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Paul Bley: Floater & Syndrome The Upright Piano Sessions Revisited
by Chris May
One way for a musician to conjure rapture is through full-frontal shamanic assault, the sonic equivalent of the Orgasmatron machine that Jane Fonda's character encounters in Roger Vadim's 1968 sci-fi romp Barbarella. Funk is an ideal vehicle. But the sensations produced are superficial and short-lived. A less travelled path instead uses subtlety, understatement and nuance, and ...
Ellery Eskelin Trio New York: About (or On), First Visit
by Mark Corroto
It might be tempted to say that Ellery Eskelin's Trio New York is deconstructing the eleven standards on the two-disc set About (or On) First Visit. But that would be a misreading. This is not a breakdown of classic material in search of alternative meanings or structural analysis. Rather, Eskelin, alongside organist Gary Versace and drummer ...
Sergio Armaroli Quintet: Follow A Very Heavy Person
by Mark Corroto
Time, as a concept, transforms into an endless playground in the hands of Sergio Armaroli. In Follow A Very Heavy Person, the quintet expands upon the foundations laid in Introducing A Very Heavy Person, delving deeper into the sonic and philosophical dimensions of John Cage and Kenneth Patchen's 1942 experimental radio play, The City Wears A ...
Thelonious Monk, John Coltrane: Thelonious Monk with John Coltrane 1957. Revisited.
by Stefano Merighi
Ci sono sodalizi artistici che segnano in maniera indelebile la ricchezza creativa dei protagonisti. Tra questi, di sicuro quello tra Thelonious Monk e John Coltrane, anno di grazia 1957. L'estroso pianista e compositore, ancora lontano dal ricevere i riconoscimenti meritati, trova finalmente qualcuno che interpreta le sue partiture con rara dialettica esecutiva: leggerezza e ...
Albert Ayler Trio: Prophecy Live, First Visit
by Glenn Astarita
This 1964 New York City recording, now remastered and released on the Ezzthetics label, captures Albert Ayler with Gary Peacock and Sunny Murray at a crucial juncture in the saxophonist's development. This performance at the Cellar Cafe marks an early, vital snapshot of a trio that would become foundational to the free jazz movement. It is ...
Sergio Armaroli: Introducing A Very Heavy Person, First Visit
by Mark Corroto
If you reject the assumption that time is linear, the ability to conceive of a time machine is simple. Assume for this discussion that the concepts of past, present, and future are a false dichotomy. In other words, the past and the future simultaneously occur with the present. Composer and percussionist Sergio Armaroli accepts this premise ...
Tadd Dameron: Fontainebleau & Magic Touch Revisited
by Maurizio Zerbo
Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...
Sophie Lüssi - Sandra Weiss - Fridolin Blumer - Andreas Wettstein: Atlantic Puffin
by Glenn Astarita
AllAboutBirds.org describes the Atlantic Puffin as “a sharply dressed black-and-white seabird with a huge, multicolored bill, the Atlantic Puffin is often called the clown of the sea." This album finds the foursome gleefully tossing classical precision, folk whispers and improvisational bravado into a blender, hitting pulse until it is a cohesive, if occasionally slippery, ...
Judith Wegmann: Kon.Takte - First Visit
by Alberto Bazzurro
Disco coraggioso e persino ardito, questo del trio svizzero composto dalla pianista Judith Wegmann, dal percussionista Jens Ruland e da Robert Torche, elettronica e sound design. Il coraggio nasce non solo dalla musica proposta, tre ampi brani dalle coordinate decisamente avanzate, contemporanee nel senso più esplicito del termine, ma anche dal fatto che uno dei tre ...
Lotus Crash: First Visit
by Alberto Bazzurro
Una musica viva, pulsante, frutto di un'invidiabile, equilibratissima sinergia fra le varie forze in campo, è quanto ci offre questo bell'album, inciso alla RSI nel febbraio 2023, nove brani in totale, frutto in egual misura delle penne dei due fiati del quartetto, più “Fate" di Andrew Cyrille a sparigliare le carte (ma non come assunto complessivo). ...
