Home » Jazz Articles » Album Review » Matthew Shipp Trio: To Duke

6

Matthew Shipp Trio: To Duke

By

View read count
Matthew Shipp Trio: To Duke
So has pianist Matthew Shipp finally clambered aboard the repertory album bandwagon? Certainly on To Duke he addresses seven standards derived from the Ellington Orchestra, alongside four originals. But if you cast an eye over Shipp's discography you'll find such pieces are nothing new. Actually popular songs constitute an enduring part of his repertoire. What's unusual here is the focus on several from the same songbook on the same set. But there's no question of special treatment. In terms of development they often sound little different from other trio inventions. Typically Shipp uses the written material to establish a mood and act as reference points amid the flurries of tangential interplay.

Shipp's accomplices possess the prowess to follow him wherever he goes, though they also have the freedom to choose not to follow him at all. Bassist Michael Bisio offers oblique commentary on the leader's distinctive stylings, whether through plaintive upper register pizzicato or buzzing bow work. On drums, Whit Dickey provides the bedrock of multi directional meter which both creates tension and allows and encourages the pianist's digressions. Shipp's renditions of familiar strains engender a lighter than usual feeling from his patented blend of insistent motifs, sparkling runs and hammered single keys, largely eschewing the customary crashing depth charges.

Shipp's approach recalls a refurbishment of a classic building where the facade remains largely intact but hides an ultra modern complex behind. While Shipp opens the program alone with stirring chords and a rolling cadence on "Prelude to Duke," "In a Sentimental Mood" ably illustrates the trio's modus operandi. Although Shipp revels in the theme, the rhythm team might be pursuing unrelated charts. Dickey lays down a lattice of polyrhythmic layers, while Bisio's counterpoint mediates between the two. But it all makes sense when Shipp leaves the tune for a minimalist chiming sequence nonetheless in the same register and tempo. Then when Bisio and Dickey do eventually lock into the same beat they conjure a glorious surging quality, which ends the track on a high.

"Satin Doll" begins with a playful call and response between piano and bass. In their hands, time expands and contracts, until Shipp spins off in a string of dizzily mutating figures. While threeway interaction prevails as the prime directive of the day, Bisio tackles "I Got It Bad and That Ain't Good" solo, moving from sighing slurs via world weary melancholy to a veritable blizzard of notes, which acts as a suitably engaging foretaste of the rapid clip of the ensuing "Take the A Train." At times the bassist sounds as if he is hanging on for dear life in a welter of dashing piano lines and pulsing drums, before a thunderous climatic derailment. Later on "Dickey Duke" the drummer stars in a series of unaccompanied breaks for his throbbing perpetual motion tattoo.

By the close, it is clear that though nominally an exploration of Ellington, the recital is in fact essential Shipp.

Track Listing

Prelude To Duke; In A Sentimental Mood; Satin Doll; I Got It Bad And That Ain’t Good; Take The A Train; Mood Indigo; Dickey Duke; Tone Poem For Duke; Prelude To A Kiss; Sparks; Solitude.

Personnel

Matthew Shipp: piano; Michael Bisio: double bass; Whit Dickey: drums.

Album information

Title: To Duke | Year Released: 2015 | Record Label: Rogue Art

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.