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Jazz Articles about Charles Gayle

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Album Review

Arkady Gotesman: Music For An Imaginary Ballet

Read "Music For An Imaginary Ballet" reviewed by Ieva Pakalniskyte


Arkady Gotesman occupies a singular position in Lithuanian music scene, having performed across more than fifty international festivals and concerts as a percussionist, composer and interdisciplinary artist whose work spans jazz, contemporary classical repertoire, free improvisation, theatre, literature and film. Over four decades he has collaborated with an exceptional range of musicians--from Vyacheslav Ganelin, Petras Vysniauskas, Liudas Mockūnas, Anthony Coleman and Mats Gustafsson to Nate Wooley, Charles Gayle, Barry Guy and Dave Douglas, among many others--while also premiering works by Anatolijus Šenderovas, Osvaldas Balakauskas, ...

1
Radio & Podcasts

A Night at the Jazz Circus! - Companion Mixtape

Read "A Night at the Jazz Circus! - Companion Mixtape" reviewed by Ludovico Granvassu


From Charles Gayle's alter ego, Streets the Clown, to the music performed by the Kamikaze Ground Crew for the Flying Karamazov Brothers, from the countless jazz renditions of the iconi themes that Nino Rota wrote for Federico Fellini's movies to the equally countless jazz tunes inspired by circus acts... Jazz and Circus have a long history of cross-pollination. This mixtape is a fun-filled companion to the two parts of our show “A Night at the Jazz Circus!" [click ...

2
Album Review

Charles Gayle/Giovani Barcella/Manolo Cabras: Live In Belgium

Read "Live In Belgium" reviewed by Mark Corroto


Picking up any recording by the saxophonist (sometimes pianist) Charles Gayle always reminds me of the quote by actress Bette Davis' from the the film All About Eve (1950). After downing her martini in one gulp, Davis walks away, turns, and announces “fasten your seatbelts, it's going to be a bumpy ride." Not bumpy as in uneven or rutted here, but strident and earth-shaking music. Live In Belgium is no exception to that narrative. By now, the story ...

3
Album Review

The Charles Gayle Trio: Look Up

Read "Look Up" reviewed by John Sharpe


Fire-breathing saxophonist Charles Gayle has had to wait a long time for his ESP-disk debut. Allegedly, there was a 1974 session in the can, but the label folded in its earlier incarnation, before it saw the light of day. But now, a 1994 live date from Santa Monica has been issued on the revived imprint. Recorded during the spell that saw issue of such titles as Consecration (Black Saint, 1993), Kingdom Come (Knitting Factory Works, 1994) and Testaments (Knitting Factory ...

47
Album Review

Charles Gayle Trio: Streets

Read "Streets" reviewed by Jerry D'Souza


The cover of Streets shows saxophonist Charles Gayle in his titular clown persona, the look on his face conveying a multitude of emotion. And that is precisely what Gayle is all about--a musician who parlays love, joy, happiness, laughter and sadness into his music.Gayle packs a wallop in his playing. His approach drives a myriad shades, high registers dipping into soft contours, probing and dissolving into an all-out attack. The moment is defined in the instant, with surprise ...

175
Radio & Podcasts

Charles Gayle: Holiday Selection

Read "Charles Gayle: Holiday Selection" reviewed by Chris May


Downtown veteran, multi-instrumentalist Charles Gayle's style suits all sorts of situations. It works equally well as an irresistible morning wake-up call or an unusual choice of late night, post-coital soundtrack. Whether he is playing tenor saxophone or viola, once heard, Gayle is not quickly forgotten. With the holiday season upon us, the selection below is a great package to gift to in-laws. You may not see them often, but they are in your thoughts! ...

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Multiple Reviews

Charles Gayle: Live at Crescendo and Forgiveness

Read "Charles Gayle: Live at Crescendo and Forgiveness" reviewed by Jeff Stockton


By Any Means Live at Crescendo Ayler 2008 Charles Gyale Trio Forgiveness Not Two 2008

20 years ago Charles Gayle forged a reputation for iron chops, a relentless attack and Biblical fervor, a time when a 25-minute tune would have been considered the “short" one. In the intervening years as Gayle ...


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