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About Freddie Hubbard

8

Album Review

Art Blakey & The Jazz Messengers: Blue Moon Over Paris: ORTF Recordings 1963 and 1968

Read "Blue Moon Over Paris: ORTF Recordings 1963 and 1968" reviewed by Keith Flint

by Keith Flint

By the spring of 1963, Art Blakey & The Jazz Messengers had established themselves as something of a dynasty within the jazz community, irrespective of their lineup. As both a band leader and prodigious drummer, Blakey was a driving force who reigned from the throne behind his drum kit, around which he surrounded himself with players of outstanding competence and unique personality. The Jazz Messengers consistently delivered startling live performances and a burgeoning collection of studio successes. Blue ...

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1

Album Review

Freddie Hubbard: On Fire: Live from the Blue Morocco

Read "On Fire: Live from the Blue Morocco" reviewed by Stefano Merighi

by Stefano Merighi

Dice bene Bennie Maupin, nelle sue note incluse nel libretto del CD, quando ricorda che dopo aver suonato nei Jazz Messengers di Art Blakey, Freddie Hubbard era forse il più forte trombettista in circolazione. Hubbard ha suonato in tutte le situazioni chiave dal 1960 in avanti, scelto sempre dai migliori in campo, e pure affermando una buona leadership, forse soffrendo il ruolo di mattatore di Miles Davis, ma riuscendo ad evitare la sua ombra, tranne forse in qualche ...

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Album Review

Alan Shorter: Mephistopholes to Orgasm Revisited

Read "Mephistopholes to Orgasm Revisited" reviewed by Stefano Merighi

by Stefano Merighi

In questo CD dedicato ad Alan Shorter (tromba, flicorno, composizione) si ripropongono le sedute integrali di Orgasm (1968), precedute però da “Mephistopheles," di tre anni precedente, che figurava nella scaletta di The All Seeing Eye, del più celebre fratello Wayne. È un pezzo di una cupezza angosciante, sostenuto da un pedale ritmico minaccioso, dalle cui spire fioriscono severi interventi dei fiati e delle percussioni. Con i due fratelli Shorter, suonano James Spaulding (alto), Freddie Hubbard (tromba), Grachan Moncur III (trombone), ...

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6

Album Review

Freddie Hubbard: On Fire: Live From The Blue Morocco

Read "On Fire: Live From The Blue Morocco" reviewed by Pierre Giroux

by Pierre Giroux

Freddie Hubbard was never one to play it safe. Even at a time when jazz was bending in myriad directions--from the structural freedom of Ornette Coleman's harmolodics to the modal explorations of Miles Davis--Hubbard maintained a singular focus on the power of his horn. In the newly unearthed performance On Fire: Live from Blue Morocco, Resonance Records, in conjunction with Record Store Day, has released a deluxe 2CD package that includes new interviews with Bennie Maupin and Kenny Barron, notes ...

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11

Album Review

Freddie Hubbard: On Fire--Live From The Blue Morocco

Read "On Fire--Live From The Blue Morocco" reviewed by Jack Kenny

by Jack Kenny

Freddie Hubbard is a conundrum. His style has varied significantly over the years, as though he were unsure of himself at a deep level. There were the Blue Note years, then the funk years, where he gained money and lost credibility. The all-encompassing technique was displayed in so many contexts, with Art Blakey, Ornette Coleman, John Coltrane and Eric Dolphy. Hubbard's casting around indicates an unresolved idea of what to do with his gifts. He was, after all, born at ...

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16

Album Review

Freddie Hubbard: On Fire: Live from the Blue Morocco

Read "On Fire: Live from the Blue Morocco" reviewed by Thierry De Clemensat

by Thierry De Clemensat

If Resonance Records did not exist, it would have to be invented, for it fills the hearts of jazz lovers with such joy that they eagerly anticipate each new release, especially one as extraordinary as this. On Fire: Live from the Blue Morocco is a previously unreleased recording of the legendary jazz trumpeter Freddie Hubbard, captured in 1967 at the Blue Morocco jazz club in the Bronx, New York. Featuring an all-star lineup; Bennie Maupin, Kenny Barron, Herbie ...

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16

Album Review

Freddie Hubbard: On Fire: Live At The Blue Morocco

Read "On Fire: Live At The Blue Morocco" reviewed by Dan McClenaghan

by Dan McClenaghan

Trumpeter Freddie Hubbard (1938 -2008) began his professional jazz journey in 1960 as a full-blooded hard bopper, recording his first album in that year for Blue Note Records, Open Sesame. Much of the ensuing decade saw him in several Blue Note outings under his own name and as a side man. He also recorded sets for Atlantic Records and Impulse!. His output ran at about two albums a year through the 1960s. The 1970s saw Hubbard rise from ...

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