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Alexander Hawkins and Tomeka Reid: Shards and Constellations
by Troy Dostert
Although they have not recorded together previously, pianist Alexander Hawkins and cellist Tomeka Reid are both improvisers with omnivorous musical tastes and soaring ambition. Hawkins has fronted his own ensembles over the years—perhaps the most notable example being Step Wide, Step Deep (Babel, 2014)—but he's been active in freely-improvised contexts as well, working with everyone from ...
Brilliant Corners 2020
by Ian Patterson
Brilliant Corners 2020 Various Venues Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...
Fredrik Lundin, Francesco Cusa, and Gianni Lenoci
by Maurice Hogue
It's just one of those happy coincidences that bassist Lisa Mezzacappa, whose name is likely Italian in orgin, is one of the featured artists in this episode, because there's noticeable Italian content as well. Mezzacappa's latest with her ensemble Six, is inspired by the short stories of Italo Calvino (also Italian). Music from Italian musicians comes ...
London Jazz Composers Orchestra 50 Year Anniversary
by John Sharpe
London Jazz Composers Orchestra Alchemia and Manggha Museum Krakow, Poland March 6-8, 2020 Intro Fifty years and counting. One of the most important larger bands in European jazz, The London Jazz Composers Orchestra celebrated its golden anniversary over three days in Krakow which culminated in a triumphant performance of “Harmos." ...
Chris Pitsiokos: Speak In Tongues And Hope For The Gift Of Interpretation
by Mark Corroto
Saxophonist Chris Pitsiokos, it might be said, was standing on the shoulders of giants when he recorded this solo alto saxophone concert in January of 2019. Indeed, these six tributes take into account the accomplishments of the esteemed masters and, from their shoulders, Pitsiokos enters some rarefied air. His Speak In Tongues And Hope For The ...
Evan Parker / Barry Guy / Paul Lytton: Concert In Vilnius
by John Sharpe
In a world riven by climate chaos and the attack on truth, on both sides of the Atlantic, it is reassuring that some things remain constant. At this stage of an existence dating back to the early 80s, the superlative British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton plays only a ...
Christian McBride, Matana Roberts, Chicago Underground Quartet and More
by Maurice Hogue
Each of February's shows will have some music recognizing Black History Month. The selected recording for 2020 is The Movement Revisited--A Musical Portrait of Four Icons, Christian McBride's epic, and you'll hear tunes from the album each week. This show also features Matana Roberts and Coin Coin Chapter IV -Memphis. The Chicago Underground Quartet is back ...
New music from Wojtek Mazolewski
by Bob Osborne
On this show the featured release is the latest album by Wojtek Mazolewski Following the rhapsodic response to his debut Whirlwind release--a deluxe edition of Polka which, internationally, broke through into dance clubs and rock and indie festivals--the double bassist now focuses attention on the music of his compatriot Krzysztof Komeda (1931--1969), a legend ...
Results for pages tagged "evan parker"...
Evan Parker
Born:
Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then." Parker stayed in Birmingham for a time, often playing with pianist Howard Riley
Spanish-British links on Vector Sounds
by John Eyles
In recent decades improvised music has become increasingly international, with improv players from across the world being attracted to global centres such as London or Berlin, playing and forging links there before moving on. Where members of an improvising group were once all of the same nationality, today it is uncommon to find all the members ...
