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Kaylé Brecher: Bredux: Collected Edges
by Geannine Reid
Vocalist Kaylé' Brecher has continuously honed her skills as a creative composer and arranger. A Summa Cum Laude graduate of Temple University with a double major in performance and compositions/arranging, she has always pushed for continued growth. Brecher studied composition and arranging privately with Jim McNeely and Michael Abene, a vehicle to polish her creative writing. ...
Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity ...
Hong Kong International Jazz Festival 2021
by Rob Garratt
Hong Kong International Jazz Festival 2021 Hong Kong City Hall October 27-28, 2021 Forced to restrict programming to locally based musicians, the always enjoyable Hong Kong International Jazz Festival's greatest surprise this year came early in Chi Chau's Choice, a super-ish group of HK luminaries assembled ...
SFJAZZ Collective at SFJAZZ
by Harry S. Pariser
SFJAZZ Collective SFJAZZ Center San Francisco, CA October 31, 2021 Established by SFJAZZ, the San Francisco music-presentation nonprofit which hosts most events at its own San Francisco edifice, the SFJAZZ Collective, a group of established jazz musicians, has been making annual tours including material from one modern jazz great (such ...
Ode to a Tenor Titan: The Life and Times and Music of Michael Brecker by Bill Milkowski
After John Coltrane, there was no more revered and profoundly influential saxophonist on the planet than Michael Brecker. For those coming of age in the 1970s, during that transitional decade when the boundaries between rock and jazz had begun to blur, Brecker stood as a transcendent figure. He was their Trane. Ode to a Tenor Titan ...
The 1979 Playboy Jazz Festival
by Jon Deshler
I began producing my Jazz Passages Archive when I was 14 in the '70s, as a young trumpet student and photography enthusiast growing up in the San Fernando Valley. In June of 1979 serendipity aligned with a high school buddy/usher, which led to me attending the first Playboy Jazz Festival at the Hollywood Bowl. At 16 ...
Meet Kenneth Cobb
by Tessa Souter and Andrea Wolper
We suppose it makes sense that our latest Super Fan, a high-level mathematician—a contractor for NASA, no less—would keep meticulous records about, well, everything, from his massive CD and LP collection, to his personal road trip “mix tapes," to every concert he's attended. But applying his mathematical genius to fitting an entire week's worth of music ...
Nadav Snir-Zelniker: The Sound of Surprise
by David A. Orthmann
For the last dozen years or so I've frequented The Turning Point Café in Piermont, NY. I return to the small, informal venue time and time again to hear live jazz that's long on substance and short on pretense and ceremony. Though the town may seem removed from the hustle and bustle of New York City, ...
Christian Sands: Renaissance Man
by R.J. DeLuke
Christian Sands is more than a jazz pianist, though he excels at it and it is central to his art. After all he started playing at about the age of two and first performed in public at age nine. Sands is a prolific composer. He has written music for television. He wants to do ...
Gulda: Classic Bad Boy
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
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