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Sergio Armaroli, l'improvvisazione oltre la musica
by Neri Pollastri
Sergio Armaroli è un artista singolare, assai difficile non solo da etichettare, ma anche da definire: compositore e percussionista che ha come strumenti principali vibrafono e marimba, attivo tanto nella contemporanea, quanto nel jazz, sempre comunque in situazioni in cui l'improvvisazione la fa da padrona, è però anche pittore, poeta, saggista. Un artista plurale, molto prolifico, ...
Guitar Talk: Conversations with Visionary Players
by Mark Sullivan
Guitar Talk: Conversations with Visionary Players Joel Harrison 256 Pages ISBN-13 : 978-1949597134 Terra Nova Press 2021 As founder of the Alternative Guitar Summit, guitarist/composer Joel Harrison has gotten to know a lot of adventurous contemporary guitarists: this book collects far-ranging conversations with twenty-seven of them. In fact, ...
Dave Holland: More Than Just Notes
by Ian Patterson
The creative juices, if not the hunger, desert many artists as they advance in years. Repetition and mediocrity--a blunting of the sword--can creep in, while past glories are often left to provide the kindling for flames that never quite catch. Such charges could never be levelled at English bassist Dave Holland, who turns seventy-five in October. ...
Torino Jazz Festival 2021
by Libero Farnè
Torino Varie sedi 19—27.06.2021 Il grande successo di pubblico ottenuto dal Torino Jazz Festival 2021, spostato dalla fine di aprile alla fine di giugno, dimostra quanto fosse impellente la fame di musica dal vivo, nonostante le precauzioni da prendere contro una pandemia tutt'altro che debellata definitivamente. D'altra parte bisogna ammettere che il ...
Marta Warelis / Frank Rosaly / Aaron Lumley / John Dikeman: Sunday At De Ruimte
by Mark Corroto
Is it a pilgrimage or just magnetism that draws improvising artists to Amsterdam? If you've read Kevin Whitehead's book New Dutch Swing (Billboard Books, 1998), you'll understand the open atmosphere and creative jazz scene which began there in the 1960s. It was a scene sown by America's New Thing in free jazz, but also one that ...
Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987
by John Sharpe
Thanks to its licensing deal with the Japanese Chap Chap label, the Lithuanian NoBusiness imprint continues its exposure of unexpected gems from the Japanese free scene of the 1980s and 1990s. While many feature solely native improvisers, others pair local performers with Western visitors. Live At Far Out, Atsugi 1987 falls into the ...
Alternative Guitar Summit 2021
by Mark Sullivan
Alternative Guitar Summit New York, NY March 20-21, 2021 The Alternative Guitar Summit was founded in 2010 by guitarist/composer Joel Harrison. Every year it has included a Music Camp with Master Classes by notable guitarists, and a Music Festival featuring a wide array of guitar styles. In this pandemic year the decision ...
Derek Bailey / Mototeru Takagi: Live at FarOut, Atsugi 1987
by Mark Corroto
To listen to Live at FarOut, Atsugi 1987 is to apply the field of evolutionary biogeography to the world of jazz. Consider the unique evolutionary paths of the creatures on the isolated Galapagos islands and you have the basics of biogeography and its study of the distribution of species and ecosystems. Then there is another type ...
Sabu Toyozumi / Mats Gustafsson: Hokusai
by Mark Corroto
This tantalizing duo between Mats Gustafsson and Sabu Toyozumi was recorded at two live concerts in Chiba, Japan in 2018. Probably most listeners are familiar with the Swedish saxophonist from his avant--garage trio The Thing with Ingebrigt Håker Flaten and Paal Nilssen-Love and dozens of other ensembles including Fire! Orchestra, The End, and Cuts with Masami ...
Solo Recordings for Non-Traditionalists
by Karl Ackermann
On January 24, 1975, a Bösendorfer 290 Imperial concert grand piano was to be wheeled onto the stage of the Cologne Opera House. Instead, a rehearsal piano, smaller, beaten-up, and out of tune, was the only instrument available to then twenty-nine-year-old piano prodigy Keith Jarrett. The pianist was not in much better shape than the piano. ...
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