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Heather Leigh

6

Article: Album Review

Peter Brötzmann / Paul G. Smyth: Tongue In A Bell

Read "Tongue In A Bell" reviewed by Mark Corroto


There are only a handful of pianists the great reedist Peter Brötzmann has worked with. Back in the Machine Gun (FMP, 1968) days it was Fred Van Hove at the keyboards. Then there was Misha Mengelberg and Alexander von Schlippenbach, plus those Berlin sessions with Cecil Taylor, and the new millennium recordings with Japanese pianist Masahiko ...

9

Article: Album Review

Peter Brötzmann & Fred Lonberg-Holm: Memories of a Tunicate

Read "Memories of a Tunicate" reviewed by Mark Corroto


Peter Brötzmann in a duo format brings out the best of Peter Brötzmann. Yes, but maybe of greater import, the duo also ennobles his improvising partner. Not that cellist Fred Lonberg-Holm needs the accolades. He has been front-and-center of the creative music scene for more than three decades, collaborating with the likes of Joe McPhee, Ken ...

1

Article: Radio

Mareike Wiening's Debut Album

Read "Mareike Wiening's Debut Album" reviewed by Bob Osborne


German drummer and composer Mareike Wiening released her debut album featuring her original compositions performed by an outstanding quintet of New York improvisers on November 1st . Metropolis Paradise is dedicated to Wiening's six year residence in the Big Apple and is the featured album on this show. We also preview the excellent new album from ...

1

Article: Live Review

Festival International de Musique Actuelle de Victoriaville 2019, Part 2-2

Read "Festival International de Musique Actuelle de Victoriaville 2019, Part 2-2" reviewed by Mike Chamberlain


Part 1 | Part 2 Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-19, 2019 The first two days of this year's FIMAV lived up to lofty expectations, and, if anything, Saturday's and Sunday's programs looked even more promising, with artists such as Roscoe Mitchell Vijay Iyer, ...

1

Article: Live Review

Festival International de Musique Actuelle de Victoriaville 2019, Part 1-2

Read "Festival International de Musique Actuelle de Victoriaville 2019, Part 1-2" reviewed by Mike Chamberlain


Part 1 | Part 2Festival International de Musique Actuelle de Victoriaville Victoriaville, Quebec, Canada May 16-19, 2019 There was a lot of positive buzz leading up to the 35th edition of the Festival International de Musique Actuelle de Victoriaville. On paper, the schedule looked very strong. Looking back over past ...

7

Article: Live Review

Jazz em Agosto 2017

Read "Jazz em Agosto 2017" reviewed by Mike Chamberlain


Jazz em Agosto Lisbon, Portugal July 28-August 6, 2017 Where to start with my description of the Jazz em Agosto experience? The gorgeous setting of the amphitheater in the garden of the Calouste Gulbenkian Foundation (Fundacão Calouste Gulbenkian) in central Lisbon? The musical highlights of the fourteen concerts over ten ...

2

Article: Live Review

Suoni Per Il Popolo 2017

Read "Suoni Per Il Popolo 2017" reviewed by Mike Chamberlain


Casa del Popolo, Sala Rossa, La Vitrola Suoni Per Il Popolo Montreal, Quebec, Canada June 1-24, 2017 This year's edition of the Suoni per il Popolo, or Suoni as it is popularly known, was the 17th since the inception of Mauro Pezzente and Kiva Stimac's Casa del Popolo mini-empire, which also ...

1

Article: Live Review

Ai Confini Tra Sardegna e Jazz - XXXI Edizione

Read "Ai Confini Tra Sardegna e Jazz - XXXI Edizione" reviewed by Paolo Peviani


Sant'Anna Arresi (CI) 01-10.09.2016 Per questa trentunesima edizione, il festival Ai Confini Tra Sardegna e Jazz ha messo al centro del proprio programma la figura di Frank Zappa. Trattandosi di una manifestazione prevalentemente dedicata all'improvvisazione radicale, la rivisitazione del repertorio zappiano non poteva (non doveva!) limitarsi all'agiografia, al tributo, alla riproposizione ...

3

Article: Album Review

Peter Brötzmann / Heather Leigh: Ears Are Filled With Wonder

Read "Ears Are Filled With Wonder" reviewed by John Sharpe


Iconoclastic German reedman Peter Brötzmann has appeared in almost every conceivable combination and circumstance over the years, from the maelstrom of Last Exit to the austere horn choir of Sonore, via hook ups with almost everyone in between, counting such free jazz luminaries as Cecil Taylor, Anthony Braxton and Evan Parker. However on Ears Are Filled ...


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