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Tohpati Bertiga: Riot
by Dave Wayne
Get used to thinking of Southeast Asia as the new hotbed of fascinating and original guitar players. Indigenous guitar- and mandolin-like stringed instruments and improvisation have played a pivotal role in the native music of the region for centuries. Adaptation and mastery of western styles was inevitable, and a cursory search of YouTube will reveal hundreds ...
Interview: Finland-based Guitarist Pauli Saksa
Q: When did you decide to become a guitarist? A: At the age around 15, I played both piano and guitar. My piano teacher advised me to apply to a piano conservatorium in Helsinki. I passed the examination, and the headmaster asked me if I play other instruments. I told him the guitar. He said that ...
Mickylee: deComposing Cats
by Nenad Georgievski
For his debut, guitarist Mickylee teams up with a bunch of excellent players to come up with something that is nothing short of superb. Miroslav Mirosavljev, aka Mickylee, is a Serbian expatriate living and working in Vienna, Austria both as a composer, with chiefly music for theater, and a guitar teacher. No matter ...
Oz Noy: Twisted Blues Volume 1
by Glenn Astarita
Born in Israel and a New Yorker since 1996, guitarist Oz Noy's star is on the rise with this fifth solo album, amid numerous session gigs with notable jazz and jazz-fusion artists. Ultimately, Noy brings a signature voice to the forefront and his global approach to the electric guitar imprints a trademark of sorts. With his ...
Stan Kenton-NOVA Jazz Orchestra / Baker's Dozen Big Band / Danny D'Imperio and the Bloviators
by Jack Bowers
Stan Kenton Orchestra / NOVA Jazz OrchestraDouble Feature, Vol. 2Tantara Productions2012 One of the more difficult aspects of reviewing Tantara's series of impressive salutes to Stan Kenton and his music is knowing where to begin. As on Volume 1 of the label's Double Feature (with Volume 3 ...
Frank Portolese: Plectrum Jazz Guitar Solos
by C. Michael Bailey
Solo jazz guitar is a harsh and unforgiving lover. The piano provides a more complete performance experience as a solo instrument for technical reasons, though this same completeness can be achieved on guitar by a precious few, talented enough to achieve such artistic parity. Add to this the stipulation that a plectrum (guitar pick) be used ...
Jake Hertzog: Chromatosphere
by John Patten
Jake Hertzog's Chromatosphere (That's Out Records, 2008) presents the brilliant young guitar picker at his best in a talented combo of New York sidemen. At 22, Hertzog is just beginning his career, and the release--his first--is clearly intended to draw attention and establish his name, with strong compositional statements and clever covers of classic ...
Radam Schwartz: Blues Citizens
by Woodrow Wilkins
One of the cool things about the relationship between jazz and blues is that both genres grew from the same emotional roots. At times, the only clear distinction is a subtle change in how notes are played. Is it jazz that sounds like the blues, or is it blues that sounds like jazz? On Hammond organist ...
Eric Johnson / Alien Love Child: Live and beyond
by Scott Andrews
On Live and beyond, Eric Johnson serves up a helping of live Texas blues rock with his band Alien Love Child, a trio featuring Chris Maresh on bass and bill Maddox on drums, with Johnson and Maresh sharing occasional vocal duties with guest vocalist Malford Milligan. Johnson's infamous meticulousness over guitar equipment and his recordings has ...
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801 Live at 50: A Short-Term Experiment with a Long-Lasting...
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The Quiet Cruelty of the Music Business
Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
Interview
Enrico Rava: The Secret Corners of a Master
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