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Why Steely Dan Can Never Really Be Yacht Rock

Read "Why Steely Dan Can Never Really Be Yacht Rock" reviewed by Eric Pettine

The website Really Smooth Music provides the definition of the term Yacht Rock as being “a variation of popular Soft Rock that peaked between the years of 1976 and 1984 (as featuring a) highly polished brand of soft rock that emanated from Southern California during the late '70s and early '80s. The term is meant to ...

ARTICLE: ALBUM REVIEW

Frank Zappa: The Grand Wazoo

Read "The Grand Wazoo" reviewed by Eric Pettine

Frank Zappa didn't invent the word “wazoo" or proliferate its usage. However, he was the first to use it in an album and song title that, surprisingly, had no accompanying provocative/potentially censorable lyrics. The Grand Wazoo is one of the most playful, scatologic-free and accessible big band jazz/rock CDs that Zappa--or anyone else--recorded. The aural quality ...

ARTICLE: OPINION

America's Been Tough On Jazz

Read "America's Been Tough On Jazz" reviewed by Eric Pettine

In America, he's his own man--he's got to be--no corporation seeks him out or needs him. Her attitude and attire doesn't always “cut it" with the latest vogue. He doesn't really have a particular deadline or agenda to meet. She's “got her ax down" and she's ready to carve out her own market share. He's got ...

ARTICLE: OPINION

America's Been Tough On The Jazzman

Read "America's Been Tough On The Jazzman" reviewed by Eric Pettine

Not only does he have to master his ax, isolate himself (to an extent) from mainstream society to create in solitude, engage in often maddening self-denial, but the jazzman is constantly judged by his creations on the spot by his listening audience and as well as by his peers. Most doctors and lawyers don't have to ...

ARTICLE: EXTENDED ANALYSIS

Patrick Williams: Threshold

Read "Patrick Williams: Threshold" reviewed by Eric Pettine

Patrick Williams Threshold Capitol 1973 Throughout most of the 1960s, Patrick Williams was one of many composers/arrangers kicking around the NYC studio music scene. In the late '60s he arranged/composed several Muzak-molded LPs ( Heavy Vibrations , Think and Shades of Today among them) that only occasionally ...

ARTICLE: EXTENDED ANALYSIS

That Grand Dan Sound: Why Everyone Knows Steely Dan When They Hear Them

Read "That Grand Dan Sound: Why Everyone Knows Steely Dan When They Hear Them" reviewed by Eric Pettine

Ok, so Miles Davis, Charles Mingus, Thelonious Monk and Dave Brubeck used them throughout the 1950s. In the 1960s and most of the 1970s, adventurous and ambitious horn-adorned groups like Chicago and Blood, Sweat and Tears also experimented successfully with them too. But we're talking cool chords (and their various permutations) here folks, not drugs.


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