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Jaga Jazzist
Jaga Jazzist has become something of a musical phenomenon in Norway since they started 15 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects, and different musical styles and sounds which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxophones, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music
Moldejazz Jam Sessions: What Makes Them Tick?
by Daniel Mège
Jam sessions are greatest fun for jazz musicians and the audience. Yet behind their apparent spontaneity lies one of the most demanding traditions in jazz. Learning the repertoire, the language and the unwritten codes can take years, and it is in this sometimes intimidating setting that musicians can make or break their reputation. The Moldejazz jam ...
Moldejazz 2026
by Daniel Mège
Located at 62°7 North, Moldejazz (the Molde International Jazz Festival) is the ideal place for a festival in week 29, in early summer. A floral scent drifts through The Town of Roses, a ribbon less than a kilometer wide wedged into a peninsula between fjord and mountains. Even once it has set, the sun is never far ...
Voo Voo Runs the Voodoo Down
by Maciej Stasiowski
Voo Voo is the faux-phonetic transcription of how Wojciech Waglewski's initials should be pronounced in English--instead of the default double U" times two. By no mere coincidence, it is also the name of a group he has been running since 1985. Having secured his band this way for sailing on international waters already at the outset, ...
Jaga Jazzist: '94 - '14
by John Kelman
It's hard to believe that Norway's Jaga Jazzist is celebrating its 20th anniversary this year, in 2014. Not that there aren't other groups that have lasted as long, but look for a group whose primary composer was just 14 when the whole thing began, find a band where five out of its eight current members were ...
BigSpoon's Chris Engel: Intention... And Spontaneity
by Ian Patterson
So much goes into a debut albuma lifetime of learning, experiences and myriad influences. The music that springs forth is also often shaped in subtle and unfathomable ways that are sometimes not entirely clear even to the composer. Some musical reference points may appear obvious, others much less so, and so it is with ...
Free Association, Vol. 4 with Stephanie Byrne
by Ludovico Granvassu
Free Association is a series of collaborative mix-tapes curated by Mondo Jazz in association with musicians and selectors of various backgrounds. Free Association mix-tapes develop as a conversation. The first selector sends a tune cherry-picked to suit, and ideally surprise, the second selector who then, in turn, returns the favor. An hour or so ...
Il Desto Onironauta
By Paolo Jus
Label: Self Produced
Released: 2019
Track listing: Timeless Motion; Geesy Two; The Drunk Walking; Arren; Lapoo; La Sacralità del Niente; Prestatempo;
The Story of Two Kisses; Yandalù.
Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug
by John Kelman
Author's Note: Jan Erik Kongshaug, owner and recording engineer at Rainbow Studios, Oslo, passed away on November 5, 2019. Beyond his best-known work on hundreds of recordings for the lauded ECM Records label in collaboration with label head/producer Manfred Eicher, Kongshaug's studio and engineering, mixing and mastering work has garnered significant international acclaim. Still, Rainbow continues ...
Kit Downes: Dreamlife of Debris
by Karl Ackermann
Kit Downes' ECM debut marked a substantial departure from his earlier recordings with saxophonist Tomas Challenger. Wedding Music (Loop Records, 2013) and Vyamanikal (Slip Imprint, 2016) were rhythmically complex with abstruse melodies that tended toward repetitive patterns and drones. With his ECM title Obsidian (2018), Downes, still on organ, worked in a more solidly constructed environment, ...



