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7

Article: Album Review

Sal Mosca: For Lennie Tristano

Read "For Lennie Tristano" reviewed by Jack Kenny


Sal Mosca was absorbed by the ideas of Lenne Tristano. The life force that is in the music of Tristano is not waning.  The ascetic ideas and the edgy magnificence of the music continue to enthrall without press agents, advertising, PR consultants:  just musicians who continue to be captivated by the purity of the music. 

5

Article: Album Review

Art Blakey And His Jazz Messengers: Art Blakey And The Jazz Messengers Strasbourg 82

Read "Art Blakey And The Jazz Messengers Strasbourg 82" reviewed by Jack Kenny


This album captures a special concert and a pivotal moment in the history of Art Blakey and the Jazz Messengers. It documents the re--formation of the band following the departure of trumpet player Wynton Marsalisand saxophonist Branford Marsalis. The new recruits--trumpeter Terence Blanchard and alto saxophonist Donald Harrison--were eager to prove their abilities, injecting the band ...

11

Article: Year in Review

Jack Kenny's Best Jazz Albums Of 2025

Read "Jack Kenny's Best Jazz Albums Of 2025" reviewed by Jack Kenny


A year is an arbitrary time. The list is chronological by how they came to me. The albums that still stand out are Bone Bells (Pyroclastic Records) by Sylvie Courvoisier and Mary Halvorson and the sheer professional expertise of Jed Levy Faces and Places (Self Produced). Both albums, in their different ways, exude creativity and joy. ...

5

Article: Album Review

Ted Brown Quartet: Just You Just Me

Read "Just You Just Me" reviewed by Jack Kenny


Ted Brown's 2013 album, recorded at various locations in New York and New Jersey, is steeped in the traditions of both Lester Young and Lennie Tristano, but what emerges is distinctly his own. Born in 1927, Brown channels the inspirations of these jazz giants, yet asserts his own individuality in every phrase. The ghostly presences of ...

10

Article: Album Review

Rahsaan Roland Kirk: Seek & Listen: Live At The Penthouse

Read "Seek & Listen: Live At The Penthouse" reviewed by Jack Kenny


Few figures in jazz history have embodied the word original quite like Rahsaan Roland Kirk. Sightless from infancy, yet bursting with boundless vision, he turned live performance into theatre, ritual and revelation. On stage, he appeared as a commanding silhouette festooned with flutes, whistles, tenor saxophone, clarinet, bells, harmonica and his self-fashioned instruments--the manzello and stritch. ...

9

Article: Album Review

Charles Lloyd: Figure In Blue

Read "Figure In Blue" reviewed by Jack Kenny


Jazz listeners with long memories will remember that Charles Lloyd was not always as revered as he is today. In the 1960s, his association with the “Summer of Love" and San Francisco's Haight-Ashbury scene led some to question his seriousness, seeing him as flirting with commercialism. Six decades on, that perception has aged away. Lloyd's work ...

13

Article: Album Review

McCoy Tyner Quartet: New York Reunion

Read "New York Reunion" reviewed by Jack Kenny


McCoy Tyner's New York Reunion is a fine example of late-period recording, presenting the jazz masters in a quartet setting that draws deeply on tradition while brimming with contemporary energy. Originally released in 1991 on Chesky Records, the album features Tyner at the piano alongside three equally distinguished collaborators: Joe Henderson (tenor saxophone), Ron Carter (bass) ...

16

Article: Album Review

Pharoah Sanders: Love Is Here The Complete Paris 1975 ORTF Recordings

Read "Love Is Here The Complete Paris 1975 ORTF Recordings" reviewed by Jack Kenny


The saxophonist Pharoah Sanders was often described as an enigma of jazz, once famously characterized as “a mad wind screeching through the root-cellars of Hell." That “mad wind" is absent on Love Is Here: The Complete Paris 1975 ORTF Recordings, but the enigma remains. This pivotal album captures Sanders stretching out, away from his Impulse! Records ...

14

Article: Album Review

Sylvie Courvoisier and Wadada Leo Smith: Angel Falls

Read "Angel Falls" reviewed by Jack Kenny


Wadada Leo Smith describes his music not as “jazz" but as “creative music." He rejects the term “improvisation" in favor of “creation." These specific word choices reflect his unique approach, which is deeply rooted in his early experiences with blues and R&B. Smith uses the full range of his instrument and plays at his ...

11

Article: Album Review

Rich Peare: Blues For Peter

Read "Blues For Peter" reviewed by Jack Kenny


There is a special kind of pleasure in sitting in a jazz club, listening to talented musicians use their skills to explore some of the finest melodies of the last sixty years. In their debut album, Blues for Peter, Rich Peare (classical guitar) and Don Messina (double bass) offer just that experience. The album features eight ...


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