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Jay Thomas: We Always Knew
by Paul Rauch
Legacy is a fleeting notion. It is incomprehensible in real time when a career hits high points, when certain doors open to quantitative opportunity. Jay Thomas can tell you a thing or two about that, based on his own personal experience as a jazz artist over half a century. His story includes playing on the Seattle ...
Javon Jackson: For You
by Patrick Burnette
Tenor saxophonist Javon Jackson has roots stretching back to the hard-bop forebearers, having served stints with Art Blakey, Freddie Hubbard, Cedar Walton, and other luminaries of the lineage. For You is his twentieth release as a leader, and it finds him paying homage to Hubbard ("My Man Hubbard"), McCoy Tyner ("88 Strong"), Pharoah Sanders ("Mr. Sanders"--though ...
Lonnie McFadden: Live at Green Lady Lounge
by Chris M. Slawecki
In his own words, tap dancer, composer, trumpeter, vocalist, and bandleader Lonnie McFadden is, “an unapologetic Kansas City jazz guy." He may be a classic “song and dance man" type of entertainer, but Live at Green Lady Lounge demonstrates that he is also more than that. Lonnie McFadden was born and raised in Kansas ...
Heartbeats Full of Soul
by Chris M. Slawecki
Nicola Conte & Spiritual Galaxy Let Your Light Shine On MPS 2018 One of the best parts of Let Your Light Shine On is how it plucks out musical threads from throughout the galaxy (more on that later) and knits them together into truly groovy, soulful cloth. But ...
Marcus Miller: America's AmBASSadoor
by Jim Worsley
Marcus Miller is most often described as a jazz, funk, soul, fusion, and R&B bassist. As much as that is accurate, it is a description that falls well short of the mark. Miller is a high-end musical sponge who manages to incorporate today's cultures and rhythms into his compositions, layered within the framework of sound he ...
Connie Han: Crime Zone
by Chris Mosey
Connie Han, dressed in skin-tight leather, tosses back her long and lustrous black hair, then walks like a prowling cat to the piano. She sits down, doesn't smile, looks darkly at the keyboard. She pauses then starts playing a percussive riff. Lights! The band emerges from the shadows and falls in behind her. ...
CTI on BGO
by Jakob Baekgaard
"It was the best of times, it was the worst of times." The echo of Charles Dickens' famous novel A Tale of Two Cities is suitable to describe the climate of jazz when Creed Taylor launched CTI. It was 1970 and acoustic jazz was in crisis. Following the invasion of rock, it had survived by becoming ...
Bruno Raberg: Tailwind
by Gareth Thompson
In a 2005 interview, double bassist Bruno Råberg discussed how Scandinavian music reflects the country's vast mountains and forests. “You can see very far and that calmness and meditative spirituality comes through," he says. Born in Sweden, but a longtime resident of Boston, you sense Råberg still carries his homeland close to the heart.
The South Florida Jazz Orchestra: The Music of Gary Lindsay / Are We Still Dreaming
by Jack Bowers
When a big band devotes an entire album to the compositions and arrangements of one musician, the obvious opening question is: why? In other words, who is Gary Lindsay and why is the South Florida Jazz Orchestra performing his music? In brief, the answer is that Lindsay, an alto saxophonist and well-respected educator, has written and ...
Joris Teepe: Conversations
by Angelo Leonardi
Don Braden appartiene a quella schiera di sassofonisti emersi tra gli anni ottanta e novanta sull'onda di un neo bop caratterizzato da forti legami coi maestri degli anni cinquanta e sessanta (Sonny Rollins, John Coltrane, Joe Henderson, Wayne Shorter) e relazioni col modello Blue Note. In un quarto di secolo ha espresso al ...
