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49

Article: Radio & Podcasts

Mellow Side of the Blue Note Review & More

Read "Mellow Side of the Blue Note Review & More" reviewed by Marc Cohn


This week, we finish tracking Volume 1 of the Blue Note Review, which is now out-of-print. Volume 2 just arrived and you can listen for it in the months ahead. We also feature selections from Sonny Rollins at his first full recording date as a leader from December 1951. But, of course, there's more--see for yourself, ...

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Article: Radio & Podcasts

Bass Is the Place!

Read "Bass Is the Place!" reviewed by Ludovico Granvassu


Where do rhythm and harmony intersect? Where do you feel the beat, not just with your ears but your whole body? Bass is the place where it all comes together. This week we celebrate some beloved jazz bass players, from riveting soloists to groundbreaking composers and consummate sidemen. Ben Allison “Mondo Jazz Theme ...

9

Article: Live Review

Mark Lomax II's 400: An Afrikan Epic at Lincoln Theatre

Read "Mark Lomax II's 400: An Afrikan Epic at Lincoln Theatre" reviewed by Mark Corroto


Mark Lomax II Lincoln Theatre 400: An Afrikan Epic Premier Columbus, OH January 26, 2019 Dr. Mark Lomax II had a problem. He was to premier his creation 400: An Afrikan Epic to a sold out audience at the historic Lincoln Theatre in Columbus, Ohio, but to do so, he ...

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Article: Album Review

Various Artists: MPS: 50 Years

Read "MPS: 50 Years" reviewed by Chris M. Slawecki


In 2018, MPS--Musik Produktion Schwarzwald--Records, Germany's first jazz label, celebrated its fiftieth anniversary. Pianist Oscar Peterson recorded the first release for MPS after his contract with Verve expired. Its catalog expanded to feature George Duke, Red Garland, Wolfgang Dauner, Horst Jankowski, George Shearing, Monty Alexander and many other pianists. Violin became the label's second most featured ...

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Article: From the Inside Out

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki


Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

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Article: Live Review

Joey Alexander Trio With Chris Potter at SFJAZZ

Read "Joey Alexander Trio With Chris Potter at SFJAZZ" reviewed by Harry S. Pariser


Joey Alexander Trio with Chris PotterSFJAZZ San Francisco, CA December 13, 2018 Child prodigies have long maintained an important presence in jazz. These have included Bix Beiderbecke, Herbie Hancock, Tony Williams and Keith Jarrett. Jarrett gave his first formal recital at the age of seven. Hancock performed on piano with the ...

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Article: Live Review

Falcarragh Winter Jazz Festival 2018

Read "Falcarragh Winter Jazz Festival 2018" reviewed by Ian Patterson


Falcarragh Winter Jazz Festival Various Venues Falcarragh, Ireland December 7-8, 2018 It only rained twice during the inaugural Falcarragh Winter Jazz Festival--all day Friday, and then all day Saturday. Still, no amount of rain or wind could dampen the spirits of those who turned out to support this bold initiative ...

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Video

The greatest album covers of jazz

Featuring the music of Joe Henderson
Duration: 6:50

Blue Note captured the refined sophistication of jazz during the early 60s, giving it its signature look in the process. Subscribe to our channel! http://goo.gl/0bsAjO When asked to visualize what jazz looks like, you might picture bold typography, two tone photography, and minimal graphic design. If you did, you’re recalling the work of a jazz label that single-handedly defined the “look” of jazz music in the 1950s and1960s: Blue Note. Inspired by the ever present Swiss lettering style that defined 20th century graphic design (think Paul Rand), Blue Note captured the refined sophistication of jazz during the early 60s, particularly during the hard bop era, and gave it a definitive visual identity through album covers.
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Article: Album Review

Fred Hersch Trio '97: Fred Hersch Trio '97 @ The Village Vanguard

Read "Fred Hersch Trio '97 @ The Village Vanguard" reviewed by Dan McClenaghan


Pianist Fred Hersch paid some dues at the Village Vanguard, sitting in as a sideman there from 1979 on, playing with the bands of saxophonist Joe Henderson, trumpeter Art Farmer, alto sax man Lee Konitz, and bassist Ron Carter. But he waited until 1997 to make his debut as a leader. That debut was captured on ...

15

Article: Interview

Jay Thomas: We Always Knew

Read "Jay Thomas: We Always Knew" reviewed by Paul Rauch


Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...


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