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767

Article: Interview

Steve Colson: Doing Jazz Justice

Read "Steve Colson: Doing Jazz Justice" reviewed by Gordon Marshall


As well as being a great music educator, Steve Colson is one of the most versatile jazz pianists of the last forty years, with a grasp of idioms ranging from swing to free, and from European romanticism to new music. What's more, he is a master of compression, incorporating these sources into solos and compositions with ...

1,233

Article: Big Band Caravan

Stan Kenton Alumni Band / Dave Lisik Orchestra / New Zealand School of Music Big Band

Read "Stan Kenton Alumni Band / Dave Lisik Orchestra / New Zealand School of Music Big Band" reviewed by Jack Bowers


Stan Kenton Alumni Band Have Band Will Travel Summit Records 2010 There was a time (often referred to as “the good old days") when the phrase Have Band Will Travel would have been commonplace, as popular touring bands traversed the country on an almost daily basis to brave ...

947

Article: Bailey's Bundles

The State of Jazz Lyricists 2010: Mose Allison and Jim Pearce

Read "The State of Jazz Lyricists 2010: Mose Allison and Jim Pearce" reviewed by C. Michael Bailey


There exists a unique and storied subset of jazz artists who pen the most clever music and lyrics this side of Tin Pan Alley and way that side of modern-day Nashville. Besides Bob Dorough and Dave Frishberg, who are in a class by themselves, are Mose Allison and Jim Pearce, who are also part of that ...

387

Article: Album Review

The DIVA Jazz Trio: Never Never Land

Read "Never Never Land" reviewed by Jack Bowers


About the nicest compliment one can pay the DIVA Jazz Trio's debut recording, Never Never Land, is that the threesome's irrepressible enthusiasm and energy (not to mention their consonance and artistry) are reminiscent of the great Oscar Peterson's classic trio with bassist Ray Brown and drummer Ed Thigpen. Pianist Tomoko Ohno isn't Peterson, nor does she ...

262

Article: Album Review

Vittorio Gennari: Melodies

Read "Melodies" reviewed by Chris Mosey


Altoist Vittorio Gennari is scarcely a household word among jazz fans in his native Italy, let alone the wider world. Arriving on the scene late in life, after a long career playing in dance bands, Gennari was in his seventies when he cut his first record as a leader, The Sound (Red, 2006). Now, aged 76, ...

1,574

Article: Interview

Craig Handy: The Busiest Man In Jazz

Read "Craig Handy: The Busiest Man In Jazz" reviewed by Robert Dugan


Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...

612

Article: Old, New, Borrowed and Blue

Remembrance: Paying Tribute Through The Art Of Jazz Composition

Read "Remembrance: Paying Tribute Through The Art Of Jazz Composition" reviewed by Dan Bilawsky


Paying tribute to the dearly departed is simply a part of life. We honor them with words and we pay our respects through our actions as we help to keep their memory alive. In music, we pay tribute to the dead through the medium that we know best...sound. Whether we use “requiem," “threnody," “ode," “elegy," or ...

406

Article: Multiple Reviews

Curtis Clark, Marilyn Lerner and Chad Taylor: Chasing the Piano

Read "Curtis Clark, Marilyn Lerner and Chad Taylor: Chasing the Piano" reviewed by Clifford Allen


November 15, 2010 will mark the 75th anniversary of the first recorded jazz piano-trio session, with pianist Jess Stacy, bassist Israel Crosby and drummer Gene Krupa recording for UK Parlophone ("Barrelhouse" and “The World Is Waiting for the Sunrise"). Certainly much has happened in jazz and improvised music since that date, but the piano ...

263

Article: Album Review

Antonio Ciacca: Lagos Blues (with Steve Grossman)

Read "Lagos Blues (with Steve Grossman)" reviewed by George Kanzler


There's a good reason most “real" jazz radio stations tend to favor the modern mainstream jazz of the post-bop era codified by such record labels from the mid-20th Century as Blue Note, Columbia's jazz division, Prestige, Riverside and Impulse. It's creative jazz with a comfortingly substantial physicality, clean lines and rhythmic heft still anchored to a ...

247

Article: Album Review

Bill Ware: Played Right

Read "Played Right" reviewed by Gordon Marshall


Never one to swoop into the limelight or blithely steal the show, vibraphonist Bill Ware has built a model résumé that weaves silently and inscrutably through the best of most modern genres. Ware's Played Right accordingly shows the touch of a resilient, serpentine stylist, a master of quiet spectacle. Titles alone offer a ...


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