Results for "john zorn"
About John Zorn
Instrument: Saxophone, alto
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John Zorn
Born:
Drawing upon his experience in classical, jazz, rock, hardcore punk, klezmer, film, cartoon, popular, world and improvised music, John Zorn has created a controversial and influential body of work that often defies academic categories. He has earned great respect within his own community and beyond by going his own way without compromise, developing a large network of supporters world wide, often in unexpected places.
Born in 1953 and raised in New York City, Zorn has been a central figure in the Downtown Scene since 1975, incorporating a wide variety of creative musicians into various compositional formats. He is an indefatigable worker and highly prolific: he has composed over 120 works for classical ensembles including 8 string quartets, vocal music, chamber music, concerti, operas, symphonic and dance works, improvisational game pieces, studio based compositions, and has released over 150 cds under his own name, 99% of which are on his own Tzadik label.
Gnosis: The Inner Light
By John Zorn
Label: Tzadik
Released: 2021
Track listing: Gnosis; Poimandres; Dance of the Cross; Three Forms of First Thought; Kephalaia; Parthian Songs; Prayer of the
Messenger; Sophia=Wisdom.
John Zorn at 70 at Great American Music Hall
by Roy Strassman
Zorn at 70 Great American Music Hall San Francisco, CA August 30-September 3, 2023 Day One, August 30, 2023 “Breaking Ground" with John Medeski and Dave Lombardo Last night, the intergalactic Starship John Zorn descended from New York into San Francisco for a five- night residency at San Francisco's ...
Todd Sickafoose, Stewart Copeland, Amaury Faye, Mick Rossi & More
by Ludovico Granvassu
The much awaited return of Todd Sickafoose graces our playlist together with other gems ranging from the gorgeous to the adventurous, with a couple of surprising contributions from musicians whose relationship with jazz has been notoriously... ambivalent, Frank Zappa and Stewart Copeland.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & ...
Two-Fer's: Geri Allen, John Zorn, Jonathan Blake, Gonzalo Rubalcaba
by David Brown
This week, a program of two-fer's. Songs that are linked either by artist, themes, instrumentation or whatever works. More jazz for your buck. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 01:00 Nicole Zuraitis “The Good Ways" from How Love Begins (Outside in Music) 03:00 John Zorn “Functives" from Multiplicities ...
Moss Freed / Union Division: Micromotives
by John Sharpe
A question any composer for improvisers must face is whether they can create something more worthwhile than what they might come up with if left to themselves. It can be a tough call. For some, such as Alexander von Schlippenbach's Globe Unity Orchestra or Peter Brötzmann's Chicago Tentet, the ultimate conclusion was no, while for others ...
Mark Lewandowski: A Bouquet (for Lady Day)
by Ian Patterson
A regular in the Mingus Big Band and Wynton Marsalis' quartet, New York-based Mark Lewandowski has won numerous awards for his sonorous double bass playing, which can be appreciated in settings as diverse as John Zorn's The Book of Beri'ah (Tzadik Records, 2018) and Joe Chamber's Dance Kobina (Blue Note Records, 2022). As a leader, Lewandowski ...
John Zorn: Gnosis: The Inner Light
by Nenad Georgievski
John Zorn's album Gnosis: The Inner Light serves as a poignant memorial and homage to the creative genius of one of modern music's most visionary composers, Ennio Morricone, who played a vital role in shaping Zorn's musical path. Decades ago, Zorn captivated audiences with The Big Gundown (Nonesuch, 1986), a groundbreaking release that boldly reimagined Morricone's ...
Percy Jones, Alex Skolnick, Kenny Grohowski, Tim Motzer: PAKT
by Mark Sullivan
It was the Plague Year, and musicians denied the ability to tour and play in front of a live audience quickly began to pivot to virtual concerts. As early as April performances from musician's homes started (including one large series that was titled Live From Our Living Rooms). By August some conventional performance venues had gotten ...
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