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Sligo Jazz Project 2013: Days 4-6
by Ian Patterson
Sligo Jazz ProjectVarious VenuesSligo, Ireland July 16-21, 2013 After three action-packed days at Sligo Jazz Project, with SJP founder/bassist Eddie Lee and drummer David Lyttle's world premiere of The Barinthus Suite providing an unforgettable highlight, the first signs of attrition amongst the students were beginning to show. The non-stop nature of ...
Sligo Jazz Project 2013: Days 1-3
by Ian Patterson
Sligo Jazz ProjectVarious VenuesSligo, IrelandJuly 16-21, 2013 For such a small country, perched on the Western extreme of Europe, Ireland has created a disproportionate amount of history, and had more than its fair share thrust upon it. Everywhere, history informs the landscape and the collective memory. Sligo, home to the Sligo ...
Sligo Jazz Summer School And Festival 24-29 July 2012
The best value summer school in Europe! Sligo Jazz Project, an organization run by musicians for musicians ensures all funds raised go towards keeping its annual main event— a six day intensive summer school and full blown jazz festival—as inclusive as possible and open to all musicians from all backgrounds! Sligo Jazz Project's stellar 2012 faculty ...
Nova Jazz Orchestra / Christian McBride Big Band / NYJO
by Jack Bowers
Nova Contemporary Jazz OrchestraWho Sez You Can't Dance to Bebop?Nova Jazz2010 When last heard from, Minnesota's dauntless Nova Jazz Orchestra was performing alongside the legendary Stan Kenton Orchestra--well, not actually “alongside," but as part of the Tantara label's ongoing two-disc salute to Kenton, Double Feature, Vol. 2. ...
Hubert Nuss: The Book of Colours
by C. Michael Bailey
Ambitious projects like Hubert Nuss' The Book of Colours are not unheard of. Here, the German pianist endeavors to explore multiple modes based on a color wheel. Russian synesthete and composer Alexander Scriabin was profoundly moved by the smell and feel of color in his composing, attempting a synthesis of the five senses in his unfinished ...
Hubert Nuss: The Book of Colours
by Dan McClenaghan
Music is a treat for the ears, for the sense of hearing. But are the borders separating the senses permeable? Can Red Garland's piano notes be said to “sparkle?" Can Paul Desmond's alto saxophone have the sound of a dry martini? Are these metaphors, perhaps, based to some extent on realities along a continuum of sensory ...
The State of The Saxophone Trio: Dan Moretti, Domenic Landolf, Jacob Duncan
by C. Michael Bailey
There is something Baroque about jazz ensembles lacking a piano or guitar as a harmony instrument . Their absence frees previously occupied sonic space for other uses. The format also sets up a more pronounced contrapuntal interplay between the remaining players. The saxophone trio has become quite mainstream since Sonny Rollins blew into the Village Vanguard ...
The Jazz Session #110: John Goldsby
Bassist John Goldsby has worked in Germany for the last 15 years, playing in a state-sponsored jazz orchestra in Cologne. On his album Space For The Bass (Bass Lion, 2009), Goldsby explores the role of the bass in a variety of small-group settings. In this interview, Goldsby talks about why hes chosen to make his home ...
