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McCoy Tyner Quartet: New York Reunion
by Jack Kenny
McCoy Tyner's New York Reunion is a fine example of late-period recording, presenting the jazz masters in a quartet setting that draws deeply on tradition while brimming with contemporary energy. Originally released in 1991 on Chesky Records, the album features Tyner at the piano alongside three equally distinguished collaborators: Joe Henderson (tenor saxophone), Ron Carter (bass) and Al Foster (drums). The title itself hints at a reconvening of New York's post-bop elite, each artist bringing decades of innovation to the ...
Continue ReadingHat Hut Records at Fifty
by John Eyles
The three albums below are some of the ezz-thetics and First Visit album releases that arrived in 2025 adorned with a sticker featuring a large 50 on it plus the explanation, “celebrating 50 years of Hat Hut records." Rewinding fifty years, we find that Hat Hut was founded by Werner X. Uehlinger in 1975, the first Hat Hut release being Black Magic Man by a Joe McPhee quartet which had been recorded live in concert at Vassar College, New York, ...
Continue ReadingAndrew Hill, Ralph Burns, Joe Henderson
by David Brown
In the set I'd like to remember jazz pianist/composer Andrew Hill who was born 94 years ago on June 30, 1931. Hill's music defied categorization for over four decades with its enigmatic and sophisticated musical style. Tracks include two Hill works, a cover by drummer Chad Taylor and a collaboration with pianist Jason Moran. New releases will follow from Julian Shore, Amina Claudine Myers, Eric Reed, James Brandon Lewis, Jeremiah Chiu & Marta Sofia Honer and Tessa Souter. Then, some ...
Continue ReadingMcCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'
by Joshua Weiner
How does one go about nominating Zev Feldman for a Nobel Peace Prize? Time and again, the intrepid “Jazz Detective" tracks down unknown, unheard, un-even-hoped-for sonic artifacts, painstakingly brushes away the audio dust and grime, and puts us front and center at events that rewrite the history of jazz. Forces of Nature: Live at Slugs' another Feldman's project, in collaboration with Blue Note President Don Was, is quite possibly his greatest, a double album of such excitement, beauty, and power ...
Continue ReadingMcCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'
by Mike Jurkovic
When recordings like Forces of Nature: Live at Slugs' seemingly falls from yonder jazz sky, we must stop to thank those swinging stars above for our grand fortune. Because despite all our flaws--a broken politic, a poisoned planet, constant wartime bickering--we are a fortunate, if mostly undeserving, race of peculiarities. That becomes especially apparent when random, instantaneous works of art and human affinity like this grace our path. Located at 242 East 3rd Street between Avenue B and ...
Continue ReadingJoe Henderson: Power to the People
by C. Andrew Hovan
Beginning with 1963's Page One, Joe Henderson led a series of five albums for the Blue Note label that firmly established his reputation as a unique and budding artist with something vital to say. He was one of many artists at that time who utilized his Blue Note contract to document his every move while establishing his creative muse during this process. Trumpeter Kenny Dorham would be a major factor in the success of his first few sessions, with drummer ...
Continue ReadingHorace Silver: Live New York Revisited
by Stefano Merighi
Benchè il profilo artistico di Horace Silver sia preso a modello in modo paradigmatico per definire lo stile hard bop nel jazz moderno, è altresì interessante notare come Silver, sin dalle sue prime uscite, abbia sempre cercato di evitare gli schemi predeterminati che soprattutto le etichette discografiche cercavano di replicare dopo aver trovato la formula del successo. Ad esempio, Silver non amava le scalette miste, quelle cioè che infilavano d'abitudine uno standard proveniente da Tin Pan Alley all'interno di un ...
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