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5

Article: Album Review

Rich Peare: Blues For Peter

Read "Blues For Peter" reviewed by Jack Kenny


There is a special kind of pleasure in sitting in a jazz club, listening to talented musicians use their skills to explore some of the finest melodies of the last sixty years. In their debut album, Blues for Peter, Rich Peare (classical guitar) and Don Messina (double bass) offer just that experience. The album features eight ...

11

Article: Album Review

Craig Taborn / Nels Cline / Marcus Gilmore: Trio Of Bloom

Read "Trio Of Bloom" reviewed by Jack Kenny


The concept of a musical “supergroup" is hardly new. It could be argued that Charlie Parker and Dizzy Gillespie's assembly at Massey Hall in 1953 was an early example. This legendary bebop concert, despite the undeniable talent on stage, famously showcased clashing egos, particularly with a less-than-healthy Bud Powell. Charles Mingus even had to re-record his ...

9

Article: Album Review

Anton Mikhailov: Today Yesterday

Read "Today Yesterday" reviewed by Jack Kenny


Anton Mikhailov's life, like his music, reflects the complex and often tumultuous journey of an artist in Eastern Europe. Born in the conflict- ridden Horlivka, Donetsk region of Ukraine, his path led him from the Murmansk College of Art to Moscow and eventually to his current home in Tbilisi, Georgia. This nomadic existence and the emotional ...

12

Article: Album Review

George Coleman: George Coleman with Strings

Read "George Coleman with Strings" reviewed by Jack Kenny


The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...

15

Article: Album Review

Aruán Ortiz: Créole Renaissance

Read "Créole Renaissance" reviewed by Jack Kenny


Cuban Cubism is central to Aruán Ortiz's musical identity--but in this album, his vision extends far beyond. While the 1930s Negritude movement was a literary endeavor, Ortiz seeks to embody that movement not through words but through music. His compositions channel their spirit with abstraction, tension, and a deep sense of diasporic reflection. Ortiz, ...

11

Article: Album Review

Jon Irabagon / PlainsPeak: Someone to Someone

Read "Someone to Someone" reviewed by Jack Kenny


Jon Irabagon is a musician whose complexity is both exhilarating and daunting. His restless energy, deep self-reflection, remarkable achievements and sharp intellect combine to create a figure who constantly provokes questions--about music, originality and the very nature of artistic expression. In 2011, Irabagon undertook a bold experiment: With Mostly Other People Do The Killing, ...

6

Article: Album Review

Joe Santa Maria: Oblique Rhyme

Read "Oblique Rhyme" reviewed by Jack Kenny


The perennial challenge of balancing individual expression with collective harmony is masterfully addressed by Joe Santa Maria (saxophones), David Tranchina (bass), Gary Fukushima (piano), and Colin Woodford (drums). Their collaboration weaves contemporary jazz with blues and avant-garde elements, crafting an eclectic sound that showcases the quartet's versatility and chemistry. Fukushima's style is strikingly individualistic, ...

10

Article: Album Review

Cecil Taylor: Flashing Spirits

Read "Flashing Spirits" reviewed by Jack Kenny


Jazz never did know how to deal with Cecil Taylor. Does it now? Here is a session from Burning Ambulance from the Outside In Festival in Crawley Sussex recorded on 3rd September 1988. Cecil Taylor was fresh from his sojourn in Berlin where he created an important series of recordings and started working with ...

13

Article: Album Review

Fred Hersch: The Surrounding Green

Read "The Surrounding Green" reviewed by Jack Kenny


Fred Hersch's The Surrounding Green , his third release for ECM Records, is a testament to the art of the piano trio, combining lyrical introspection with sophisticated interplay. Recorded in May 2024 at Lugano's Auditorio Stelio Molo under Manfred Eicher's meticulous production, the album features Hersch on piano, Drew Gress on double bass and Joey Baron ...

12

Article: Album Review

Julian Shore: Sub Rosa

Read "Sub Rosa" reviewed by Jack Kenny


Sub Rosa demonstrates that Julian Shore now plays a key role in the evolution of the jazz piano trio. The jazz piano trio can be seen as the genre's answer to the classical string quartet. Both demand exceptional playing skills, intense listening, and a delicate balance among musicians. However, achieving this quality in a ...


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