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Lindsay Cooper, Fred Frith, Gianni Gebbia, Lars Hollmer: Angels on the Edge of Time
by Alberto Bazzurro
A scorrere il parterre degli improvvisatori riuniti quel 30 maggio 1992 a Bologna per Angelica, la gloriosa rassegna che viveva allora il suo secondo anno di attività, non ci s'immaginerebbe di imbattersi poi in un prodotto così sostanzialmente amorfo, privo di reali sbocchi creativi, in soldoni di un'adeguata capacità di tener desta l'attenzione di chi ascolta. ...
Jens Jefsen: A Secret Sigh
by Mark Sullivan
Veteran Danish bassist Jens Jefsen could be a one-man band, but instead he accomplishes a rare feat here: a bass-centric recording that does not sound like a “bass album." Each track includes multiple bass parts--pizzicato and arco--along with percussive bass sounds and other percussion by Jefsen. While this description may sound like an endless bass solo, ...
Susana Santos Silva, Lotte Anker, Sten Sandell, Torbjörn Zetterberg, Jon Fält: Life and Other Transient Storms
by John Sharpe
Portuguese trumpeter Susana Santos Silva has become increasingly prominent on the European scene. When she was invited to put together a band for the 2015 Tampere Jazz Happening in Finland, she came up with the talented cast showcased here. Swedish bassist Torbjorn Zetterberg has worked with her before on Amost Tomorrow (Clean Feed, 2013) and If ...
Louisiana Soul Revival: Louisiana Soul Revival Featuring Doug Duffey
by Chris M. Slawecki
Louisiana Soul Revival (LSR) frontman and primary composer Doug Duffey--already enshrined in the Louisiana Hall of Fame (in 2001) and the National Blues Hall of Fame (2009)--sure knows his musical roots. “North Louisiana, in the Mississippi Delta, has deep musical roots in the blues, Memphis soul, southern gospel, rock 'n' roll, folk, and hybrids that are ...
West Coast Chamber Jazz Trio: L.A. Strictly Confidential
by Alberto Bazzurro
Quarant'anni di Ictus, ventiquattro di States, diciassette come cittadino americano: con alle spalle questi numeri, se vogliamo persino pedissequi (ma significativi), Andrea Centazzo approda a un nuovo album, di rimpatriata jazzistica. Lo certifica lui stesso, affermando: “Il West Coast Chamber Jazz Trio riprende stilemi di quel genere, trasformando composizioni del mio repertorio (dall'opera lirica all'orchestra e ...
Rosa Brunello Y Los Fermentos: Upright Tales
by Giuseppe Segala
La tradizione del contrabbassista-leader è una consuetudine che nel jazz ha dato frutti sapidi. Da Charles Mingus a Charlie Haden e Dave Holland, fino ai più recenti Chris Lightcap, Ben Allison e Michael Formanek, ma senza dimenticare la grande forza creativa di William Parker, il contrabbassista-leader ha sempre dato un'impronta forte all'impostazione di gruppi originali. Forse ...
Beekman: Vol. 02
by Dave Wayne
Beekman is a super-tight collective quartet whose members hail from three (count 'em) different continents. Pianist Yago Vazquez is from Spain, reedman Kyle Nasser is an American, and the entire rhythm section--bassist Pablo Menares and drummer Rodrigo Recabarren--hails from Chile. Their prosaically-titled sophomore album, Vol. 02, is more-or-less in the same brainy-but-chill modern jazz style as ...
Joyce Moreno: Cool
by C. Andrew Hovan
Since the late '60s, Brazilian guitarist and singer Joyce Moreno has been one of the most iconic members of the MPB movement, pushing the envelope way past the traditional bossa novas of Jobim. In the early '80s, albums such as Feminina and brought Joyce an international following that she continues to enjoy to this day. Her ...
Lauren Bush: All My Treasures
by Dan McClenaghan
Toronto-bred and now London-based Lauren Bush introduces herself --on her debut, All My Treasures--as a traditional, vivacious, and supremely confident vocalist, in the mode of Ella Fitzgerald or Anita O'Day. And the tunes she calls her treasures are mostly from the familiar end of the Great American Songbook spectrum. The voice is sassy/brassy, horn ...
Zarabande: El Toro
by Roger Farbey
Alfred “El Toro" Flores has been on the San Antonio music scene for more than 30 years, playing in a number of different bands and genres. He's also something of a multi-instrumentalist, in addition to marimba, he plays vibraphone, xylophone and guitar. El Toro reflects Zarabande's proclivity for his own brand of electrifying Latin jazz.
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