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Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
Tenor Saxophonist Michael Pedicin To Release "As It Should Be: Ballads 2," April 21
With the April 21 release of As It Should Be: Ballads 2, tenor and soprano saxophonist Michael Pedicin continues to spread the message of acceptance and justice he eloquently shared on his critically acclaimed 2011 album Ballads … searching for peace. “I’m one of those diehard '60s kids that grew up concerned about peace and togetherness,” ...
The Politics of Dancing: Jazz and Protest, Part 1
by Karl Ackermann
In 1964, Civil Rights workers, known as Freedom Riders, were increasingly becoming the victims of violent attacks from the Ku Klux Klan as they initiated a program to register black voters in the Deep South. As members of the Student Non-Violent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), the advocates were franticly racing ...
Take Five with Mike Casey
by AAJ Staff
About Mike Casey Saxophonist, songwriter, and teaching artist Mike Casey has been a fixture on the Hartford jazz scene and beyond since 2011, when he began attending the acclaimed Jackie McLean Institute of Jazz at the University of Hartford's Hartt School. In 2015, Mike was one of 24 young jazz composers worldwide chosen by ...
Tim Armacost: Time Being
by Roger Farbey
Tim Armacost may not be the most well-known jazz musician on the planet but he's certainly one of the best. His early life was spent in Tokyo, and Washington, then moving to Los Angeles at the age of 18. He travelled to Amsterdam and India where, in the spirit of The Beatles and John McLaughlin he ...
Cameron Graves: Planetary Prince
by Christopher Hoard
Cameron Graves' debut recording, Planetary Prince (Mack Avenue) is an original and refreshing “piano jazz" outing. It's horn sextet dynamics provide familiar entry points and references into the musical sphere Graves inhabits as composer, arranger, and performer, but the extreme energy levels and sophisticated ensemble dynamics confidently echo the great bands of the jazz-rock era; perhaps ...
The PsychoAcoustic Orchestra: Fun with Notes
by Jack Bowers
More than two decades ago, pianist / composer / arranger Patrick Kelly's Cincinnati-based PsychoAcoustic Orchestra recorded two neoteric albums, then quietly disappeared into the fog of time. As it turns out, Kelly explored other options for a while before re-forming the orchestra in 2006. The present incarnation, which has been performing ever since on a more ...
Lee Morgan On Music Matters
by Greg Simmons
Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary. Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...
Meet Richard Berger
by Tessa Souter and Andrea Wolper
A regular on the New York jazz and avant jazz scenes, Richard Berger is frequently seen about town in the company of his wife, our December Super Fan, Roberta DeNicola. Music has long been Richard's “positive addiction," giving him the best of times and helping him through the worst of times. “Jazz is very much a ...
Bebo Ferra Trio: Voltage
by Neri Pollastri
Torna a pubblicare a proprio nome Bebo Ferra, uno tra i nostri più interessanti chitarristi. E lo fa alla testa di un classico trio con tastiere -quelle di Gianluca Di Ienno -e batteria -con le bacchette di Nicola Angelucci. Classico anche il repertorio, otto brani perlopiù dello stesso Ferra, tranne quello di apertura, di Di Ienno, ...
