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Commander Cody and the Lost Planet Airmen: We Got a Live one Here!
by C. Michael Bailey
Pimply, hormonal, lower-middle class teenaged boys growing up in the 1960s and '70s were easy marks for fun, subversive, and slightly dangerous music. However, the music being consumed was mostly a generation or two beyond its origin. For Example, “Spoonful" on Cream's 1966 debut recording Fresh Cream (Atco) was an ear-opening introduction to extended performance that ...
Nate Wooley: Battle Pieces
by Mark Corroto
Someday trumpeter Nate Wooley is going to sell-out, abandon his principles, and make a smooth jazz record. He will give in to the pull of commercial success and create a disc of elevator music which can be played, but taken no heed of. I jest, because everything he creates necessitates the ear and mind's ...
Jax Jazz Collective: All the Things You Are: The Music of Jerome Kern
by Dan McClenaghan
This is a marvelous approach to making jazz recordings: picking one Great American Songbook composer at time and exploring a set of his tunes, with a personal touch. Pianist Oscar Peterson released a series of tributes to the Standards tune-smith's on Verve Record back in the 1950s, tagged “Songbooks," celebrating George Gershwin, Cole Porter, Richard Rodgers, ...
Michael Oien: And Now
by Budd Kopman
Having been part of the New York scene since graduating from Berklee in 2004, bassist/composer/arranger Michael Oien has obviously taken his time in making his first record. But it was worth the wait, because And Now is destined to be on many “Best Of Lists" for 2015. Leading a smoking and very ...
Bill Nelson: After The Satellite Sings
by Glenn Astarita
British guitarist Bill Nelson has been an industrious artiste since the 70s, especially after leading the short-lived, yet critically praised progressive rock unit Be-Bop Deluxe, where his formidable skills came to light. Since the 80s, he's compiled a vast discography as a solo artist amid a stint with the ambient rock band Channel Light Vessel among ...
Deep Tone Project: Flow
by Karl Ackermann
Beyond the recent headlines there is a cultural history in Ukraine that has influenced much of Europe and Western Asia since the middle ages. Under the Soviet regime, much of the country's classical and religious music was banned while the region's folkloric music not only thrived but, after Ukrainian independence, remained a defensive mechanism to counter ...
Soukast/Benjamin Taubkin: Sounds Of Life
by Dan Bilawsky
Electronic threads, street party drums, lively piano runs, meditative moments, metallic zest, and rhythmic seasonings all come to the surface when pianist Benjamin Taubkin and Soukast--the duo of Simone Sou and Guilherme Kastrup, two percussionists who artfully mix sampling into their work--set sail with “Pifaiada," the opening track on Sounds Of Life. There's ...
Chris Cortez: Top Secret (For Your Ears Only)
by C. Michael Bailey
Houston, Texas is such a hot bed of jazz music that it has its own jazz mafia. However, as of late the Houston jazz mafia's Godmother, vocalist Tianna Hall has been letting several of her high-ranking officers get away. First to go was trumpeter capo regime Carol Morgan, who decided to start her own jazz “Family" ...
Matthew Shipp Trio: To Duke
by John Sharpe
So has pianist Matthew Shipp finally clambered aboard the repertory album bandwagon? Certainly on To Duke he addresses seven standards derived from the Ellington Orchestra, alongside four originals. But if you cast an eye over Shipp's discography you'll find such pieces are nothing new. Actually popular songs constitute an enduring part of his repertoire. What's unusual ...
Kyle Nasser: Restive Soul
by Budd Kopman
Saxophonist Kyle Nasser's background story is very interesting. Very involved in jazz from grade school through college at Harvard, he nevertheless was enrolled as an economics and political philosophy major. That is, until he heard Hank Jones give a master class and play a gig, which (making the story a bit compressed) completely changed his life's ...
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Interview
Bill Bruford And Pete Roth: A One-Of-A-Kind Juxtaposition
Interview
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Live Review
Arcanum at Victoria Nasjonal Jazzscene, Oslo
Phil Schaap's Jazz Room
Franc Williams: Live From The West End
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801 Live at 50: A Short-Term Experiment with a Long-Lasting...
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