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Dave Sewelson: Smooth FreeJazz
by Mark Corroto
If you're a lover of adventurous music, you've certainly had the following experience. You take a seat in a coffee house or even worse in your dentist's chair and out of the speakers flows (stifle your tears) smooth jazz. You might welcome the John Cage—ian sound of the espresso frothier or the Merzbow noise of the ...
Jessica Pavone: gli album che sto ascoltando
by Vincenzo Roggero
1. Morton Feldman Patterns on a Chromatic Field (Tzadik, 2004) È il CD delle mie notti insonni. Lo suono nel mezzo della notte quando non riesco a dormire e vedo quello che succede. 2. Ramones Rocket to Russia (Sire Records, 1977) Grande musica da ascoltare a pranzo. Una ...
Arturo O'Farrill & The Afro-Latin Jazz Ensemble: Dreaming In Lions
by Chris May
Music for dance comes in a variety of forms. At one end of the spectrum are abstract soundscapes composed without reference to the choreography with which they share the stage; an example being John Cage's work with the choreographer Merce Cunningham. At the other end of the spectrum is music written in close collaboration with the ...
Apartment House: John Cage Number Pieces
by John Eyles
Even though it is only based on two of the label's previous releases—Wandelweiser und so weiter (2012) and Morton Feldman Piano (2019)— the reputation of Another Timbre box sets is enviably high. The music they contain, their sound quality, information, artwork and packaging all contribute to the fact that these albums are highly rated and sell ...
Jim Yanda: A Silent Way
by Maurizio Comandini
Il titolo e i riferimenti evocati da questo album del chitarrista di avanguardia Jim Yanda, sono piuttosto scivolosi. Volutamente. Per fortuna John Cage ha già ampiamente chiarito che il silenzio non esiste in quanto tale e quindi il percorso silenzioso intrapreso da Yanda non ha punti in comune, se non nelle cose ovvie, con il percorso ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Fred Frith & Ikue Mori: A Mountain Doesn’t Know It’s Tall
by Mark Corroto
Have you experienced a performance of John Cage's composition “4:33"? If you are not familiar, while studying Zen Buddhism, Cage wrote “four minutes, thirty-three seconds" to be performed solo or in any combination of instruments or players. The instructions were for the performers to NOT play their instruments for the allotted 273 seconds. Their 'silence' was ...
Nixon Mohohlo & The Collective Heads of Knuckle: The Queen of Complaints
by Karl Ackermann
For good or bad, drummer Nixon Mohohlo has worn his heart on his sleeve for most of his musical career. Following a brief experience with monastic silence he recorded an album-length version of John Cage's “4'33." It met with outrage and was pulled from the market. In 1999, he recruited Dutch percussionist Horst Van Clutter for ...
Roberto Bonati: Vesper and Silence
by Maria Giovanna Barletta
Un luogo di raccoglimento, come una strada nascosta che conclude nel ritrovamento di se stessi. Una sorta di clausura feconda dove potersi ritrovare. Se potesse parlare di sé questo progetto direbbe, come Rilke «Sto, dentro al lavoro, come il nocciolo nel frutto». Questo lavoro in solo di Roberto Bonati è stato registrato dal vivo ...
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