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Top Ten Guitarists Who Left Us Too Soon
by Alan Bryson
Ranking musicians is a hopelessly flawed endeavor. It's about as meaningful as having a list of the top ten best tasting foods. Taste is highly individualized, influenced by mood, familiarity, and the way in which multiple variables interact. One person's escargot is someone else's slice of Chicago style pizza. I just took a break and searched ...
Miles Davis: Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4
by Maurizio Comandini
Il criterio utilizzato dai produttori della Sony Legacy, per questo quarto box della eccellente 'The Bootleg Series,' è piuttosto interessante e singolare: il legame che lega assieme varie performance di Miles Davis con i suoi vari gruppi, non è quello temporale come succede di solito, ma bensì quello spaziale, per di più preso in senso molto ...
Listen to This: Miles Davis and "Bitches Brew"
by Victor Svorinich
The following is an excerpt from the “MUSIC" chapter of Listen to This: Miles Davis and “Bitches Brew" by Victor Svorinich (University Press of Mississippi, 2015). Call It Anything “I'd like to say one thing about Miles Davis. One time he said to me, 'Hey Wayne, do you get tired of ...
"Don Alias: Stories of a Legendary Percussionist" By Melanie Futorian Available on Kindle
The Don Alias ebook is now out. This book recounts the journey of a great, American percussionist who set a new standard in percussion in a multitude of musical genres from Afro Cuban to jazz. From the 1950s into the new millennium, his performances ranged from playing on the streets of Harlem to recording the groundbreaking ...
Michael Brecker: Now You See It...(Now You Don't)
by John Kelman
Michael Brecker Now You See It...(Now You Don't)MCA1990 Today's Rediscovery is Now You See It...(Now You Don't), by saxophone giant Michael Brecker. After the one-two punch of his first two recordings as a leader (excluding his 1982 collaboration with Claus Ogerman, Cityscape)-- Michael Brecker (Impulse!, 1987) and Don't Try ...
Take Five With Mike Brannon
by AAJ Staff
Meet Mike Brannon: Having been born in Atlanta and then lived in North Carolina growing up, those Southern roots were likely to blame when I started playing blues/rock guitar. But I soon discovered Wes Montgomery, Hank Garland, Joe Pass, Tal Farlow and finally Pat Martino. After attending Jackie King's Guitar Conservatory of the Southwest, where ...
Jaco Pastorius: Modern American Music…Period! The Criteria Sessions
by John Kelman
1976 was, for electric bassists, the year where everything changed. Jaco Pastorius hadn't quite emerged from nowhere, and the few prior recordings on which he could be found may have provided some hint of what was to come, but it was the quadruple punch of fellow legend-in-the-making Pat Metheny's leader debut Bright Size Life (ECM, 1976), ...
Victor Lewis: The Drummer's Spirit
by Victor L. Schermer
For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...
Take Five With Charlie Peacock
by AAJ Staff
Meet Charlie Peacock: Charlie Peacock is an American multi-genre Grammy Award-winning record producer, composer, and recording artist. He has award-winning and chart-topping credits in jazz, gospel, country, folk, Americana, rock, and pop. Lemonade (Twenty Ten Music, 2014) is Peacock's third recording in the jazz genre. His first release, Love Press Ex-Curio (Thirty Tigers, ...
Django Bates: From Zero to Sixty in Five Days
by John Kelman
It's rare enough to get to catch the premiere of a brand new work in a location as removed as Luleå, Sweden—just 100 kilometers south of the Arctic circle and in late May already experiencing 22-hour days and temperatures between 20 and 25 Celsius. But to get to experience the birth of a commission and to ...
