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241

Article: Take Five With...

Take Five With Majid Khaliq

Read "Take Five With Majid Khaliq" reviewed by AAJ Staff


Meet Majid Khaliq:Majid Khaliq is a violinist and composer cut from a different cloth. He has been described by legendary musician Wynton Marsalis as having “a unique blend of improvisation, groove and technical sophistication." Although classically trained, Khaliq's passion and musical palette ranges from the roots of American jazz music to the greats of ...

327

Article: Album Review

Horace Silver: The Cape Verdean Blues

Read "The Cape Verdean Blues" reviewed by Greg Simmons


Any review of an XRCD extended resolution CD reissue of hard bop pianist Horace Silver's The Cape Verdean Blues is going to be as much about the success of the format as it is about the music.The music on old recordings, re-released in expensive high-tech format by specialist Elusive Disc (in it's series of ...

828

Article: Live Review

Thailand International Jazz Conference, January 28-30, 2011

Read "Thailand International Jazz Conference, January 28-30, 2011" reviewed by Ian Patterson


Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...

611

Article: Interview

Joan Jeanrenaud: The Beat of the Moment

Read "Joan Jeanrenaud: The Beat of the Moment" reviewed by Anil Prasad


Playing it safe is a concept in which cellist Joan Jeanrenaud has total disinterest. Her deep, varied career reflects a restless creative spirit that most recently manifested itself on Pop-Pop (Deconet, 2010), her duo album with producer and percussionist PC Muñoz. The disc seamlessly blends cello, classical, electronica, and hip-hop influences. But, perhaps, the most important ...

191

Article: Album Review

BANN: As You Like

Read "As You Like" reviewed by Bruce Lindsay


BANN came together in 2007, combining the experienced rhythm section of bassist Jay Anderson and drummer Adam Nussbaum with the younger duo of guitarist Oz Noy and tenor player Seamus Blake. While the band has been busy playing live on the European scene it's taken almost four years for its debut album, recorded in May 2009, ...

154

Article: Album Review

Wayne Wallace: To Hear From There

Read "To Hear From There" reviewed by Wilbert Sostre


Wayne Wallace continues to explore the infectious Afro-Cuban rhythms on To Here From There, the follow-up to his 2010 Grammy-nominated album, Bien Bien! (Patois Record, 2009).Wallace is a trombonist with vast experience that includes collaborations with artists such as Count Basie, Joe Henderson, Lionel Hampton, Sonny Rollins and Tito Puente. Wallace Latin Jazz Quintet ...

185

Article: Album Review

Ron Carter: All Blues

Read "All Blues" reviewed by John Kelman


In the 1960s and 1970s, few bassists were as ubiquitous as Ron Carter, from the experimental post/free bop of trumpeter Miles Davis's 1960s quintet to straight-ahead swing with guitarist Kenny Burrell and the greater extremes of saxophonist Archie Shepp. With the emergence of CTI Records, Carter became something of a house bassist for the label; on ...

134

Article: Multiple Reviews

CTI Masterworks: The Second Batch

Read "CTI Masterworks: The Second Batch" reviewed by John Kelman


After a mighty kickoff near the end of 2010, CTI Masterworks is pushing ahead full-steam with another set of six remastered reissues, beautifully packaged in soft digipak editions. Its first batch of reissues included a tremendous, four-disc retrospective box set, CTI Records--The Cool Revolution, and an expanded, double-disc version of 1971's California Concert: The Hollywood Palladium, ...

205

Article: Multiple Reviews

Going Solo: One is NOT the Loneliest Number

Read "Going Solo: One is NOT the Loneliest Number" reviewed by Mark Corroto


With the advent of new and affordable recording technologies capable of delivering exceptionally high quality sound, the market for idiosyncratic solo recordings is flourishing--in an era when so many are lamenting the death of jazz. Released mostly on small labels or as self-produced projects, the recordings are reminiscent of the cassette culture from the DIY 1980s ...

185

Article: Album Review

Gideon Van Gelder: Perpetual

Read "Perpetual" reviewed by Mark F. Turner


By implementing diverse styles without being confined to any particular one, pianist Gideon Van Gelder provides stimulation for the mind and ear with Perpetual. Categorizations are meaningless yet intriguing, displaying swatches of Van Gelder's open concepts, Third Stream, and lessons probably garnered from New York's New School for Jazz and Contemporary Music, which Van Gelder attended ...


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