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Results for "Charlie Rouse"
Johnny Griffin: At Onkel Pö's Carnegie Hall
by Stefano Merighi
Quando queste tracce vengono registrate ad Amburgo, nel 1975, il jazz è forse nel suo momento più critico, abbandonato da ampie fette di pubblico, sedotto o dalla più muscolare fusion o dal rock progressivo. A dispetto della nascita di decine di nuove formazioni e dell'incremento delle produzioni discografiche, specie negli Usa si era perso quel senso ...
Nik Bärtsch: Possibility in Paradox
by Geno Thackara
Like the master-less samurai his primary band is named for, Nik Bärtsch forges a path and follows a code all his own. The pianist's music is best described by his own key phrases “ritual groove music" and “Zen funk," merging Eastern minimalist simplicity and patient trance with the interplay and communal aspect of jazz. It makes ...
Roxy Coss: The Future is Female
by Paul Rauch
Saxophonist/composer Roxy Coss migrated east ten years ago from her native Seattle, seeking a life and career in jazz in New York City. That time has seen her develop a strong and focused voice both as a musician and as an advocate and activist for female artists in America's quintessential art form. Coss gained ...
Dave Zoller: Evidence - Music of Thelonious Monk
by Patrick Burnette
Younger readers may not believe this, but there was a time when all-Thelonious Monk tribute albums were a rarity. During most of Monk's lifetime, musicians focused on a few of his best-known tunes ("Round Midnight" was--and remains-- the obvious favorite). But then Steve Lacy, Roswell Rudd, and other champions of Monk began to devote whole albums ...
The Dan Banks Quintet: Two in a Box
by Jack Bowers
On Two in a Box, British pianist Dan Banks' quintet revisits a Golden Age in jazz when hard bop was king and record labels like Prestige and Blue Note delivered the latest sounds to an astute and appreciative audience. Without mimicry, Banks reimagines the indomitable spirit of such masters as Red Garland, Wynton Kelly, Bobby Timmons, ...
Jason Stein Quartet: Lucille
by Mark Corroto
Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...
Thelonious Monk: Les Liaisons Dangereuses 1960
by Stefano Merighi
Ecco un'occasione in cui una recensione solitamente attacca con “riesumato tesoro musicale nascosto," “ritrovato scrigno sonoro inaspettato," e via di seguito. Invece sarà meglio chiedersi: ma come? Un quartetto di Thelonious Monk (più Barney Wilen ospite) incide dei pezzi per un film di Roger Vadim, alla luce del sole, non certo in incognito, e ...
Thelonious Monk: Les Liaisons Dangereuses 1960
by Mark Sullivan
Finding a lost movie soundtrack by composer/pianist Thelonious Monk at this late date seems an improbable event, at the very least. But that is what we have here: previously unreleased performances heard in Roger Vadim's famous 1959 French film Les Liaisons Dangereuses. The official soundtrack album released at the time included only the music by Art ...
Thelonious Monk: Les Liaisons Dangereuses 1960
by Dan McClenaghan
There's a purity and innocence in the music of pianist/composer Thelonious Monk. But a subtle complexity colored his tunes, masked by an enchanting approach-ability. You hear “Bemsha Swing," “Well You Needn't," “In Walked Bud," and the melodies won't leave your head; they soak into your neural circuitry, permanently. Monk emerged in the late forties ...
Thelonious Monk: Les Liaisons Dangereuses 1960
by Mark Corroto
It's nearly impossible to underestimate the importance of the discovery of the tapes Thelonious Monk made for the French film Les Liasons Dangereuses 1960. Recorded in New York in July 1959, the session, although used in the film, was filed away for some 55 years. Recovered and remastered, we hear not only the soundtrack, but alternate ...
