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About Gunther Schuller
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Gunther Schuller
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The composer Gunther Schuller is, famously, a man of many musical pursuits. He began his professional life as a horn player in both the jazz and classical worlds, working as readily with Miles Davis and Gil Evans as with Toscanini; he was principal horn of the Cincinnati Symphony from age sixteen and later of the Metropolitan Opera Orchestra until 1959. In the 1950s he began a conducting career focusing largely on contemporary music, and thereafter conducted most of the major orchestras of the world in a wide range of works, including his own. He was central in precipitating a new stylistic marriage between progressive factions of jazz and classical, coining the term "Third Stream" and collaborating in the development of the style with John Lewis, the Modem Jazz Quartet, and others. An educator of extraordinary influence, he has been on the faculties of the Manhattan School of Music and Yale University; he was, for many years, head of contemporary music activities (succeeding Aaron Copland) as well as a director of the Tanglewood Music Center, and served as President of the New England Conservatory
New England Jazz Collaborative: Tributaries
by Jack Bowers
Tributaries is the debut recording by the seventeen-member New England Jazz Collaborative whose origin and purpose are summed up as follows: “an artist-led non-profit collective dedicated to commissioning, presenting and documenting new music and expanding the audience for what remains a thrilling and vital musical form." The album consists of half a dozen fresh ...
Jeff Lederer: There's a Yearnin'
by Jerome Wilson
Jazz and classical music have been intersecting for decades. One of the most prominent examples of this was the Third Stream movement of the sixties, where composers and musicians like Gunther Schuller and John Lewis encouraged the efforts of jazz musicians who wanted to experiment in the world of classical music. The music created through the movement ...
How John Coltrane Changed Rock Music: The Grateful Dead
by Kyle Simpler
The Grateful Dead, probably more than any other rock band that emerged from the 1960s, tapped into the full scope of American musical tradition. From their earliest days, they were an eclectic rock band, blending elements of blues, r&b, country, bluegrass, and jazz. But rather than trying to replicate particular genres exactly, the band's goal was ...
A Jazz Reading List
by Karl Ackermann
From 2015 through 2020, a personal research project included my reading dozens of jazz books and related media. They included mainstays such as the massive reference The Penguin Guide to Jazz Recordings (Penguin Books, 2006), Ben Ratliff's excellent interview collection The Jazz Ear: Conversations Over Music (Times Books, 2008), the off-shore perspectives of Circular Breathing: The ...
Concerto for Cootie. The Life and Times of Cootie Williams
by Richard J Salvucci
Cootie. The Life and Times of Cootie Williams Steven C. Bowie 443 Pages ISBN: #9781496859440 University Press of Mississippi 2025 Benny Goodman, who had employed Harry James and Ziggy Elman in his nonpareil 1937 trumpet section, preferred trumpeter Cootie Williams to them, admiring his “unlimited power." Williams had come ...
November 15-22, 2025: Jumpin’ In The Future: The Legacy Of Gunther Schuller
New England Conservatory (NEC) presents the week-long festival Jumpin’ in the Future: The Legacy of Gunther Schuller from November 15 to November 22, 2025. The festival features performances and discussions at whose core is the fearless innovation and revolutionary spirit Schuller brought to NEC and which continues to this day. A MacArthur Fellow and Pulitzer Prize ...
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life
by Katchie Cartwright
The Jazz Barn: Music Inn, the Berkshires, and the Place of Jazz in American Life John Gennari 264 Pages ISBN: #978-1-68458-285-3 Brandeis University Press 2025 Award-winning author, University of Vermont professor and Berkshire County native John Gennari encapsulates his fascinating history of The Jazz ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
The Brief Reign of King Oliver
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
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