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A Night at the Jazz Circus! - Companion Mixtape
by Ludovico Granvassu
From Charles Gayle's alter ego, Streets the Clown, to the music performed by the Kamikaze Ground Crew for the Flying Karamazov Brothers, from the countless jazz renditions of the iconi themes that Nino Rota wrote for Federico Fellini's movies to the equally countless jazz tunes inspired by circus acts... Jazz and Circus have a long history ...
Paul Flaherty / Randall Colbourne / James Chumley Hunt / Mike Roberson: Borrowed From Children
by Mark Corroto
Let's misquote a Rolling Stones' lyric here, with the music of Paul Flaherty you can always get what you want," and maybe to a greater extent, you get what you need." For more decades than he might want to count, the saxophonist has been making his self-described 'hated music.' We're talking hate as in a bugaboo, ...
About Charles Gayle
Results for pages tagged "Charles Gayle"...
Charles Gayle
Born:
Charles Gayle blew down with hurricane force - the pun is too obvious - out of Buffalo. He drifted in and out of the first great free jazz scenes of the Sixties, playing with Pharoah, Archie Shepp, and other trailblazers. But he says now that his sound then was even more fiery and forceful than it is now, and he couldn't get a recording date. He drifted. He became homeless. He lived as a squatter in an abandoned Lower East Side tenement. He found Jesus.
He kept playing. His music retained its hard industrial edge. It sent listeners through the wall. It busted them out of the day-to-day grind into a divine ecstasy. It lifted and uplifted. He developed a tremendous facility with the upper- upper register of the tenor saxophone, so that he could take his spiritual flights to their farthest reaches. He played wherever he could; his steadiest gig was in the New York subways.
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
John Dikeman And The Origin Of The Species
by Mark Corroto
If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...
Paul Flaherty: Focused and Bewildered
by Troy Dostert
Saxophonist Paul Flaherty has long been one of the foremost exponents of the fire-breathing, free-jazz tradition of Albert Ayler, Peter Brötzmann and Charles Gayle. He is certainly one of the most prolific, with scores of recordings under his belt. When he joins forces with frequent collaborators such as Chris Corsano, Wally Shoup or Bill Nace, the ...
Assif Tsahar: In Between the Tumbling a Stillness
by Mark Corroto
As the saying goes, In Between The Tumbling A Stillness, recorded in 2015 in Tel Aviv, comes in like a lion and goes out like a lamb." Saxophonist Assif Tsahar, who sticks to tenor throughout, opens In Between" like a lion, if that lion were Albert Ayler. The 35-minute piece draws from the fire music of ...
Neuköllner Modelle: Zyklus 1
by Mark Corroto
The third release by the trio Neuköllner Modelle, saxophonist Bertrand Denzler, bassist Joel Grip, and drummer Sven-Åke Johansson, Zyklus 1 might be considered a zen chronicle. The four lengthy tracks reveal the true nature of improvised sound, group interaction, and thus, the essence of meditation. Like meditation, their music is very simple, yet extremely hard to ...
Jazz Musician of the Day: Charles Gayle
All About Jazz is celebrating Charles Gayle's birthday today! Charles Gayle blew down with hurricane force- the pun is too obvious- out of Buffalo. He drifted in and out of the first great free jazz scenes of the Sixties, playing with Pharoah, Archie Shepp, and other trailblazers. But he says now that his sound then was ...
Tibor Prettschnöder: The Largo And The Lame
by Mark Corroto
By now it is generally accepted that there is such a category as Germanic free improvisation. One separate from the Peter Brötzmann, Alexander von Schlippenbach, Günter Sommer, Peter Kowald, Manfred Schoof, Gerd Dudek, Albert Mangelsdorff, etc, etc. school of free jazz that machine-gunned its way into the European scene of the late 1960s. These new rebels ...

