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Bill Anschell: Rumbler
by Paul Rauch
Seattle's eclectic jazz scene has produced a long line of significant voices that have impacted the music on a national and international level. Bill Anschell, as a pianist and composer certainly falls into that category that has produced the likes of Ray Charles, Quincy Jones, Ernestine Anderson, and presently, trumpeter Thomas Marriott. His new Origin Records ...
Club d'Elf: Live at Club Helsinki
by Karl Ackermann
Who (and what) defines the Boston-based, dub-jazz Club d'Elf is an enigma. At the core, the “group" is bassist and composer Mike Rivard and drummer Dean Johnston. Rivard has far-flung history ranging from Either-Orchestra to the Boston Pops Orchestra and the cult rock group Morphine. Johnston had perused a career in the Athens, Georgia music scene ...
Dragonfly Breath III: Live at the Stone: Megaloprepus Caerulatus
by Mark Corroto
Today's zen koan: why does a watched pot never boil? The answer to that question is found in the music of Dragonfly Breath III: because it is always boiling. The roil we speak of comes from the quartet of saxophonist Paul Flaherty, trombonist Steve Swell, violinist C. Spencer Yeh, and drummer Weasel Walter. The ...
Matthew Shipp Trio: Piano Song
by Jakob Baekgaard
Depending on your perspective, tradition can both be a blessing and a burden. Especially in jazz, it is hard to say something new and this is true as well when it comes to the noble art of the piano trio. Thelonious Monk has been there, Bill Evans has been there and Cecil Taylor has been there--just ...
Lockout Station: Lockout Station
by Dan Bilawsky
Interlaced interplay, clarity of instrumental voices and expressions, liquid lyricism, and rhythmic precision are the hallmarks of Lockout Station's work. This articulate and adventurous Las Vegas-born trio turns the highway on the cover of its eponymous debut into a road to anywhere and everywhere, navigating and accentuating the bends and turns while annexing various cultures and ...
Crystal Moth: Crystal Moth
by Glenn Astarita
This London-based quintet started as a duo with drummer Paul May and percussionist Patrick Dawes, but eventually expanded into a quartet due to a series of meetings and encounters among additional musicians. Otherwise, May and keyboardist Carolyn Hume performed as a duo and released several intriguing minimalistic, melodic, jazz-improvisation framed outings for the largely, experimental and ...
MoFrancesco Quintetto: Kucheza
by Sacha O'Grady
Jazz has certainly come a long way since its early beginnings, whose free spirit and richness of form means that one could easily spend a whole lifetime marvelling at its infinite variety. And none more so than on Kucheza, the MoFrancesco Quintetto's sublime and engaging new album. Based in Lisbon, Portugal, European jazz doesn't get any ...
UADG: How to Build a City
by Jim Olin
The Italian trio UADG may have been trying to illustrate a blueprint for creating a metropolis on their new album, but they probably ended up inventing a new sub-genre instead. Fusing indie, progressive rock, dream pop, improvisational and avant-garde jazz, UADG defy categorization on How to Build a City. The band build layers of atmosphere and ...
Albert Marques Trio: Live In The South Bronx
by Dan Bilawsky
There's something uncommonly special about the way that the young Spanish pianist Albert Marques manages to wed elegant expressions with rumbling designs in his work, limning the very nature of his being and his adopted Bronx turf through fingers and keys. He's “tough but sweet" according to Arturo O'Farrill, who penned the liner notes for this ...
Umbra: Umbra
by Ian Patterson
Dublin guitarist/composer Chris Guilfoyle's Umbra has been around for half a decade, so its debut album can be seen as the product of patience and endurance. Critically acclaimed performances at the IMC's Down With Jazz and 12 Points festivals, as well as Bray Jazz, have helped raise the band's profile, but with band members not always ...
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