Home » Search Center » Results: Dan McClenaghan
Results for "Dan McClenaghan"
Noah Haidu: Doctone
by Dan McClenaghan
Pianist Kenny Kirkland never seemed particularly interested in attaining the high level of fame enjoyed by two of his early employers, trumpeter Wynton Marsalis and saxophonist Branford Marsalis. He worked first for Wynton, playing on four of the trumpeter's albums between 1981 and 1985, before moving into Branford's orbit, for eight albums between 1983 to 1998. ...
Edward Simon: 25 Years
by Dan McClenaghan
Pianist Edward Simon immigrated to the United States from his native Venezuela while still in his teens. He stayed, and carved out a successful career in music. His fiftieth birthday rolled around, and the artist decided it was time to take a look and listen back. In a musical journey that spans the titular 25 Years, ...
Matthew Shipp: The Unidentifiable
by Dan McClenaghan
We can talk about a Bud Powell school of the piano trio, or a Bill Evans school of the piano trio, but maybe it is time to start talking about Mathew Shipp's trio school, with bassist Michael Bisio and drummer Newman Taylor Baker. Shipp has been around the jazz scene for three decades. He has developed ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
Modasaurus: 4K
by Dan McClenaghan
Modasaurus? It sounds like some pre-historic reptilian herbivore that spent a good deal of its day staying out of the clutches of the Tyrannosaurus Rex of its time, employing, we can guess, modes of avoidance, guile and deception to keep from being eaten. But our guess would be wrong. Our Modasaurus is an Ottawa-based jazz-fusion quartet, ...
Conference Call: Prism
by Dan McClenaghan
Prism, by the band Conference Call, sounds, on the set's opening tune, “F.J.D.," like a bunch of guys who might mug you: a brash, turbulent, confrontational crowd with a “we-don't-take-no-mess-from-nobody" approach to making music. Credit reedman Gebhard Ullmann with his grouchy, working-man-roused-from-his-afternoon-nap tenor sax sound, and the powerful bass (which you can feel in your bones) ...
Markus Reuter: Sun Trance
by Dan McClenaghan
Markus Reuter has a reputation as a guitar shredding animal. He has been called a power trio kingpin, his artistry referred to as “fearless and ferocious." The cliche “not for the faint of heart" comes to mind on sets like Truce (Moonjune Records, 2020) and Shapeshifter (Moonjune Records, (2020). But he has a softer side, one ...
Lawrence Sieberth Quartet: An Evening In Paris
by Dan McClenaghan
New Orleans-based pianist Lawrence Sieberth is a versatile music man--a bandleader, keyboard accompanist, composer, producer. A trip to Paris and a teaming with Parisian players resulted in An Evening In Paris, an atmospherically cohesive set that covers a wide range of styles. The set of eight Sieberth originals opens with “August," a tune that ...
Dan Pitt: Monochrome
by Dan McClenaghan
Toronto-based guitarist Dan Pitt debuted as a recording artist in 2019 with his trio outing, Fundamentally Flawed (Self Produced). A versatile gutarist who plays in a variety of styles, he has performed with cellist Andrew Downing, saxophonists Tim Berne and Michael Attias, and bassist Michael Formanek. Monochrome, Pitt's offering for 2020, is a solo ...
Dave Storrs' Sound Shack: Part 1
by Dan McClenaghan
At one time it was a place to park a car. A detached garage in Corvallis, Oregon, surrounded by trees. Percussionist Dave Storrs transformed it into a recording studio around about 1992. And Louie Records was born. If Louie Records can be said to have enjoyed a heyday as a proper record company (whatever ...
