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Musician

Joey DeFrancesco

Born:

Joey DeFrancesco’s emergence in the 1980s marked the onset of a musical renaissance. Organ jazz had been a form of music that literally went into hibernation from the mid-seventies to the mid-eighties largely because of the introduction of high-tech, light-weight keyboards. It was Joey, however, that ignited the flame once again with the sound of his vintage Hammond organ and Leslie tone cabinet.

He not only illuminated this once dormant music form but brought back the many proponents of jazz organ who had been shuffled by record producers and club owners to lesser roles within the music industry. Befriending and supporting those who preceded him, Joey became the new-age proponent of an instrument that had been pushed aside in favor of the growing technology. Considered a child prodigy, Joey remembers as far back as age four, playing jazz tunes modeled by his father, Papa John DeFrancesco and memorizing music from the many jazz albums in their home. Papa John, a jazz organist himself, took young Joey under his wing and nurtured his rapidly developing skills, bringing Joey along with him to gigs, Joey would sit-in with as many seasoned Philadelphia musicians who were around.

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Article: Album Review

Dom Franks' Strayhorn: Duality Pt: 02

Read "Duality Pt: 02" reviewed by Neil Duggan


Having whetted our appetite with Duality Pt: 01 (Self-Produced, 2024), saxophonist Dom Franks, together with his band StrayHorn, returns with Duality Pt: 02, revealing another side of the saxophonist's impressive range as a composer. Whilst the first release leaned into funky Hammond grooves inspired by Larry Goldings and Joey DeFrancesco, this follow-up moves in a different ...

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Article: Radio & Podcasts

Exploration by the Marcus Roberts Trio, Interview with VA Virginia Schenck re Jazz at All Saints Including Nnenna Freelon & Brandee Younger, Keyboard Jazz With Bobby Timmons, Joey DeFrancesco, Azymuth and More

Read "Exploration by the Marcus Roberts Trio, Interview with VA Virginia Schenck re Jazz at All Saints Including Nnenna Freelon & Brandee Younger, Keyboard Jazz With Bobby Timmons, Joey DeFrancesco, Azymuth and More" reviewed by David W. Daniels


Interview with local Atlanta jazz vocalist “VA" Virginia Schenck about the Jazz At All Saints series, which will include Nnenna Freelon and Brandee Younger. End of the month keyboard special--featuring organists, pianists, Fender Rhodes and synthesizer jazz artists. Playlist Marcus Roberts Trio “Exploration"--from Time And Circumstance (Columbia) 00:00 Interview Segment #1 with VA Virginia ...

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Article: Album Review

Mitch Towne: Refuge

Read "Refuge" reviewed by Kyle Simpler


After organ trios came to prominence during the 1950s, jazz groove has never been the same. Performers like Jack McDuff, Jimmy McGriff, and most notably Jimmy Smith introduced a new level of soul to jazz music. With Refuge, organist Mitch Towne makes a compelling debut as a leader, adding his name to a who's who of ...

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Article: Profile

A Brief Guide To Ukrainian Jazz: Part 3

Read "A Brief Guide To Ukrainian Jazz: Part 3" reviewed by Ian Patterson


Part 1 | Part 2 | Part 3 | Part 4 The third installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces five more highly talented jazz artists/groups from Ukraine. The vast range of personal musical identities attests to the strength, depth and originality of contemporary ...

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Article: Album Review

Organ Freeman: Busywork

Read "Busywork" reviewed by Ian Patterson


Not to be confused with the Los Angles-based organ trio of the same name--though it is hard to see how confusion will not reign--this Organ Freeman hails from Dublin, Ireland, where guitarist/vocalist Charlie Moon, organist Darragh Hennessy and drummer Dominic Mullan have held a Sunday residency at The Big Romance since 2018. For its debut album, ...

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Article: Album Review

Nick Hempton-Cory Weeds: Horns Locked

Read "Horns Locked" reviewed by Jack Bowers


It has been far too long since anyone had the pleasure of eavesdropping on a two-tenor duel as heated and expressive as the one between Canadian gurus Nick Hempton and Cory Weeds on the suitably named Horns Locked. As the album's opening number, James Moody's fast-chugging “Last Train from Overbrook," unfolded, the memories came flooding back: ...

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Article: Profile

A Brief Guide To Ukrainian Jazz: Part 2

Read "A Brief Guide To Ukrainian Jazz: Part 2" reviewed by Ian Patterson


Part 1 | Part 2 | Part 3 | Part 4 The second installment of A Brief Guide To Ukrainian Jazz--a series developed with the cooperation of the Ukrainian Institute--introduces five more highly talented jazz artists/groups from Ukraine. In addition, we profile the jazz festivals and jazz clubs that are keeping the Ukrainian jazz ...

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Article: Building a Jazz Library

Ten Terrific Sax Plus Organ Combinations

Read "Ten Terrific Sax Plus Organ Combinations" reviewed by Artur Moral


OK, maybe the electric guitar was its first and most celebrated love affair, but the organ's alliances with the saxophone's family members are undoubtedly among the richest musical combinations, both in terms of sound and the intense interrelationships that typically develop in such encounters. Whether it be a tenor with a Hammond, a soprano with an ...

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Article: Radio & Podcasts

Yulia Musayelyan, Rebecca Coupe Franks Plus Vocalists Eugenie Jones, Claire Martin, Marianne Solivan

Read "Yulia Musayelyan, Rebecca Coupe Franks Plus Vocalists Eugenie Jones, Claire Martin, Marianne Solivan" reviewed by Mary Foster Conklin


This broadcast includes new releases from Yulia Musayelyan, Rebecca Coupe Franks, Eugenie Jones, Claire Martin, Marianne Solivan} and {{Chloe Youtsey, with birthday shoutouts to Melba Liston, Danny Bacher, Kris Davis, Sade, Chelsea McBride, Andrea Wolper, Tina Raymond, Peter Eldridge, Nicole Zuraitis, Joan Baez and Eartha Kitt, among others. Happy listening and please support the artists you ...


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