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I Am: Beyond
by Chris May
Tenor saxophone and drums duos were a thing at least as early as the 1950s, but John Coltrane and Elvin Jones elevated the format a decade later. Among their most exalted forays was the 27:04 title track of Coltrane's One Down, One Up: Live At The Half Note (Impulse, 2005), recorded in 1965. In case you ...
Javon Jackson: Wading In Spiritual Waters
by R.J. DeLuke
Saxophonist Javon Jackson, he of the sonorous tenor tone and the inquisitive musical mind, embarked last year on a musical project with a different twist. Jackson, a follower of Sonnys Stitt and Rollins, is known as a a jazz fiend, one of the dauntless players of his era. His superb playing is marked by ...
John Coltrane: Song Of Praise: New York 1965 Revisited
by Maurizio Comandini
John Coltrane è uno dei pilastri centrali attorno ai quali si è strutturato il jazz moderno. Un suo concerto newyorkese del 1965, al Half Note, era uscito dopo 40 anni sul CD doppio One Down, One Up: Live at the Half Note (Impulse!) nel 2005. In quel caso si era mantenuto l'ordine strettamente cronologico partendo con ...
John McLaughlin: The Montreux Years
by Ian Patterson
Montreux Jazz Festival and John McLaughlin have shared a special bond since the English guitarist first performed at the internationally renowned Swiss festival in 1972, with The Mahavishnu Orchestra. Since then, the ever-searching McLaughlin has returned numerous times, with almost every formation he has ever led. This double vinyl or single-CD release is effectively a sampler, ...
Sharp Radway, Gerald Clayton and Armen Donelian
by Joe Dimino
We begin the 752nd Episode of Neon Jazz with pianist Armen Donelian with new music from his latest release Fresh Start. Next, we hear from his friend Billy Harper and a host of veteran artists with new material out in 2022. From the likes of Sam Kirmayer, David Nichtern, Sharp Radway and James Brown Gang. In ...
John Coltrane: Favorites Revisited
by Chris May
A major event for connoisseurs of John Coltrane's classic quartet, Favorites Revisited delivers one and a quarter hours of landmark live recordings in state-of-the-art 21st century audio. Professionally recorded, and therefore sounding pretty good even on original release, the material now benefits from remastering by the ezz-thetics label's sonic jedi Michael Brändli. At times, it almost ...
Michael Bisio: Inimitable
by John Sharpe
Although unaccompanied recordings certainly had a moment during the pandemic, bassist Michael Bisio's Inimitable was actually recorded a few weeks before Covid upended the world. While he is a bandleader of some accomplishment, with a string of excellent albums from his quartet in the mid-2000s, and recent dates which include Row For William O (Relative Pitch, ...
Oded Tzur: Isabela
by Chris May
Oded Tzur's 2020 album, Here Be Dragons, the Israeli-born, New York-based tenor saxophonist's first release on ECM, triggered an eruption of purple prose. Critics competed to see who could convey the most enthusiasm. A few even suggested that the Tzur quartet was the inheritor of the mantle of John Coltrane's classic quartet. That might have been ...
Emma Rawicz: Incantation
by Chris May
Incantation is the debut album from British tenor saxophonist Emma Rawicz, whose playing has a degree of poise that is not often found in a teenager (she is nineteen years old) on their inaugural outing. It is not unprecedented, however, as we are reminded by the case of drummer Tony Williams, seventeen years old and brimming ...
Keith Oxman: This One's for Joey
by Jack Bowers
The “Joey" saluted on Denver-based tenor saxophonist Keith Oxman's latest album is Joey Pearlman, a jazz bassist who died far too soon, at age twenty-four, in Febuary 2021. Joey's “music and personality," Oxman writes, “brightened every day for us at [Denver's] East High School. His presence brought joy to our music room...as he challenged us with ...
