read "The Volcanic World Of Pyroclastic Records" reviewed by Mark Corroto

As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...

ARTICLE: ALBUM REVIEW

I Don't Hear Nothin' But The Blues: I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox

Read "I Don't Hear Nothin' But The Blues Volume 3: Anatomical Snuffbox" reviewed by Karl Ackermann

The prolific and eclectic saxophonist/composer Jon Irabagon finds his most uninhibited side with his I Donʼt Hear Nothinʼ but the Blues (IDHNBTB) group, one he aptly describes as his “brutal ensemble." I Don't Hear Nothin' but the Blues Volume 3: Anatomical Snuffbox expands the group that debuted as a duo, then became a trio on Volume ...

ARTICLE: ALBUM REVIEW

Mary Halvorson's Code Girl: Artlessly Falling

Read "Artlessly Falling" reviewed by Vic Albani

Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...

ARTICLE: ALBUM REVIEW

Tim Berne: The Deceptive 4—Live

Read "The Deceptive 4—Live" reviewed by Mark Corroto

The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...


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