Home » Search Center » Results: Horace Silver
Results for "Horace Silver"
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
The Arrival of Joe Henderson (1963 - 1967)
by Russell Perry
Joe Henderson may have been the most significant tenor saxophonist to emerge in the 1960s. Gary Giddins wrote that he is ..."an irresistibly lucid player, whose adroitness in conjuring stark and swirling riffs contributed immeasurably to two of the most durable jazz hits of the '60s, Horace Silver's 'Song for My Father' and Lee Morgan's 'The ...
Eric Alexander: With Strings
by Jack Bowers
To paraphrase Cole Porter: “Bird did it, Chet did it... even many vocalists I bet did it..." And now tenor saxophonist Eric Alexander did it--recorded an album with strings, that is. This represents quite a departure for Alexander who is widely known as one of the more emotive and resourceful improvisers on the scene; but so ...
Stan Getz + Horace Silver
Born in Norwalk, Conn., in 1928, pianist Horace Silver found himself leading the house trio at a Hartford club called the Sundown in 1950. That year, the club brought in Stan Getz, and the Silver trio played behind him. Getz liked their feel so much he promised to call them. Yeah, right, they thought. But two ...
3x3: Piano Trios: February 2020
by Geno Thackara
Lynne Arriale Trio Chimes of Freedom Challenge Records 2020 Where she last appeared happy and laughing on the cover of Give Us These Days (Challenge, 2018), Chimes of Freedom has Lynne Arriale looking a little more thoughtful and serious. The theme this time around is indeed a weighty one, but ...
The Hard Bop / Avant-Garde Synergy of Andrew Hill (1963 - 1965)
by Russell Perry
Blue Note Records in the 1960s released such iconoclastic projects as Cecil Taylor's Unit Structures and Eric Dolphy's Out to Lunch, but the label was best known for music on the Art Blakey--Horace Silver axis. As Ted Gioia has noted ..."other, less radical Blue Note releases showed that there could be a meeting point between hard ...
Eric Alexander, Steve Davis, John Swana and the Philly All-Stars: Chris’ Jazz Cafe
by Victor L. Schermer
Eric Alexander, Steve Davis, John Swana and the Philly All-Stars Chris' Jazz Café Philadelphia, PA February 22, 2020 This first set on the second night of a two night stand with a packed house featured three superb and well-known hard bop masters backed by a local rhythm section ...
Dave Stryker: Guitars, Organs & Eight-Tracks
by Mark Sullivan
Guitarist Dave Stryker grew up in Omaha, Nebraska and moved to New York City in 1980. His big break came when he joined organist Jack McDuff's group for two years, from 1984-85. It was through McDuff that Stryker met tenor saxophonist Stanley Turrentine, who would occasionally sit in. After leaving McDuff, Turrentine asked Stryker to join ...
Results for pages tagged "Horace Silver"...
Horace Silver
Born:
When Horace Silver once wrote out his rules for musical composition (in the liner notes to the 1968 record, Serenade to a Soul Sister), he expounded on the importance of "meaningful simplicity." The pianist could have just as easily been describing his own life. For more than fifty years, Silver has simply written some of the most enduring tunes in jazz while performing them in a distinctively personal style. It's all been straight forward enough, while decades of incredible experiences have provided the meaning. Silver was born in Norwalk, Connecticut on September 2, 1928. His father had immigrated to the United States from Cape Verde—-and that island nation's Portuguese influences would play a big part in Silver's own music later on
The Very Singular Mr. Ran Blake
by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
