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In Praise of John Russell
by John Eyles
English guitarist John Russell is from the wave of free improvisers who came after the so-called first generation typified by such “founding fathers" as guitarist Derek Bailey, saxophonist Evan Parker, trombonist Paul Rutherford and drummer John Stevens. In his teens, Russell played at the Little Theatre Club, the cradle of free improv in London, and took ...
Anthony Braxton / Jerry Hemmingway: Old Dogs
by Mark Corroto
It is very difficult to separate the music of saxophonist Anthony Braxton and percussionist Gerry Hemingway from the actual experience of listening to four-disc, four-plus hour Old Dogs (2007). Each disc represents a morning or afternoon's work, recorded at Wesleyan University in early August, 2007, requiring almost complete immersion--letting go each moment, as it passes. There ...
Copenhagen Jazz Festival 2010
by Jakob Baekgaard
Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 2-11, 2010With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of ...
Howard Riley: Five Decades in Music
by Maxim Micheliov
Howard Riley gave his performance in Vilnius, Lithuania in September, 2009. It was his first visit to the country in a five-decade career, and one of just a few eastern Europe destinations made at the time, by the British free jazz pianist. The concert was recorded and released in 2010 as the double-disc set, Solo in ...
Joelle Leandre: Last Seen Headed (Live at Sons D’Hiver); Trace & Duo (Heidelberg Loppem) 2007
by Wilbur MacKenzie
Joëlle Léandre/François Houle/Raymond StridLast Seen Headed (Live at Sons D'Hiver) Ayler2010 Joëlle Léandre/Maguelone Vidal/Raymond BoniTraceRed Toucan2009 Anthony Braxton/Joëlle LéandreDuo (Heidelberg Loppem) 2007 Leo2009
Norwegian Jazz 101b: JazzNorway in a Nutshell 2010
by John Kelman
2008 | 2009 | 2010 | 2011 Norway may be a country that, more than most, aims to expose people from around the world to its culture through annual events like JazzNorway in a Nutshell, but as rich an experience as attending that junket is, returning to it on a regular basis is an ...
Fred Frith: Mapping the Further Reaches
by Nic Jones
Multi-instrumentalist/composer Fred Frith occupies a unique niche. As a charter member of Henry Cow, a band for which improvisation was always an integral part of musical expression, he was partly responsible for some of the most radical music ever to have emerged from beneath the rock umbrella.So much so, in fact, that ...
Andre Matos: Fantasies Realized
by William Carey
There is no doubt that André Matos has chops to burn. Placed firmly in the tradition of John Abercrombie and Pat Martino, with a bit of Sonny Sharrock at moments, a lot of Berklee (College of Music) influence is readily apparent, but with a bit of headiness that also reflects the guitarist's time at the New ...
Steve Norton: Debris and Beyond
by Gordon Marshall
Multi-reedist Steve Norton is best known for his work with the 1990s Boston-based band Debris. Debris was an ambitious, exuberant, puzzling band that puzzled together serialism, free jazz and funk. Their music is in equal measure exhilarating and exhausting. It was the combination, in part, that burned Norton out about ten years ago, as ...
Greg Kelley: Flesh to Metal
by Gordon Marshall
Boston trumpeter Greg Kelley takes an atom and constructs a world out of it. Taking his cue from the metallic tubes of his instrument and how they are connected to his mouth, and ultimately his body, his sounds are never wholly disembodied but rather maintain the precise quality of that apparatus that, in his hands, is ...
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