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Jay Thomas / Gary Smulyan: Lowdown Hoedown
by Paul Rauch
Sometimes the most joyous and satisfying things in life occur in the light of pure happenstance. Such was the case when New York based baritone saxophone master Gary Smulyan ventured west in the 90's to perform and teach at the Jazz Port Townsend Festival in Washington state, in those days directed by veteran saxman, Bud Shank. ...
Slavic Soul Party: Plays Duke Ellington's Far East Suite
by Angelo Leonardi
Nel jazz contemporaneo la reinterpretazione delle opere passate avviene in due modi diversi. Da un lato c'è chi privilegia la riproposizione fedele dell'originale, partendo da una prospettiva a grandi linee accademica (Wynton Marsalis) fino alla riproduzione letterale di ogni aspetto melodico, timbrico e ritmico (come ha fatto il gruppo Mostly Other People Do The Killing con ...
Duke Ellington & His Orchestra: Rotterdam 1969
by Jack Bowers
Here's a succulent and long-hidden treat for Duke Ellington aficionados: a wide-ranging and reasonably well-recorded concert performance by the Ellington orchestra from 1969 at the Do Doelen Concert Hall in Rotterdam, The Netherlands. Many of Ellington's tried-and-true favorites are here, along with a number of lesser-known themes such as tenor Paul Gonsalves' feature, “Up Jump"; “Come ...
A Day With Dave Liebman
by Ian Patterson
A Day With Dave Liebman National Concert Hall Dublin, Ireland January 31, 2016 Lasting the course in jazz, that's to say, building a successful career that, just like any other job, spans more than half a lifetime, brings with it a wealth of knowledge and experience. Sharing that knowledge with ...
Duke Ellington And His Orchestra: Rotterdam 1969
by Chris Mosey
Right up to the end Duke Ellington maintained an ability to surprise lesser mortals with his impish wit. In 1969 he visited the White House to celebrate his 70th birthday and kissed President Richard Nixon on the cheek four times. When Nixon asked why four times, Ellington replied, “One for each cheek." Tricky ...
Brian Landrus Trio: The Deep Below
by Angelo Leonardi
Sax baritono tra i più interessanti emersi nel decennio, Brian Landrus svela in questo disco alte doti liriche e timbriche, in undici brani di sua composizione e tre standard. La relazione con Lonnie Plaxico e Billy Hart ha mostrato le sue potenzialità nel quartetto documentato dall'album Traverse (BlueLand, 2011) ma qui l'organico senza pianoforte ...
Rollerball: Post Amen
by Luigi Sforza
Specializzata in produzioni sorprendentemente realistiche e attuali--aperte in modo onnivoro allo scibile musicale, senza distinzione tra alto e basso, colto e pop--l'importante etichetta El Gallo Rojo documenta in Post Amen il lavoro svolto dal collettivo Rollerball. Il progetto è il risultato di un processo osmotico che prevede l'acquisizione e l'accumulo al suo interno di ...
Jive-Colored Glasses
by John Goodman
The following is an excerpt from “Chapter 4: Chicago" of Jive-Colored Glasses by John F Goodman (jg publications, 2015). Growing up in and around Chicago in the 1950s brought me to all kinds and flavors of jazz. Between the house parties, clubs and concerts, there was a menu to please everyone. The Rush Street ...
Moers Festival 2015
by Henning Bolte
Moers Festival Moers, Germany May 22-25, 2015 After the great changes and new beginnings of last year's edition, this year the festival entered the phase of refinement and consolidation. The special vibe is still flourishing. The festival got an important award, the prize of the Europe Jazz Network (EJN) for Adventurous Programming. ...
Brian Landrus Trio: The Deep Below
by Dan Bilawsky
If this recording can't kindle a love of the low end in your cochlea then nothing can. For The Deep Below, Brian Landrus--perhaps the most significant baritone saxophonist/low reed man to emerge in recent times--put together a trio with bassist Lonnie Plaxico and drumming icon Billy Hart. Together, they explore eleven Landrus originals and three classics, ...
