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Torino Jazz Festival 2021
by Libero Farnè
Torino Varie sedi 19—27.06.2021 Il grande successo di pubblico ottenuto dal Torino Jazz Festival 2021, spostato dalla fine di aprile alla fine di giugno, dimostra quanto fosse impellente la fame di musica dal vivo, nonostante le precauzioni da prendere contro una pandemia tutt'altro che debellata definitivamente. D'altra parte bisogna ammettere che il ...
Francesco Beccaro e il Questionario di Proust
by Paolo Peviani
Il tratto principale della mia musica Alto tasso di energia, intensa, con molta improvvisazione ma anche con strutture compositive articolate. Una sorta di inedita fusion, distante dallo stereotipo generale, caratterizzata da un suono a volte volutamente grezzo ma sempre energico e suggestivo. Ogni composizione cerca di essere un messaggio chiaro e punta a coinvolgere l'ascoltatore ...
Moers Festival Interviews: Matt Mottel & Kevin Shea
by Martin Longley
Improviser In Residence becomes Improvisers In Residence, for the 50th anniversary of the Moers Festival in Germany. Running since 2008, this has been a year-long in-house situation for invited artists, and usually offered to a single being. In 2021, we have the innovation of a twosome, in Matt Mottel (keyboards) and Kevin Shea (drums), who also ...
Lamb Anderson Sorgen: First Mile
by Mike Jurkovic
You can discredit the human imagination for any number of horrendous things. But when used right, things like First Mile happen. Some odd quirk in the continuum comes along and you find three far-travelled veterans, namely pianist Chuck Lamb (Dry Jack, Brubeck Brothers), drummer Harvey Sorgen (Hot Tuna, Anthony Braxton, Paul Simon, {[Bill Frisell}}) and bassist ...
The Flowdown: yo-lk
by Phillip Woolever
It's not easy to categorize this brief eclectic offering via Infinity Gritty, but that's more than likely a primary point of the five-man collaboration's wide-ranging experimental soundscape. While the EP contains only a minimal amount of actual jazz elements and may not excite traditionalists, it does feature some excellent instrumentation, with a finely tuned ...
Lauren White: Ever Since The World Ended
by C. Michael Bailey
There is a cadre of West Coast jazz musicians who tacitly orbit one Mark Winkler. This embarrassing wealth of talent includes: Cheryl Bentyne, Dolores Scozzesi, Judy Wexler, Robyn Spangler, Gary Brumburgh, Jeffery Gimble, Ada Bird Wolfe, and our present subject, Lauren White. White, an original East Coast product, expatriated to Westward to act and sing...and record. ...
The First Generation 1965-1974
by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Gretchen Parlato: Flor
by Angelo Leonardi
Dopo un'assenza di sei anni dedicati alla maternità, Gretchen Parlato torna con un album magistrale per l'equilibrio che esprime tra ricercatezza, lirismo e intatta spinta a riformulare creativamente i brani. A capo di un nuovo organico--arricchito da Gerald Clayton al piano e tastiere, Mark Guiliana alla batteria e Airto Moreira alle percussioni e voce, in veste ...
Wes Montgomery: The NDR Hamburg Studio Recordings
by Chris May
Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal “rehearsal" performances. Montgomery's tour, ...
Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music
by Kurt Ellenberger
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...
