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Vijay Iyer and Wadada Leo Smith
by Hobart Taylor
New music from Vijay Iyer and Wadada Leo Smith, Kneebody, Claire Cope and Ensemble C, and remembering Roy Ayers. Playlist Roy Ayers “Hey Lover" from Jazz Is Dead #1 (Jazz Is Dead) 0:00 Roy Ayers Ubiquity “We Live In Brooklyn, Baby" from He's Coming (Verve) 2:24 Chien Chien Lu “ We Live In Brooklyn, ...
Angelo Leonardi's Best Jazz Albums of 2024
by Angelo Leonardi
What follows is the list of the albums, both Italian and international, that I most appreciated and, above all, loved in 2024. These are the ones that enriched and inspired me the most, the ones I found myself returning to repeatedly. They are listed in alphabetical order, not by order of preference. In preparing this list ...
I dischi del 2024 secondo Angelo Leonardi
by Angelo Leonardi
Indico i dischi (sia italiani che stranieri) che ho più apprezzato e soprattutto amato nel 2024. Quelli che più mi hanno arricchito e appassionato, quelli che mi sono ritrovato a riascoltare spesso. Tra il primo indicato e l'ultimo non c'è un ordine di valore, ma solo alfabetico. Non so quanto sia possibile dividere la valutazione “professionale" ...
Red Hook Records
by Hobart Taylor
Celebrating Red Hook Records artists Wadada Leo Smith, Amina Claudine Myers, Andrew Cyrille and others, plus new music from Samara Joy. Playlist Aymée Nuviola Kemuel Roig"Imágenes" from Havana Nocturne (Worldwide) 0:00 William Cepeda" Con El Corazón (Plena)" from The Sound of Puerto Rican Jazz (Casabe) 4:39 Sessa “Canção da Cura" from Estrela Acesa (Self ...
Jihye Lee Orchestra: Infinite Connections
by Troy Dostert
One of the most ambitious composers working exclusively in the large-ensemble format, Jihye Lee is now offering her third release, coming on the heels of the well-received April (Self-released, 2017) and Daring Mind (Motéma Music, 2021). Lee is a fearless artist with a seemingly limitless imagination, with a multiplicity of themes and rhythms swirling through her ...
New Music from Clarinetist Harry Skoler, Monika Herzog and Sheroes, and Saxophonist Willie Morris
by Hobart Taylor
This week's program highlights a remarkable release from clarinetist, Harry Skoler, (Red Brick Hill), featuring vibraphonist, Joel Ross, bassist, Derzon Douglas, and drummer, Johnathan Blake. Playlist m: Tone Forest “The Mother Tree" from Tone Forest (Outside In) 0:00 Bria Skonberg “Petit Fleur" from What It Means (Cellar) 10:54 Alex Sipiagin “When Is It Now" ...
New Music from Janel Leppin and Ensemble Volcanic Ash, Tarbaby, Natsuki Tamura and Satoko Fujii and More
by Hobart Taylor
On this show we feature new releases from Janel Leppin and Ensemble Volcanic Ash, Tarbaby (Orrin Evans, Eric Reavis, and Nasheet Waits), Natsuki Tamura and Satoko Fujii, David Murray and more. Playlist Janel Leppin “As Wide as All Outdoors" from Ensemble Volcanic Ash: To March Is to Love (Cuneiform) 0:00 Harry Skoler “AppleHands" from ...
Mamiko Watanabe, Melissa Aldana, Matt Wilson, James Zollar and more
by Hobart Taylor
New music from pianist Mamiko Watanabe's Guided by the Light, saxophonist Melissa Aldana's Echoes of the Inner Prophet, Matt Wilson's Good Trouble and James Zollar'sThe Ways In. Playlist Isrea Butler “Congo Lament" from Congo Lament (Vegas Records) 0:00 Rachel Gould “Send Smoke Signals “ from Where Have I Been All of Your Life (WJ3) ...
Art of the Arranger
by David Brown
This week, we continue exploring the art of the arranger with large ensembles and jazz orchestras. Charles Mingus sets Meditations on Integration on a big band, The Toshiko Akiyoshi-Lew Tabackin Big Band presents a tone poem with traditional Japanese vocalists, we look at the Fletcher Henderson influence on Sun Ra, plus works by Satoko Fujii Orchestra ...
Results for pages tagged "Jihye Lee Orchestra"...
Jihye Lee
Jihye Lee is a jazz composer and bandleader based in New York, highly regarded for her personal and adventurous storytelling approach to large-ensemble jazz. “Her music is imaginative and creative” says Jim McNeely, one of Lee’s great mentors. “And she’s not afraid to take some exciting chances in her writing.” Lee describes composition as a form of record-keeping for herself, as the documentation of her life, the process of finding musical equivalents to the images, thoughts and emotions in her mind. She writes first and foremost for herself, to release her feelings, which makes her music deeply personal
