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Jazz Articles about Freddie Hubbard

Album Review

Alan Shorter: Mephistopholes to Orgasm Revisited

Read "Mephistopholes to Orgasm Revisited" reviewed by Stefano Merighi


In questo CD dedicato ad Alan Shorter (tromba, flicorno, composizione) si ripropongono le sedute integrali di Orgasm (1968), precedute però da “Mephistopheles," di tre anni precedente, che figurava nella scaletta di The All Seeing Eye, del più celebre fratello Wayne. È un pezzo di una cupezza angosciante, sostenuto da un pedale ritmico minaccioso, dalle cui spire fioriscono severi interventi dei fiati e delle percussioni. Con i due fratelli Shorter, suonano James Spaulding (alto), Freddie Hubbard (tromba), Grachan Moncur III (trombone), ...

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Album Review

Freddie Hubbard: On Fire: Live From The Blue Morocco

Read "On Fire: Live From The Blue Morocco" reviewed by Pierre Giroux


Freddie Hubbard was never one to play it safe. Even at a time when jazz was bending in myriad directions--from the structural freedom of Ornette Coleman's harmolodics to the modal explorations of Miles Davis--Hubbard maintained a singular focus on the power of his horn. In the newly unearthed performance On Fire: Live from Blue Morocco, Resonance Records, in conjunction with Record Store Day, has released a deluxe 2CD package that includes new interviews with Bennie Maupin and Kenny Barron, notes ...

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Album Review

Freddie Hubbard: On Fire--Live From The Blue Morocco

Read "On Fire--Live From The Blue Morocco" reviewed by Jack Kenny


Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John Coltrane and Eric Dolphy. Hubbard's casting around indicates an unresolved idea of what to do with his gifts. He was, after all, born at ...

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Album Review

Freddie Hubbard: On Fire: Live from the Blue Morocco

Read "On Fire: Live from the Blue Morocco" reviewed by Thierry De Clemensat


If Resonance Records did not exist, it would have to be invented, for it fills the hearts of jazz lovers with such joy that they eagerly anticipate each new release, especially one as extraordinary as this. On Fire: Live from the Blue Morocco is a previously unreleased recording of the legendary jazz trumpeter Freddie Hubbard, captured in 1967 at the Blue Morocco jazz club in the Bronx, New York. Featuring an all-star lineup; Bennie Maupin, Kenny Barron, Herbie ...

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Album Review

Freddie Hubbard: On Fire: Live At The Blue Morocco

Read "On Fire: Live At The Blue Morocco" reviewed by Dan McClenaghan


Trumpeter Freddie Hubbard (1938 -2008) began his professional jazz journey in 1960 as a full-blooded hard bopper, recording his first album in that year for Blue Note Records, Open Sesame. Much of the ensuing decade saw him in several Blue Note outings under his own name and as a side man. He also recorded sets for Atlantic Records and Impulse!. His output ran at about two albums a year through the 1960s. The 1970s saw Hubbard rise from ...

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Radio & Podcasts

Zev Feldman: Guardian Of Jazz Legacies

Read "Zev Feldman: Guardian Of Jazz Legacies" reviewed by Stephen Braunginn


Zev Feldman, co-president of Resonance Records and a highly accomplished jazz producer and historian, delves into the process of discovering and curating legacy jazz music, including the importance of identifying great recordings, obtaining permissions, and creating captivating album packages. Feldman also highlights the significance of Record Store Day in bringing these projects to life and recounts his experiences working on specific projects, such as those featuring Charles Mingus, Freddie Hubbard, Kenny Dorham, and Bill Evans. Playlist Freddie Hubbard ...

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Album Review

Ornette Coleman: Free Jazz to Ornette! Revisited

Read "Free Jazz to Ornette! Revisited" reviewed by Alberto Bazzurro


Che cosa si può dire ancora di un'opera che ha stravolto il corso del jazz, uno di quegli snodi dopo i quali--qui fin dal titolo--nulla può essere più come prima? Punti di svolta decisivi e ineludibili che cambiano il corso di un'arte, pietre miliari come Les Demoiselles d'Avignon in pittura, l'Ulysses di Joyce in letteratura, o più specificatamente in poesia Un coup de dés di Mallarmé? Nulla, appunto, perché tutto dev'essere per forza di cose già stato detto e scritto, ...


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