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Steve Lacy Quintet: Last Tour
by John Eyles
As its title says, this album dates from Steve Lacy's last tour, which ran from the summer of 2003 in NYC through to March 2004 in Boston, (where Lacy was living at the time, as he was teaching at the New England Conservatory of Music). The eight tracks on this album were recorded in Boston's ICA ...
George Lewis: The George Lewis Solo Trombone Record
by Stefano Merighi
Si può cominciare dalla fine. E dire che la versione di “Lush Life" di Strayhorn è una tra le più belle mai incise. Una carezza lirica, un vibrato felino, in cui Lewis omaggia la tradizione imprescindibile, dopo averla frantumata per tutta la durata di una seduta davvero storica. Solo Trombone Record, anno 1976, ha una forza ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
AACM - The Association of the Advancement of Creative Music
by Hrayr Attarian
The Association of the Advancement of Creative Music (AACM) was created 50 years ago in Chicago to give voice to adventurous African American musicians and to express the political turmoil of the era. As this is the anniversary year of this revolutionary collective here are ten essential classic AACM recordings that belong in any collection, regardless ...
Hashtag Jazz
by Margret Grebowicz
In his 1994 study Thinking in Jazz: The Infinite Art of Improvisation, Paul Berliner describes American jazz as a community cutting across “boundaries defined by age, class, vocation, and ethnicity" and concludes that “it is their abiding love for the music that binds this diverse population together." (Berliner, 1994, p. 36) Twenty years later, jazz community ...
Take Five with Rob Saffer of the Creative Music Foundation
by AAJ Staff
In this installment of Take Five we hear from Executive Director Rob Saffer of the Creative Music Foundation, an organization founded in 1971 by Karl Berger, Ingrid Sertso and Ornette Coleman. CMS has brought together leading innovators in the jazz and world music communities through their CMS workshops. About the Creative Music Studio Fall ...
Mort Weiss: Mort Weiss is a Jazz Reality Show
by C. Michael Bailey
The informal definition of a Character is an “odd, eccentric, or unusual person." That is a bit disappointing in that “odd, eccentric, and unusual" more often than not may be pejorative. I prefer a “unique, memorable, or exceptional person." That said, it takes all six adjectives to adequately describe clarinetist Mort Weiss, who with this recording ...
Wadada Leo Smith, fenomenologia di un maestro
by Luca Canini
Non tutti i maestri sono uguali. C'è chi sceglie di farsi da parte, riducendo al minimo gli sconfinamenti, gli azzardi, i contatti con situazioni potenzialmente rischiose. E c'è chi invece si ostina a cercare, a condividere; tenendo fede a quella che del jazz è la suprema vocazione: la fisiologica tendenza a includere, in un continuo sovrapporsi ...
Take Five with Courtney Bryan
by AAJ Staff
Meet Courtney Bryan: Courtney Bryan, a native of New Orleans, is “a pianist and composer of panoramic interests" (New York Times). Her music ranges from solo works to large ensembles in the new music and jazz idioms, film scores, and collaborations with dancers, visual artists, writers, and actors. On April 9, 2015, her new work Sanctum for orchestra ...
A Madman’s Approach To Music And Why Can't Music Be Like A Tree?
by Duncan Heining
"Art alone makes life possible." --Joseph Beuys. The Glasgow Improvisers' Orchestra is unique. It's an over-used word, I know, but in this case fully justified. GIO are unique in so many ways--in the way they formed, the way they make decisions, in their make-up, how they work and most importantly how they sound. They ...
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