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138

Article: Album Review

Various Artists: The Jones Boys

Read "The Jones Boys" reviewed by AAJ Staff

by AAJ Staff

It sounds silly at first: “Get this – everyone in the band is a Jones!" You laugh, but not long -- this is some serious jam. The rhythm lays an easy groove; the horns (sometimes one, sometimes three) shout with power and strut like mad. It sounds like a working group, and it should: many were ...

345

Article: Album Review

Hank Jones: Ain't Misbehavin'

Read "Ain't Misbehavin'" reviewed by AAJ Staff

by AAJ Staff

This one runs by so fast: subtle grace, flawless hands, a playful wink at odd moments. That Hank Jones, and it’s also Fats Waller, two great stylists best known for other things. (Fats for his composing; for Hank, it’s his brothers!) In 1978 came a dream job: Jones joined the theatre band for the show Ain’t ...

153

Article: Album Review

Jaki Byard: On the Spot!

Read "On the Spot!" reviewed by AAJ Staff

by AAJ Staff

Jaki Byard was an encyclopedia unto himself; in a French concert it’s said he went “from James P. Johnson to Cecil Taylor." You hear that in his albums, even in the same song; with Mingus he would take explosions and follow them with classical beauty. On this date there’s more variety than ever: studio and live ...

258

Article: Album Review

Bobby Timmons: From the Bottom

Read "From the Bottom" reviewed by AAJ Staff

by AAJ Staff

The cover offers a hint: a silhouette of Bobby Timmons in all colors, but just a pinch of blue. No one can explain it, but the music Timmons wrote has always been more famous than the music he played. A father of soul-jazz, he was a sparkplug with Blakey and Cannonball, his times there magic. But ...

131

Article: Album Review

Lew Soloff: With a Song in My Heart

Read "With a Song in My Heart" reviewed by Dave Hughes

by Dave Hughes

With a Song in My Heartis a mellow, straight-ahead jazz quartet date. Soloff is full of expressiveness and solo ideas, and his session mates provide understated, sensitive support. Mulgrew Miller turns in some excellent solos, particularly on "I'm a Fool to Want You." The program is a blend of four standards, a couple classical ...

127

Article: Album Review

Albert King with Stevie Ray Vaughan: In Session

Read "In Session" reviewed by Ed Kopp

by Ed Kopp

In 1983, blues legend Albert King scheduled a TV appearance on In Session, a program produced by CHCH-TV in Hamilton, Ontario. The show matched like-minded musicians in hour-long jam sessions. In advance of the show, the 60-year-old King was only told that he’d be jamming with another guitarist. His collaborator turned out to be 29-year-old Stevie ...

184

Article: Album Review

Tom Coster: Ivory Expedition

Read "Ivory Expedition" reviewed by Dave Hughes

by Dave Hughes

This CD presents two albums recorded by Tom Coster in 1981 and 1983. These sessions took place just a few years after Coster's six-year stint with Santana. Many hints of the music Coster composed and performed with Santana show through on some songs, such as the ballads "Magical Moments" and "I Give My Heart to You", ...

124

Article: Album Review

Manny Oquendo & Libre: Ahora

Read "Ahora" reviewed by Dave Hughes

by Dave Hughes

First of all, let me admit a bias. As a trombonist, there are few sounds more beautiful to my ears than an ensemble of trombones. Combine this with another passion, the seductive throbbing of cuban percussion, and you have a combination that's tough to beat. Manny Oquendo and Libre live up to this potential on their ...

157

Article: Album Review

Eric Alexander: Man With A Horn

Read "Man With A Horn" reviewed by John Sharpe

by John Sharpe

Consider this fact. In 1991, Eric Alexander finished second to Joshua Redman at the Thelonious Monk Institute's saxophone competition. Joshua is now one of jazz's reigning hot-shot young lions while Eric remains a virtual unknown. Who said life is fair? If there is any justice, Man With A Horn should correct this problem. Working hand in ...

413

Article: Album Review

Various Artists: The Prestige Records Story

Read "The Prestige Records Story" reviewed by Douglas Payne

by Douglas Payne

From 1949 through 1971, Prestige Records was among the most famous and successful of the independent jazz labels. Perhaps only Blue Note, which had its reign during roughly the same period, provided Prestige with significant competition. Both maintained strong, unique identities--even shared many of the same musicians and, in most cases, engineer Rudy Van Gelder. But ...


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