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Amy Cervini: Jazz Country
by Dan Bilawsky
This album title is something of a double entendre. It references the jazz community that surrounds the lady of the hour, but it's really about the nexus that exists between the two American-born forms of music that make up its name. Therefore, it could be said that Jazz Country is missing a hyphen, but that's about ...
William Hooker: Heart of the Sun
by John Sharpe
Suddenly Heart Of The Sun from veteran drummer William Hooker's The Gift looks a whole lot more poignant. With the passing of trumpeter Roy Campbell in January 2014, Hooker has been deprived of one of his longest collaborators. Campbell first appeared alongside the drummer on Colour Circle (CJR, 1989) as part of the self styled three ...
Antonio Sanchez: New Life
by Phil Barnes
Ever felt as if modern jazz lost its way somewhere along the line? Too many artists constructing beautifully played, superbly recorded music that fails to connect at any emotional level whatsoever--it gets played a couple of times before being filed away in the collection never to emerge again. Well, the signs are more positive for this ...
Peter Danemo: Peter Danemo
by Eyal Hareuveni
Swedish drummer Peter Danemo leads his own groups and quartets. The first one featured the late pianist Esbjörn Svenssonand was called the Peter Danemo Kapell-- since the late eighties but his output as a leader is relatively rare. He is a diverse musician-composer and played in many Nordic outfits including ones that featured third stream jazz, ...
Albert Ayler: Lorrach, Paris 1966
by Glenn Astarita
This is the third edition of the original pressing by hatOLOGY records, containing re-masters of tenor saxophonist Albert Ayler's live performances in Lorrach, Germany, and live tracks recorded at the Paris jazz festival, culled from his 1966 European tour. In the liners, Peter Niklas Wilson asserts that the George Wein produced the Newport in Europe" tour ...
Griffith Hiltz Trio: This Is What You Get
by Dave Wayne
Groovy, somewhat off-kilter jazz is the order of the day for the Griffith Hiltz Trio, a young Canadian band comprised of reedman Johnny Griffith, multi-instrumentalist Nathan Hiltz, and drummer Sly Juhas. One novel aspect of their music is tied into the group's instrumentation. Hiltz simultaneously plays guitar while holding down the bass lines using pedals, just ...
Maciej Fortuna / Krzysztof Dys: Tropy
by Karl Ackermann
It remains largely unrecognized that the Polish jazz culture predates Louis Armstrong's invention" of modern improvised jazz. As early as 1923, Polish jazz musicians were touring Eastern Europe in the company of Chicago and New Orleans Dixieland players. The American perspective of Polish jazz is principally defined by trumpeter Tomasz Stanko, violinist Michal Urbaniak and pianist ...
David Helbock's Random / Control: Think Of Two
by Glenn Astarita
Inferring that his Germany-based trio is a multitasking machine would be an understatement. With a fleet of instruments at their disposal, the compositions are largely sinuous, vastly complex, and highly coordinated. The musicians toggle between instruments to alter the pitch, accent the rhythms or whirl through complex unison choruses while adding wit and whimsy into the ...
Fred Van Hove / Peter Jacquemyn / Damon Smith: Burns Longer
by Eyal Hareuveni
This unique, ad-hoc trio features Belgian master pianist Fred Van Hove, one of the architects of European free improvised music and close collaborator of influential European improvisers such as German reed man Peter Brötzmann, late bassist Peter Kowald, Dutch drummer Han Bennink, fellow countryman and double bassist (and sculptor) Peter Jacquemyn. Both of them rarely recorded ...
Dusan Jevtovic: Am I Walking Wrong?
by Glenn Astarita
Serbian guitarist Dusan Jevtovic employs a broad playing field on his debut effort for Moonjune Records. He's certainly one to watch as he comingles progressive rock, progressive metal and shreds with the guileful impulsion, occasionally witnessed in New York City downtown- like fare. The guitarist's animated delivery, features mind-bending crunch chords and stinging single note lines ...

