Michael Robinson

Michael Robinson

Instrument: Electronics | Location: Los Angeles

Very nice - swings good! It's great doing the whole thing yourself. I just go in and play, and the rest is out of my hands.
—Lee Konitz, legendary alto saxophonist

Updated: October 20, 2021

Born: March 11, 1956

Michael Robinson voices and colors his compositions with instrumental timbres and scale tunings from diverse world music cultures including India, Africa, the Near East, Japan, China, Korea, Bali, Java, Cuba, Brazil, Australia, Europe, North America and Southeast Asia.

He composes using traditional Western notation and programs a computer and electronic sound module to perform his music in real time without overdubbing.

“I'm interested in discovering and liberating the expressive quality - the essence - of computer- performed music. I want this music to emanate from the computer in the same way other sounds emanate in nature, like wind and water.” (Michael Robinson quoted in Keyboard)

Statement from Michael Robinson:

“Asked about my approach to composition and performance, one thought is the reimagining of musical syntax from jazz and Indian classical music through prisms of personal temperament and body chemistry guided by raga elements. Ragas are a wondrous musical form from India believed to be based in divinity, and used as a basis for improvisation and composition with unlimited developmental potential. European classical, rock, and myriad American popular and esoteric forms are part of who I am musically, too.

Meruvina is my orchestra and instrument at once, consisting of a sound module with sampled and synthesized timbres, a computer, and miraculous software programmed to perform my compositions in real time working from fully notated scores. Meruvina is a name invented by combining my initials, MER, together with the Sanskrit word for musical instrument, “vina”. “Mer” was extended to “Meru” when I recalled the mythological mountain where the Hindu gods reside, Mount Meru. My reason for devising a new musical moniker came with the realization that beautiful sounding instruments deserve beautiful sounding names as opposed to technical, scientific designations. For example, we don’t call the flute the “metal blowhole”, or the piano the “wooden-boxed, metallic-hammered mechanism”!

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Multiple Reviews
Album Review
Multiple Reviews
Album Review
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”These acoustic recordings showcase another facet of Robinson's musicianship. They are as exciting and sui generis as anything Robinson has produced. They're also a testament to his consummate artistry no matter what “tool” he uses, computer or piano.” (Hrayr Attarian, All About Jazz)

“Robinson's sense of timing, phrasing, form, and flow guide listeners toward his alternative vision. His music has the clarity and ingenuousness of Chinese brush painting, some of the hard geometric edginess of Kandinsky, and a detached, ethereal, and abstract quality that nonetheless seems bound to the tight forms found in some abstract Expressionist paintings.” (Titus Levi, Keyboard)

“Making use of alternative tunings, and blending tradition and technology, Robinson is able to transcend cultural and spiritual boundaries.” (Amanda MacBlane, NewMusicBox)

“The main thing is that his music is a definite grower

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Frank Sinatra
voice / vocals
John Coltrane
saxophone
Stan Getz
saxophone, tenor
Lee Konitz
saxophone, alto
Jackie McLean
saxophone, alto
Charlie Parker
saxophone, alto

Links

Michael Robinson Albums